The Office of Development is the centralized administrative unit which oversees Princeton University's many fundraising programs. Consists exclusively of closed donor files created and maintained by Princeton University's Office of Development. No other administrative records are included.

Samuel W. Lewis (1930-2014) was an American diplomat who is best known for his 1977-1985 service as U.S. Ambassador to Israel and active presence during the 1978 Camp David Summit. The Samuel W. Lewis Papers consist of speeches, correspondence, journals, oral history transcripts, and scrapbooks documenting Lewis's long career in the U.S. foreign service.

Robert Vossler Keeley ('51) was a U.S. Foreign Service member and writer who served in a number of posts. The Robert V. Keeley Papers consist of reports, correspondence, writings, journals, and photographs from the breadth of Keeley's career, including his Foreign Service postings in Uganda, Cambodia, Mauritius, Zimbabwe, and Greece, as well as correspondence and other materials created and kept by Robert Keeley's wife, Louise Keeley.

Consists of Robert Moore's files on Ernest Gordon (1916-2002), WWII veteran, author, and former Presbyterian dean of the Princeton University chapel, including correspondence, applications, programs, clippings, and other materials relating to Moore's nomination of Gordon for the 2002 Templeton Prize for Progress in Religion; the motion picture "To End All Wars" (2001) based on Gordon's book "Through the Valley of the Kwai" (1962) (including the DVD); Gordon's death; and CREED (Christians Efforts for the Emancipation of Dissidents). Correspondents include Gordon and other notable figures.

The Robert F. Goheen Papers contain records that Robert F. Goheen kept mainly before and after he was president of Princeton University (1957-1972). They include files Goheen kept as a graduate student, instructor and professor in Princeton University's Department of Classics for the period 1939-1957. The collection also contains U.S. army records for 1942-1945, when Goheen had interrupted his studies for service in the Second World War, and for 1945-1956, when he served in the Officers Reserve Corps. The majority of the files concern Goheen's post-presidential years, when he was Chair of the Council on Foundations (1972-1977), Ambassador to India (1977-1980), and Director of the Mellon Fellowships in the Humanities (1981-1998), as well as Senior Fellow Public and International Affairs at Princeton's Woodrow Wilson School. In addition, the collection contains some speech notes Goheen kept and some photographs of Goheen from his tenure as President of Princeton University.

Richardson Auditorium (formerly known as Alexander Hall) is Princeton University's premiere performance venue for a wide variety of events including concerts, plays, lectures, and dance performances. The collection consists of programs for performances and other events held at Richardson Auditorium.

La colección consiste de borradores, incluyendo prosa, poesía, y guiones; ensayos y crónicas; poesía visual; material de investigación; diarios; cuadernos; material impreso con entrevistas y textos de Pedro Juan Gutiérrez; recortes; fotografías; correspondencia; archivos digitales; y otros documentos.

El archivo de Alma Concepción consiste principalmente en 43 álbumes de la bailarina, educadora y coreógrafa puertorriqueña Alma Concepción, que contienen fotografías, recortes, programas, cartas, tarjetas postales, folletos, material de difusión y memorabilia. También incluye escritos de Alma Concepción, material de investigación, imágenes digitales, recuerdos, afiches y partituras musicales.

Livia Plaks was a co-founder of the Princeton-based Project on Ethnic Relations (PER) and served as executive director. This collection includes publications, correspondence, subject files and photographs created by Plaks relating to the PER.

Consists primarily of professional correspondence of literary scholar, author, and novelist Ralph Freedman (1920-2016).

This collection comprises a diversity of pamphlets, flyers, posters, newspapers, and other documents produced by political parties, women's organizations and movements, political and cultural organizations, city and state governments, as well as other publishers from Argentina.

Charles Ruas is an American author, interviewer, editor, literary and art critic, and French translator, who served as the Director of the Drama and Literature Department for New York's Pacifica radio station WBAI-FM in the late 1970s and interviewed writers for radio broadcast and print, including Toni Morrison, Michel Foucault, Carlos Fuentes, Eudora Welty, Susan Sontag, Truman Capote, Buckminster Fuller, Andy Warhol, Mario Vargas Llosa, and others. Included are photographs and documents on Allen Ginsberg and William Burroughs, the St. Marks poetry project, and avant-garde artists and performers. The papers include transcripts and audiocassette tapes of Ruas's interviews with authors and artists, as well as typescripts and galleys of work by writers Ruas edited, including Marguerite Young, and some related photographs, notes, recordings, and correspondence. There are also some translations and other writings by Charles Ruas, as well as a collection of family photographs and papers documenting the history of his family in Tianjin, China, from the 1860s through the mid-20th century.

The collection consists of the editorial files and personal papers of Margaret K. McElderry. Publisher files include editorial correspondence, legal documents, and production files related to specific authors and publications.

Jeri Schaefer h69 was the executive director of PICS at the time of the transition and had custody of PICS operational records. Budgetary documentation, annual reports, grant information, and photographs of past interns and events make up the bulk of the records

Formed in the fall of 1972 under the direction of Coach Penny Hinckley, the Princeton Women's Lacrosse team was the first women's team at Princeton to reach an NCAA Final. The collection documents the history of the Princeton Women's Lacrosse team and contains a variety of records including clippings, statistics, schedules, practice notes, and a number of videorecordings of games. Also included are a limited amount of videorecordings, photographs and publications on women's field hockey.

La colección consiste mayormente en materiales relacionados con los diversos proyectos/obras de Roberto Gottardi y materiales relacionados con sus actividades docentes como profesor de arquitectura. Incluye apuntes, modelos y esquemas, planes de clases y material de estudio, material impreso, correspondencia, material fotográfico, planos arquitectónicos y otros materials.

The collection consists of pamphlets, reports, flyers, workbooks, and other materials relating to educational policies and their implementation, to social activism and political participation, and to alternative views on the role of education in Chilean society.

Princeton University Players (PUP) was formed in 1986 as the only all student-run musical theatre organization on campus, with six productions each season. The Princeton University Players Records consists of programs and posters from 1986-2012, as well the script from their first production.

Princeton University's Program in Women's Studies was founded in 1981. The collection consists of articles related to women's issues from the Daily Princetonian and other local publications, as well as clippings on other subjects such as University investments in South Africa and the program's public website.

The Princeton University Presidents Oral History Project consists of two projects undertaken by the Princeton University Archives in conjunction with the Office of the Secretary to document the recollections and reminiscences of Princeton University's 16th president and seventeenth Presidents Robert F. Goheen and William G. Bowen. Consists of taped interviews with former Princeton Presidents Robert F. Goheen William G. Bowen and accompanying transcripts, as well as a Goheen video retrospective titled 'Reflections of a President' produced for a 2006 Princeton University Library exhibit.