The collection, assembled by staff of the University Archives, contains captures of public websites created and maintained by various student organizations at Princeton University. The collection does not contain exhaustive captures of all public student organization websites.

The Faculty Oral History Project was conducted by Richard Challener, Class of 1944, under the direction of Princeton University Archivist Ben Primer. The collection consists of audio files of interviews with faculty members of Princeton University about their experiences at Princeton.

Richardson Auditorium (formerly known as Alexander Hall) is Princeton University's premiere performance venue for a wide variety of events including concerts, plays, lectures, and dance performances. The collection consists of programs for performances and other events held at Richardson Auditorium.

Files include correspondence about the founding of Princeton University Libray's William Seymour Theatre Collection, the gala dinner opening night, efforts to enlarge the collection in the 1940 to 1960s, and descriptive writings about the collection by the various curators.

This collection contains presentation boards related to the design, construction, renovation and expansion of Princeton's grounds and buildings. In addition, the boards include those used for planning purposes, student housing strategies, insurance purposes and recording of features such as fallout shelters, and electrical feeders. The boards primarily include floorplans, artistic renderings, elevations and campus footprints.

Since its introduction in the mid-1920s the senior thesis has been a core element of the undergraduate curriculum at Princeton University. The collection contains the senior theses of Princeton undergraduates.

Advertising material, mostly catalogs, from publishers and sellers of children's books, toys and educational products.

Consists of original poems, stories, and essays that were printed in the special Autumn 2001/Winter 2002 issue of the Princeton University Library Chronicle on Jewish American writers.

This collection contains more than 2,300 items, including film, videotapes, compact discs, audio cassette tapes, reel-to-reel tape, and record albums and covers a broad range of topics including classical music, alumni reunions, lectures, and interviews.

The American Whig-Cliosophic Society (1941-present) is a literary, political and debating society which has had an important impact on the lives of generations of Princeton students. It provides students with both social alternatives and an opportunity to develop skills not emphasized by the University curriculum. The contents of the initial group of records were acquired between 1941 and 1993 in agreements between Princeton University and the American Whig-Cliosophic Society. The library initially cataloged some of these records into the P Collection. Subsequently, an attempt was made to organize some of these records in 1975.

Consists of an open collection of photographs by Prokopiou.

Consists of an open collection of photographs by Geralēs.

Consists of an open collections of Spyros Meletzēs photographs.

Papaioannou was born in Lamia and grew up in Athens (Greece). She began working as a photographer during the 1930s, concentrating at first on studies of landscapes, monuments and archaeological exhibits. The outbreak of war in 1940 marked a turning point in her career, as she was intensely affected by the suffering of the civilian population of Athens. Realizing the power of her camera to arouse people's conscience, she documented the troops departing for the front, the preparations for the war effort, and the care received by the first casualties. When the capital was in the grip of starvation, she revealed the horrors of war in her moving photographs of emaciated children. After the liberation, as a member of the photographic unit of UNRRA (United Nations Relief and Rehabilitation Administration), she toured the ravaged Greek countryside recording the difficult living conditions faced by its inhabitants. She often exceeded her brief, immortalizing the faces and personal stories of ordinary people in photographs that stressed dignity rather than suffering. During the 1950s Papaioannou's work expressed the optimism that prevailed in the aftermath of the war with respect to both the future of mankind and the restoration of traditional values. Nevertheless, her photographs of the historic Greek landscape are not in the least romantic, but instead portray it as harsh, barren, drenched in light, and its inhabitants proud and independent, despite their poverty. Voula Papaioannou's work represents the trend towards "humanitarian photography" that resulted from the abuse of human rights during the war. Her camera captured her compatriots' struggle for survival with respect, clarity, and a degree of personal involvement that transcends national boundaries and reinforces one's faith in the strength of the common man and the intrinsic value of human life. (http://www.benaki.gr/index.asp?id=1020103&lang=en) Consists of an open collection of Papaiōannou photographs.

Kostas Zēmerēs was born in 1886 in Katēchōri Pelion. He studied at the Commercial School of Volos, where he took his first lessons from the painter Iōannēs Poulakas. In 1904 he went to the United States where he worked in photo labs collaborating with painters and photographers. There he had the opportunity to study at the Art Institute of Saint Louis. He returned to Greece in 1912 where he was recruited during the Balkan Wars. Later, after the World War I, he remained in Athens working with great photographers, such as George Bouka and Nelly's. Finally he returned to Volos where he worked as a professional photographer and painter. He participated in many exhibitions in Greece and abroad, such as in Calais (France) in 1925 and Liverpoool (England) in 1926. He received the gold medal at the International Exhibition of Thessalonikē (Greece) in 1932 and 1936. Zēmerēs gave us the unique photographs of the painter Theophilos Chatzēmichaēl. He died at the age of 96. Consists of an open collection of silver prints depicting Greek landscapes by Kōstas Zēmerēs.

Consists of book prospectuses, invitations, greeting cards, and other items printed by private and small presses in the United States, and various countries throughout the world.

Consists of material from and about the exhibitions held by the Special Collections in Firestone Library, primarily concerning subjects relating to American and English literature and art.

Graduate work in a formal sense emerged at Princeton in the 1870s when President James McCosh added new faculty and graduate fellowships. This collection consists of theses submitted toward the fulfillment of requirements for master's degrees at Princeton University.

Consists of books, maps, scrapbooks, posters, and other materials.

Consists of postcards relating to Mexican tourism.