Allan Marquand Papers, 1858-1951 (mostly 1878-1950)

Contents and Arrangement

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Collection Overview

Creator:

Marquand, Allan, 1853-1924.

Title:

Allan Marquand Papers

Repository:

Manuscripts Division

Permanent URL:

http://arks.princeton.edu/ark:/88435/g445cd14g

Dates:

1858-1951 (mostly 1878-1950)

Size:

54 boxes and 27.2 linear feet

Storage Note:

Firestone Library (scamss): Box 1-53

Language:

English

Abstract: Consists of the papers of Allan Marquand, Princeton art professor, founder of the University's Department of Art and Archaeology, and first director of its Art Museum.

Collection Description & Creator Information

Scope and Contents

The collection contains the personal papers of Allan Marquand--including manuscripts, correspondence, photographs, miscellaneous material, and printed matter--reflecting his career in the art world, especially as an expert and cataloguer of the works of the Robbia family. Included are manuscripts for Decoration of the Ceppo Hospital at Pistoia (1902), Della Robbias in America (1912), "Some Works by Donatello in America" (1913), and Strzygowski and His Theory of Early Christian Art (1910). There is also material dating from his earlier years as a student when his interests were in the field of theology and philosophy, specifically, logic.

The papers as a whole contain material for historians of Princetoniana, for there is material both direct and tangential which deals with the life of Marquand the student, founder of the Department of Art and Archaeology, chairman of the department, director of the art museum, and founder of the library that was later named for him. Related material includes the manuscript for "Painting by Hieronymus Bosch in the Princeton Art Museum." Marquand's interests extended into the greater Princeton community, and the collection chronicles the history of the Princeton Battle Monument, culminating in its dedication in 1922.

Included in the collection are the papers of Eleanor Cross Marquand, wife of Allan Marquand and an authority in her own right on the identification of plant symbolism in art. Many of the notes, manuscripts, photographs, and slides she used for her articles and speeches can be found here. There are also papers of Marquand's father, Henry Gurdon Marquand, one of the founders and original benefactors of the Metropolitan Museum of Art.

Collection Creator Biography:

Marquand, Allan, 1853-1924.

Allan Marquand was born on December 10, 1853, the son of Henry Gurdon Marquand, a prominent New York banker who was an original benefactor and co-founder of the Metropolitan Museum of Art. Marquand became the salutatorian and president of the Princeton Class of 1874, and studied theology at the Princeton Theological Seminary for three years following graduation. He later received a Ph.D. in philosophy from Johns Hopkins University. During his time at Johns Hopkins, Marquand studied logic and was introduced to "logical machines," mechanical devices built to follow logical algorithms which are often considered precursors to modern computers. He constructed his own logic machine, on display in Fine Hall library, during his early years as a professor at Princeton.

As a professor at Princeton, Marquand founded Princeton's Department of Art and Archaeology. He shares with Charles Eliot Norton of Harvard the distinction of being the first to introduce the serious study of art into the curriculum of the American college. Marquand also became the first director of the Princeton Art Museum and made numerous important gifts to its collection. His own life work was an eight-volume catalogue raisonné of the works of the ateliers of members of the Robbia family, 15th- and 16th-century Florentine sculptors and ceramists.

Collection History

Acquisition:: Given by Mrs. Douglas Delanoy, daughter of Allan Marquand, over a period of time, from 1952 to 1980 .
Accruals: No further accruals are expected.
Appraisal: No appraisal information is available.
Processing Information: This collection was processed by Judith Golden in 1985. Finding aid written by Judith Golden in 1985.

Access & Use

Conditions Governing Access

The collection is open for research.

Conditions Governing Use

Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

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