Pamphlets, articles, pronouncements, and other miscellaneous items from the following sources:

This collection contains pamphlets, bulletins, posters, and other miscellaneous items addressing a variety of agrarian issues in Peru, including farming techniques and practices, environmental concerns, land reform, political-economic aspects of agriculture, and the controversy over coca production.

(see also File 7: History, File 16: Religious Study and Education)

Materials included are related to Cotsen's time working at Neutrogena. Items include Cotsen's personal and business effects, photo albums, Neutrogena souvenirs and ephemera, awards and certificates given to Cotsen, and video cassettes related to the business. Material also includes documents related to Cotsen's contributions to Neutrogena's art collections and exhibitions as well as inventories of art stored at the Neutrogena offices (including documents related to art that Cotsen bought from Nuetrogena and added to his private collection after Johnson and Johnson bought Nuetrogrena in 1994).

The Lloyd E. Cotsen Papers consist of papers and personal items of Lloyd Cotsen's related to his time as an executive at Neutrogena Corporation, his art and book collection practices, his philanthropic contributions, his archaeological interests, and photographs shot by Cotsen. Items related to the production of Cotsen Occasional Press publications are also included. Material dates from 1949 to 2021.

This microfilm consists primarily of pamphlets published by non-governmental organizations and government agencies from various Latin American countries in relation to women and gender issues. The bulk of the material was published during the 1980s and 1990s.

This collection contains materials published and/or distributed in Cuba by the Catholic Church and affiliated organizations, and issued between 1904 and 1998.

This collection contains religious publications from Protestant churches and organizations in Cuba.

Contains books shelved on Wall 1, i.e. the wall through which one enters the Studio. It includes a run of Anglophone literature in approximate alphabetical order (running from The Oxford Book of English Verse (1.6.1.1) and Paul Auster (1.6.1.2) to Israel Zangwill (1.6.5.28) and a little beyond to photocopied material on Shakespeare and Coleridge (1.6.6.1).

Contains books shelved on Wall 2, i.e. the wall to the left when entering the Studio.

Contains books shelved on Wall 3, i.e. the wall facing the door to the Studio.