Includes 2 Russian Orthodox tropers and 2 quadriptychs dating from the 18th-19th centuries.

Consists of an anonymous German-speaking scholar's manuscript drafts, research notes, extracts from 17th- and 18th-century printed books (identified by author and title), transcriptions of Roman inscriptions, documents, and other materials pertaining to ancient inscriptions and coins.

Benjamin Kennicott was a biblical scholar who specialized in the collation, translation, and publication of Hebrew texts. He held positions as Vicar of Culham (1753-1783) and Radcliffe librarian at Oxford (1767-1783). Collection consists of selected manuscripts by or related to Kennicott.

Consists of material Matthew L. Davis (1773-1850) kept while researching his Memoirs of Aaron Burr (New York: Harpers & Bros., 1837).

Collection of photographs by Vassilaki Kargopoulo. Images depict a wide range of sites and subjects in and around Istanbul, including the Princes' Islands in the Sea of Marmara, Adrianople, as well as the greater area of Bosporus. There are also images of traditional professions and costumes. On the reverse of several photographs, there are attached etchings of historical buildings in Istanbul, Turkey.

James Robertson was one of the first prominent traveller-photographers to depict scenes of mid-nineteenth century Greece. Of Scottish descent, he has been identified as the engraver James Robertson, who worked in London around 1830. He first settled in Constantinople in 1841, where he spent forty years of his life working as a master engraver in the imperial mint. His photography career began in the early 1850's when he opened a photographer's studio in Peran, the European district of Constantinople. His photographs, which were immediately popular among the art lovers of his period, appeared in international exhibitions in Paris and London and were frequently reproduced in the leading periodical "The London Illustrated News". He died in 1888 in Yokohama. Robertson earned his place in the history of photography with his coverage of the Crimean war, and with his photographs of Constantinople and other historical Mediterranean sites, such as Athens, Malta, Damascus, Egypt and the Holy Land. A close study of his work in Athens reveals that he first visited the city in 1853-1854 and probably returned later with Felice Beato, another renowned, somewhat younger, photographer. The monuments of the Acropolis (Propylaea, Temple of Athena Nike, Parthenon, Erechtheum) and the city of Athens (Temple of Olympian Zeus, Tower of the Winds, Gate of Athena Archegetis, Lysicrates Monument) as well as the Temples of Poseidon in Sounion, Aphaia on the island of Aegina, and Apollo in Corinth were magnificently portrayed by his camera while contemporary Athens was only infrequently depicted or used as a setting for its ancient remains. Although he rarely photographed people in his early work, in later work he handled them with consummate skill as a means of alleviating the monotony of ancient ruins and as an allusion to contemporary paintings. (http://www.benaki.gr/index.asp?id=1020101&lang=en) Consists of an open collection of photographs of Robertson.

Consists of a selected group of over sixty photographs of Native American people collected by Christopher Cardozo (1948-2021), an American art collector, dealer, publisher, and photographer. Mostly taken by white photographers in the mid to late 19th century and around the turn of the 20th century, these photographs depict people from the following Indigenous communities (and likely others that are unidentified): Sioux, Dakota, Chippewa (Ojibwa), Winnebago, Duwamish, Paiute, Ute, Yuma, Mojave, Arapaho, Apache, Gila, Maricopa, Kiowa, Nez Perce, Flathead (Salish), and Comanche.

Consists of an open collection of photographs of Ottoman scenes by Rubellin et fils, a French photography studio based in Izmir, Turkey..

Consists of an open collection of photographs by the Italian photographer L. Fiorillo.

Consists of an open collection of photographs by the Greek photographers C. & G. Zangaki.

Each volume or set of volumes in the Princetoniania Collection is represented in the Princeton University Library Main Catalog, which is searchable by title, author, or call number.

Consists of hand-corrected proofs of Alexandre Dumas père's 1854 play, La Jeunesse de Louis XIV, as revised by Alexandre Dumas fils, circa 1874. Written by Dumas père while he was in exile in Belgium, the play was rejected by censors in Paris. Although it was published in the Michel Lévy's edition of Dumas père's Théâtre Complet, the play had only been performed in Brussels, Belgium. This version by Dumas fils contains rewrites, additions, and cuts throughout, and was performed in Paris in 1874.

Consists of an open collection of Stephanos Stournaras photographs of Greece.

Consists of an open collection for general photographs of sites and subjects in Greece.

Consists of an open collection of photographs of Istanbul [Constantinople] and surroundings, most of which are by the Istanbul photography firm of Abdullah Frères.

This is an open collection of photographs by Mirhan Iranyan. Currently, there are 73 photographs of Constantinople [Istanbul], Turkey.

This collection consists of five cabinet card Albumen photographs and one photograph album. The cabinet cards depict depict Pikes Peak in Colorado and the surrounding environs. The photograph album consists of 115 images of Colorado primarily, with some images of New Mexico, that depict various scenes of frontier towns, railroads, and natural landscapes. Most, if not all, of the photographs can be attributed to the American photographer William Henry Jackson (1843-1942), known for his iconic Indian portraits and landscape photographs of the American West.

Consists of a large bound volume of nine black-and-white photographs by American West photographer Ben Wittick, probably taken between 1880 and 1903.

Consists of twenty ethnographic albumen prints of North American Indians, commissioned by Prince Roland Bonaparte and photographed by Alfred Ayotte, plus two additional photographs of Bonaparte.

Consists of a collection of twenty-two photographs documenting logging equipment, camps, crews, working conditions, and family life, primarily in Western Washington and Northwest Oregon along the Columbia River during the late 19th and early 20th centuries.