Image number: 26065. Former box number PP002.

Folder or item number: 32. Additional information: Group shot, in front of Reunion Hall. Former box number AD18.

Folder or item number: 32. Additional information: Group shot, steps of Whig Hall. Former box number AD18.

Jottings, incomplete articles, and scraps. Many contain notes by Margaret Miller, attempting identification. Includes scraps of an article on greenbacks, and one on Jackson; some writings on sale of liquor in Princeton (1882).

Reports, essays on religious topics, and sermons composed in accordance with studies at Princeton Theological Seminary. (John Miller graduated in 1841.) Includes also other student papers, two small chemistry notebooks, two lists of writing topics; a list of the empirical class; "The Seven Sleepers" (an oratorio translated from the German); some notes on the Bible.

Typescript subject analysis of the letters to and by John Miller which are part of this collection. Seventy-eight general topics, i.e., European Trip; letters about trial; Churches - Frederick City, MD., etc. Prepared at Princeton University Library.

This subseries contains correspondence from Isaac Bulsingh in London to Ralph Radcliffe at Hitchin concerning business matters. The letters include references to Aleppo (Syria), Ireland, Jamaica, Gibraltar, Cadiz (Spain), and Holland. Includes an incomplete anonymous letter to John Radcliffe, probably written from America in 1775-6, mentioning the death of Dr. Warren (presumably Joseph Warren, killed at The Battle of Bunker Hill 1775) and the fact that the British troops were safely in Boston. Also includes a letter from Rome dated 1760 and addressed to Dr. Charlton by Peter Stephens. This subseries is organized by topic.

Consists of correspondence and manuscripts related to the anthology Democracy at the Crossroads (1932), arranged by Ellis Meredith, a suffragist and journalist from Colorado.

Thomas Oldham Barlow was an English mezzotint engraver, best known for his engravings of the works of John Phillip and Sir John Everett Millais. The collection consists of selected correspondence of Barlow to friends and relatives.

ALS; 2 pp. Letter from an unknown correspondent found between the pages of one of the Catlin diaries during processing.

55 loose pages that appear to be from a diary in which Catlin details travel through France, Italy, and Scotland.

ALS; 4 pp. Written to Catlin's mother while he was in Moscow, Russia.

Consists of the correspondence of Horace N. Pym, including Mary Dickens, Georgina Hogarth, and Princess Louise, Duchess of Argyll, as well as others.

Includes correspondence with Basil Thompson, Louis Untermeyer (1885-1977), Laurence Vail (1891-1968), Hart Vance, Glenway Wescott (1901-1987), Oscar Williams (1900-1964), William Carlos Williams (1883-1963), and John B. Yeats (1839-1922).

Photographs and postcards depicting unidentified locations. Also includes a small, signed painting presented to George Huntington in September 1916.

Obverse: Bust of St. Nicholas, right hand raised before him in blessing, left hand holding a book.

Obverse: Full-length of two military saints, facing forward. The one on the left holds a teardrop-shaped shield with a cross in his left hand, while the one on the right holds a spear in his right hand and a shield, resting on the ground, in his left.

Obverse: Full-length portrait of Virgin, holding Christ in left hand. Reverse: Inscription in six lines.

Minutes (incomplete) from the USG sessions of 1990-1991. Also included is a synopsis of the minutes dating back to 1986. Minutes from some committee meetings are included, as well as rosters, resolutions, and a flyer advocating responsible behavior for the 1991 Nude Olympics.

Teach Peace opposed the Persian Gulf War. Documents include flyers, speeches, press releases, proposals, and minutes of meetings. Also included are videotape footage from the ABC News Nightline program that videotaped the Teach-In held at Princeton University on December 4, 1990. Included in the tape an interview with former Secretary of Defense Robert McNamara and three student panelists, one of whom was the editor of The Daily Princetonian. There are also two buttons suitable for display.

Preceded the Princeton Student Action Coalition. File includes flyers promoting activities, budget records, and some minutes.

Includes an oration (1844), class grades, and Commencement circular.

Consists primarily of letters by Theodore W. Tallmadge (Princeton Class of 1846), the bulk of which were sent to members of his family, especially to his parents, Darius and Sara Ann Tallmadge, from the College of Augusta in Kentucky (1841-1842), Ohio University (1842-1843), and Princeton (1844-1846).

Contains two photographs of Tallmadge, extracts from "Sanctum Santorum," his journal of student life kept while at Princeton, and a long letter to Varnum Lansing Collins (1902) giving reminiscences of Princeton, particularly about the sophomore commencement, and including his sophomore oration of June 1844.

This series includes Donald Marsden's undergraduate journals, documenting the daily life of his first two years as a student at Princeton, as well as his syllabi and lecture notes from many of the courses he took.

Journals in spiral notebooks that Donald Marsden kept while an undergraduate at Princeton, beginning with his arrival on campus with his family in September, 1960, and ending in April, 1962. Marsden recorded daily activities, often in the form of brief notes or lists. The journals cover both academic work and social life, including Marsden's involvement in the Triangle Club, other experiences on campus and visits home to Amityville, New York.

Folders of syllabi, reading lists, examinations, lecture notes, and student work for many undergraduate courses Donald Marden took at Princeton. Courses include those offered by the Spanish, Chemistry, Mathematics, English, Sociology, Music, History, Classics, Military Science, Oriental Studies, and Art departments. Also included in the box are two Chemistry notebooks.

Consists of individual academic files of former undergraduate students of Princeton University, containing grades, transcripts, and other information relating to the subject's academic career. To search for a student by name, please use the finding aids listed as "Other Finding Aids" under "Access and Use." The finding aids are divided by decade, beginning with 1921.

Softcover edition (1975) inscribed to Ilse and Kit Barker by Bishop, who also made holograph corrections to pp. 121, 155, 177.

Numerous small, black/white photographs of Bishop's house in Brazil during renovations, some scenes in Brazil, a 1969 color photograph of Bishop with filmmaker Maryette Charlton, three larger views (1970) of her house interior, and two "6 x 9" exterior views. Almost all bear Bishop's holograph captions on the verso.

Western Union telegram of a press release sent by Padmore to the Pittsburgh Courier, which he enclosed with the above letter to Moon. It was the announcement of the Pan African Congress, to be held in Manchester, England, giving the names of the elected members of the British Provisional Committee including Jomo Kenyatta of Kenya, James Taylor of the Gold Coast, Peter Milliard of British Guiana, and Wallace Johnson of West Africa; 2 pp.

Consists of original letters, essays, and articles of George Padmore (1903-1959), a leading Pan-Africanist, journalist, and author. Padmore played a crucial role in developing the Fifth, Pan African Congress, and was also instrumental in organizing black labor movements from the 1930s onwards.

Memorandum to Dr. W. E. B. Du Bois from Moon informing him about the Pan African Congress, the Provisional Committee and its members, giving him a list of names of people who are interested in the Congress, and asking Du Bois for his participation in the Congress.; 2 pp.

Consists primarily of correspondence between F. Scott Fitzgerald's East Coast literary agent, Harold Ober, and his Hollywood agent, H. N. Swanson, from 20 November 1934 through 4 April 1956.

Material clipped from envelopes containing early works and sketches.

Text from Richard Eberhart poem.

Consists of letters from Herbert Cecil Potter to his daughter.

Consists of letters from Herbert Cecil Potter to his sister.

Includes files related to event planning, outreach, and governance.

Students for Prison Education and Reform (SPEAR) is a student organization that works to empower students to advocate for prison reform on issues such as mass incarceration, educational opportunities for prisoners, solitary confinement, the death penalty, and related issues. The SPEAR records consist of documents used by the leadership team of the organization to advance its mission including meeting minutes, planning documents, documents that outline the goals and aspirations of the organization, and materials relating to the organizational structure of the group.

Salaam Saturdays and Kalaam Cafes.

The Princeton Equality Project, founded in 2010, is an activist group focused on LGBT issues. The Princeton Equality Project records document the the group's activities during the 2015-2016 school year.

The Princeton Committee on Palestine is an organization at Princeton University that stands in solidarity with the Palestinian people against injustice and in defense of human rights. The Princeton Committee on Palestine Records consists of materials related to the Princeton Divests campaign.

This website contains general information about the organization, including application requirements, frequently asked questions, annual reports, newsletters, and a directory of current and former fellows. The primary audiences for the website include applicants, current fellows, past fellows (alumni), prospective partnering organizations, and members of the media.

Unbound group of 20 pages (10 fols.) sewn together (not including 4 additional pages that have been cut out of the gathering). Writings by Mary Chrystie's mother, Frances Few Chrystie, including ones written on February 15 and 16, 1831, and others written between January 4-31, 1832; February 1-4, 1832; January 4-28, 1833; and February 19-26, 1833. The writings include accounts of Mary's education and lessons, her piety, and her daily activities. Parts of the text are written in dialogue form between Mary ("M") and her mother ("F").

The first poem, copied by Mary Chrystie(?) through stanza 9, is "The Crucifixion," originally published in The Amulet for 1830, and later reprinted in religious periodicals including The Evangelical Magazine and Missionary Chronicle, Volume 7. The scond poem, verso, appears to be an original composition by Mary Chrystie. It is an unfinished, untitled poem of two 4-line stanzas, with third stanza marker present but no text. It contrasts the happiness of children at "mery" (sic) harvest time ("Very joyous is their joys") with the feelings of "a little child thats sick" who wishes to "run through snow and the rain."

No date; from "Lily" to William, perhaps Col. William Few, Mary Chrystie's maternal grandfather, but more likely to William Few Chrystie, Mary's brother, or a different William altogether. A brief note in which Lily describes a conversation she had with her mother about the distribution of various pieces of property, such as furniture, a piano, jewelry, and a mirror.

Contains the "Vertical Signs," "Horizontal Signs," "Mailings" and "Particular Mailings" cards. Includes the mailing information for the following individuals and entities: "A Space"; Franklin Aalders; Martine Aballea; "Abandon"; Judith Abrahms; Edgar Acevedo; H. P. Adamski; Adelaide College of Art and Education [Australia]; J. Adler; "Aérosol"; Jersie Affelder; "AGAR"; The Agent; Juan Agius; Akademie voor Beeldende Kunsten [Breda]; "Album"; Alessandro ("Shède"); "Algo Parra"; Mario Allione and Mario Garosi; Annalisa Alloatti; Marcel Alocco; Alro "The Alternative Press"; Frederic Altmann; Roberto Altmann; Egidio Alvaro; Charles Amarkhanian and Barbara Law; Aracy Amaral; Matteo D'Ambrosio; Woody van Amen; Louis America; American Council for the Arts (see: P. Peterson[?]); Manuel Amigo; Amsterdamse Kunstraad; Stichting Amsterdams Fonds voor de Kunst; Jaroslav Andel; Erik Andersch; Eric Andersen (and Brigit Giedekier); Beth Anderson "Ear Magazine"; Holly Anderson; Peter Anderson "Embryo"; Raúl and Lene Anderson; Simon Anderson c/o Royal College of Art; Volker Anding (see: Galerie Aura); Michael Andre "Unmuzzled Ox"; M. Angioni; Mp. Anker; Xoan Anleo; "Anterem" (see: Flavio Ermini); Antro art; Ida Applebroog; Joshua Applegarth; Anne Applewhite; "AQ"; Avelino de Araújo; Natalie d'Arbeloff; "El Archivero" (Yani Pecanins/Gabriel Macotela/Armando Saenz); Roy Arden; Stichting "De Ark"; W.J. Arkenberg "La Mamelle"; John Armleder; Michael-René d'Arnal; Jón Gunnar Arnasson and Rúri; "Art Catalogues" (Dagny Corcoran); "Art in Form" (Laura J. Millin); "Art in Opposition" (see Gallingani); "Art Institute of Chicago" (Jessie Affelder); "Art Metropole"; "Art Police"; "Artes Visuales," Museo de Arte Moderno, Mexico City (Beatriz Moyano); "Artexte"; "Artfoot" (J. Stoll); "Artforum"; Arno Arts; "Arts Bibliographic" (Robert Self); The Arts Council; "Artseribe"; Tom van As; Carlos Asp; Atelier 63; "Atelierbericht"; Gabor Attalai [Hungary]; "Aubes" Annie Vasseur; "Audio Arts" (audio-cassettes); Audiozine Transart Inc.; Pat Aufderheide (and Steve); "Augerlander"; Gallery Aura; Australian National Gallery; Metalic Avau; Rose Avery; Mark Axelrod; Mats B.; Annette Baack "Baackscher Kunstraum"; R. P. Baacke; Vittorio Baccelli; Heimrad Bäcker; "Backworks" (Jon Hendricks/Barbara Moore); Dao Badao; Kunstcentrum "Badhuis," Nora Baeters; Kum Nam Baik, Dept. of Art, Seung Kyun Kwan Unviersity, Seoul; B. J. and Monique Bailly; Zoltan Bakos [Hungary]; Eduard Bal; Ma. Teresa Balboni and Roberto Brizza; Eugènia Balcells; Ramon Balderas Sanchez; Marco Baldini; Carel Bahth (and Tanneke Alpherts); Jacqueline Balthazar "Le Daily-Bul"; Fritz Balthaus; Barbara Baracks; Daniel Barber; Diego Barboza; Vera Chavez Barcellos; Leslie Barnett; Peter Barnett; Baron; Vittore Baroni; Petra Barreras "Museo del Barrio"; Luciano Bartolini; Luca Bartos; "The Basement Group"; Rubén Bautista; Glen Baxter; John Jack Baylin; B.B. K. (Beroepsveremiging van Beeldende Kunsteraans); Gianni Becciani; Lizzie de Bechi; Heimz Beck; Bedaux B. V.; Bedeschi (Guiseppe) and Ponzi (Paolo) ("International Archives"); Sandra van Beek/Paul Bonger; "Beeldend Theater"; Rolf Behme; Patrick Beilman (Cow Town Art); Laszlo Beke; Lucky Belder; Peter Below; Zadok Ben-David; Kazimierz Bendrowski; Enzo Benedetto; Barton Lidice Benes; Reinhard Bennecke; John M. Bennett; Mirella Bentivoglio; "Benzene"; Fátima Bercht; Neil Berecry; Jerzy Beres; Steve Beresford; Barry Berg (City of Garden Grove Art Gallery); Hans and Else ten Berge; Pierre van Berkel; Sylvia van Berkel; Prins Bernhard Fonds; Ulrich Bernhardt; Will J. Bertheux; Renate Bertlmann; Joep Betrams/Aldje Janssens; Phyllis Berwick; "Het Bestaan"; Peter van Beveren; Annibale C. Bianchi; Michael Biberstein; Bibliothèque dArt et d'Archéologie [Switzerland]; Bibliothèque Nationale [de France] (Mme. F. Woimant); Mike Bidner; Ania Bien/Kees Hodde; "Bile Magazine"; Bill Bissett; Daniël Billiet; "Bizarre Angel"; Julien Blaine; Manon Blanchette The Banff Centre; Guy Bleus; Mark Bloch; Edition Block; Cor Blok; Carel Blotkamp; Philip Boas; Museum Bochum (Michael Fehr); Jan Bodde; Saskia de Bodt; Klaus Boegel; Marius Boender; Peter de Boer; Waling Boers; Jan de Boever; [Marinus] Boezem; Nenad Bogdanovic; Josien Bokhoven; Peter Bokros; Atelier Bonanova (see: Mata); Eugenio Bonet; Régis Bonvicino; Rudolf Bonvie; Bert Boogaard; The Book Bus (see: J. Flaherty); "Bookspace" (Miles DeCoster/Tom Broderick); Filip Bool; Rommert Boonstra; Ron Boonstra; Gabriel Borba [Filho]; Joan Borgman; Maris Borillo; Wiestaw Borowski; Jean-François Bory; Joop Bos; Franceso del del Bosco/Fabrizio Vareses; "Bosgarren"; Boston College Gallery; Bickhard Botlinelli; Bart Boumans; Christophe Bourseiller; Brian P. Bower; Don Boyd Fluxus West; Brad Brace; Tony Bradley; Joaquim Branco; "Totem"; Liesbeth Brandt Corstins/Kees Bros; Pieter Brattinga; Herman Braun (Fluxus collector); Terry Braunstein; Hans Breder Univ. of Iowa; Heinz Breloh; Hannah Bremer (see: Kryptogame); Jaap Brenner; Ingrid Bres and Marius Quee; George Brett; "Brick" Nairn (Stan Drayland); David Briers "Pages"; Jackie Brody "Print Collector's Newsletter"; Gianni Broi; A. A. Bronson; Dieter Brookmann; Bazon Brosk; José U. d. Broucke; Mariette Brouwers; Bruce Brown; Cee Brown Performance Artists Archives; Kathan Brown "Crown Point Press"; Jean Brown (Archive); Paul Brown; Ron Brownson Art Research Library [New Zealand]; Ciarlone Bruno; Carol Bruns "Fifty-four Pages"; Paulo Bruscky; Wojciech Bruszewski; Charlton Buch "Third Story"; David Buchan; "Buchhandlung" Hilka Nordhausen; Willy Buchholz; Pavel Büchler; Ernst Buchwalder; Bull Infos; L. Bunse; "Bureau de l'Art"; Peter Burgess; Büro Berlin; "Bus Plunge"; Bruno Bussmann; Maris Bustamente; Francel Butler; Russell Butler [Arkansas]; Henryk Bzdok; Richard C. (Craven); Judith Cohen; CAIRN; Maurizio Camerani; Carl Camu; Sam Cannarozzi; Arthur and Corinne Cantrill; Captain Collage; Jorge Caraballo [Uruguay]; Michel Cardena; Octavio Cardozo (and Nena); Gilmar Cardozo; Carioca (Carrie Carlton); Eugene Carl; Tony Carruthers; Paul Carter; Beniamino Carucci; Luciano Caruso; "Cassetera"; Nello Cataldo; Jose Luis Castillejo; Luis Catriel; Bo Carefors; Guglielmo Achille Cavellini; Canobio Visualita; Gabriella Censi; "Centre d'art Contemporain" [Geneva, Switzerland]; Centre de documentació d'art actual [Barcelona, Spain]; "Ceofrith Press"; C. E. P. A.; Theresa Hak Kyung Cha; Bill Chambers; Joëlle Charian; Cozette de Charmoy; Bruno Chiarlone ("Corto Circuito N. Zero"); Sang-Hyun Cho [Seoul, Korea]; Henri Chopin; George Chrest; John Christie; Carlo Giovanni Cicatelli; Javier Cinca; Moacy Cirne; Daniele Ciullini; Jean Clareboudt; Hans Clavin; Buster Cleveland; Cleveland Inst. Of Art (att. Mrs. Karen T. Schudy); "Coach House Press" Rick Simon; Bob Cobbing; Ryosuke Cohen [Japan]; Robin Cohen; Sas Colby; David Cole; Collation; Libreria Colonese (specialist in Futurist publications); Norman B. Colp; Erik Colpaert; Annette Cone-Skelton; "Constant Art/Changing System"; "Contact Music Magazine"; E. E. Content; Carlo Marcello Conti; Geoffrey Cook; "Cookie Press"; "Copyright"; D. J. Corcoran; Michel Corfu; Johan Cornelissen; Philip Corner; "Corps de Garde"; Nanni Cortassa; Cow Town Art; Cracker Jack Kid; Mike Crane ("Running Dog Press"); P. Creemers; Phil Crepain; "Criss-Cross"; Ricardo Cristobal; Liesbeth Crommelin; Ron Croworoft; Anna Crowell; Robin Crozier; Tito Cruls; Natale Cuciniello; Robert Cumming; Barbara Cushman; Mr. Cuttlefish; Simon Cutts; Dorit Cypis; Albrecht D.; Daniel Daligand; Ineke van Dam; Johannes van Dam; Clys Dana (Horus); Betty Danon; Si Dardick; "Darling Darlene"; Wally Darnell; "Data"; "Dataskil" (Tom Kinkowstein); Francis David; Peter M. David Gallery (Ross A. Sussman) [Minneapolis]; Ben Davis; Douglas Davis; "Galeria December"; Tjeerd Deelstra; Guillermo Deisler; "Deja Vu" (Diana Kehlmann); Philipe Deleglise (and Anouk Crossot); Nick Demartino; Denmark; "La Derive"; Mirtha Dermisache [Argentina]; John Desailly; Danny Devoz; Mario Diacono; "Il Diaframma"; Diagramma/Luciano Inga-Pin; Wlademir Dias-Pino; Juan Luis Diaz; "Dier"; Paula van Dyk; Pier van Dyk; Wouter Dyk; Braco Dimitrijevic; Rosalind Dimon-Van der Kloof; Remy Dios; Marcello Diotalleni; Eugenis Dittborn; Rolf Dittmar; "Documentazione Arti Visive"; Bonnie Donohue; Doo Daaa Newspaper; Peter Downsbrough; Jorge Dragon; Ferruccio Dragoni; Uwe Dressler (and Katharina Ehrich); Jerry Dreva; Charles Dreyfus; Mary Dritschel; Stanislaw Drozdz; Johanna Drucker; Michael Druks; "Dry"; Leonhard Frank Duch; Patrick Duffey; Francois Dufrene; John Duncan; Michel Duquette; Nino Tommaso Durante; Steven Durland; "Centrum Dziekanka"; Grzegorz Dziamski; Nigel Earthy; Eaton/Shoen Gallery; David Ebony Gallery [New York City]; Carlos Echeverry; Rob Edelman The American Film Institute; J. M. Edelstein Chief Librarian National Gallery of Art; P. J. M. van der Eeden; R. van Eek; Felipe Ehrenberg/Lourdes Grobet; Nicolaus Einhorn; G. M. Eirich; Claes Ejdemyr; Werven Elbrecht; Eric Elgherabli; Jürgen Elsässer; "Embryo" (Peter Anderson); E. M./Media; Ruud Engelander; Leif Eriksson; Michael and Uta Erlhoff; Tania Erlij; Flavio Ermini; "Erres" Isa Delord; Fred Escher; Pablo Espinoza Vera; Barbara Ess; "Etcetera"; Eulalia; Jimmy Evans; C. J. Evans; Lee Ewing; "Ex-Libris" (Arthur Cohen); Experimental Art Foundation; Valie Export; E. E. F. (Eyes and Ears Foundation); Marcelo Expozito; Hans Eykelboom; Giorgio Fabbris; "Facade"; John Faichney; "Faits Divers"; Arturo G. Fallico; Joe Fang; Rúri Fannberg; F. A. R. (Foundation for Art Resource Inc.); M. Fariello; Derek Faulkner; "The Fault" Ian Tenty; F. W. Faxon Company, Inc.; Samuel Feijoo; Hans-Peter Feldmann; M. and T. Felguerez; J. W. Felter; P. C. Fencott; Julia A. Fenton; Atlanta Art Workers Coalition; Ferró; Robert Filliou; Fiat al Müvészek Klubja; Peter Finch; Jim Findlay; A. M. Fine; "Fine Print"; Finnair; Allen Fischer; Hervé Fischer; Joel Fischer; Robert Fischer; Pat Fisch; S. Fishbein; Five/Cinq Aesthetics Ltd.; Joe Flaherty; Peter Flischman; Irena Flis; Aaron Flores; Victor Manuel Flores; Henry Flynt; Museum Fodor; Taden de Fonseca Junges; Giovanni Fontana; Fred Forest; Maria Cecilia Forton; Prof. M. Fraccaro; "Fragile"; Kiki Franceschi; Filip Francis; Harley Francis; Nicola Frangione; Peter Frank; Cees Franke; "Franklin Furnace" (Martha Wilson); Piet Franzen; Sean Fraser; Brad Freeman; Rob La Frenair/Martine Mayes; Helgi Porgils Fridjonsson; Ken Friedman; Erika and Otto Friedrich; Georg Fritsh; William Furlong; John Furnival; "Fuse"; Fylkingen; "G7 Studio"; Lucio Gacina; Bill Gaglione and Darling Darlene; Henryk Gajewski; Jesus Galdamez Escobar; Gyorgy (and Julia) Galantai; Peggy Gale; "Galeria"; Galerie im Taxispalais; Galleria d'Arte Nuova; Gallery without a Gallerist; Alberto Gallingani; David Garcia and Annie Wright; Fernando Garcia Sevilla; E. Garnet "Impulse"; Alexandre Garrett "Beyond Baroque"; Nancy Garuba; Ron Gasowski; Walter Gaspari; Hanski Gebert; Anna Bella Geiger; Istvan B. Geller; Johan van Geluwe; "General Idea"; Nicole Genetet-Morel "Art Present"; Bob George; Robin George; "Gepein"; Jochen Gerz; Paul-Armand Gette; Sara Gibert; Kryn Giezen; Gifreu; Randy Giles; Kenneth Gill; Jane Gilmor; Gino Gini; Lily van Ginneken; Michel Giroud; Rolf Glasmeier; Marek Glogowiec; Jorge Glusberg; Anthony Gnazzo; Mr. Gobel "Neue Galerie"; Lionel Godart; Klaus Goheling; Rich Gold; Rochelle Goldberg; School of the Art Institute [Chicago]; Maurizio Goldoni; Antonio Gomez; Gonzala/Rit; David Goodstein; Erin Goodwin; Maya Gordon; Ludwig Gosewitz; Claudio Goulart/Diogenes Grocco; Urs and Rös Graf; Ivald Granato; Tom J. Gramse; Flavio Grassi; Thomas Gravemaker; Antje von Gravenitz; Nicole Gravier; Roy Grayson; Lily Greenham; "Nigel Greenwood Bookshop"; Dominique Gregoire "Goddog Press"; Peggy Ellen Gregory; Gretta (Sarfaty); John Greyson; Frank Thomas Gribling; Jullia Griffiths; C. A. Groenendyk/T. Holt; Klaus Groh; Groninger Museum; Lex de Groot; Paul Groot; Michael Groschop; Manfred Grossmann and Cornelia Reis; Hermann Gruber "Mail-Art Archive"; "Gruppo Alternativo"; Massimo Gualtieri; Luis Guardia Neto; G. Guben ("Appa Appa"); Giampaolo Guerini; Mauricio Guerrero; Caprano Guido; Galleri Guld; Andrew Gunz; Ernie Gusella; Graciela Gutièrrez Marx; Pedro J. Gutiérrez; Helfried Hagenberg; Horst Hahn; Frans Haks; Alan Halsey; Richard Hambleton; Robert Handforth; Sten Hanson; Happy New Art Gallery; Mary Harding; Plassum Harel; Dick Harmson; Harris Graphics; John P. Hartham Keeper of the Library Victoria and Albert Museum; "Hart-Slag"; Kiyoshi Haruyama [Japan]; Henrik Have "After Hand"; Martha Hawley; Richard Hayman; David Hecht; M. J. Hecht; Jockel Heenes; Carina Heden; Ron Heglin; Alex Heibel; Bernard Heidbieck/Francoise Janicot; Harry Jeijink; Willemien en Piet Hein v. d. Brandhof; Lyn Hejinian; Jonathan Held; Skuta Helgason and Martina Simona; Scott Helmes; Jon Hendricks; Geoff Hendricks/ Brian Buczak; Marten Hendriks (and Elly); "Heretic"; Ragna Hermannsdottir; Lien Heyting; Peter Hiess; Dick Higgins; E. F. Higgins; "High Performance" Linda Burnham; Pati Hill; Steve Hitchcock "Cabaret Voltaire"; Ludo Hoes; Judith Hoffberg "Umbrella"; Ton Hokken; Jim Hol "The Agent"; Pieter Holstein; S. R. Holtzmann; Marek Holynski; Peter Homeyer; Davi Det Hompson; Roger D'Hondt "New Reform Gallery"; Riza Honest; Harry Hoogstraten/Susanne Hahn; Centrum t' Hoogt; Nan Hoover; Else M. Hooykaas; Tohei Horiike [Japan]; Pete Horobin; Dulce Horta; "Horus"; Sue Horvitz "The Philadelphian"; Per Hovdernak; "Edition Howeg"; Joël Hubaut; Joseph Wolfgang Huber/Karla Sachse; Pierre-Alain Hubert; Fondation Claude Nicolas Ledoux; Hudinilson Jr.; F. W. Huebach "Interfunktionen"; James R. Hugunin "Phenomenological Artworks"; Gerard Huisman; Hetti Huisman and Grietha Jurriens; Sipke Huismans; Edition Hundertmark; Petra van Hulzen; Humble Hummel (Homeyer); HYPE World H. Q. (J. P. Jacob); "Image Bank"; Franz Immoos; "Impulse"; "Informazione"; Arni Ingolfsson; "Interfunktionen"; "Intermedia"; International Cultureel Centrum; "Interstate"; Marc Isphording; Sanja Ivekobic; Robert Jacks; J. P. Jacob; Steffen Jacob; Servie Janssen; David Jekel; Birger Jesch; Dick Jewell; Susanna John/Dieter Cöllen; James Johnson; Philip Johnson; Ray Johnson; Tom Johnson "Two-Eighteen Press"; Tim Jones; Ko de Jonge; A. Jorczak; Alberto Jose; Robert Joseph; Jacques Juin; Taden Junges; "Just Another Asshole"; "Kalamiteit"; Bruce Kalberg; Hans-Werner Kalkmann; T. Kantor; Ulli Katlenstroth; Leandro Katz; Werner F. J. Kauur; George van Keeken; Jack Keguenne; Judit Kele; Karl Kempton "Kaldron"; Eleanor Kent; Mathias Kessler; "The Kitchen;" "Klar!"; Jouke Kleerebezem; Franciszek Klak; Miroslav Klivar; K. L. M.; Milan Knizak; Alison Knowles; J. H. Kocman; Hans Koetsier; Michael Köhler; G. J. Komry; Marek Konieczny; Buchhandlung Walther König; Jaak de Koninck; Márton Koppány; Richard Kostelanetz; Hennie Koster; Andrzej Kostolowski; W. Kotte; Kowa Kato; Grzegorz Kowalski; Jaroslaw Kozlowski [Poland]; Jurgen Kramer; Jürgen Kramer; Maarten Kramer; "Krauthammer"; Hubert Kretschmer (see Produzenten Galerie); Galeria Krimzinger; Steingrumur Eybjoord Kristmundsson; Harrie de Kroon; Karl Krüll; "Kryptogame"; D. and M. Kubbe; Shigeko Kubota; Abe Kuipers; Zofia Kulik and Przemylaw Kwiek; Lucis Kume; Toshihiro Kuno; Kunstgeschichtliches Inst. Freiburg; Romualdo Kutera (and Anna); "KVHR arte"; Przemyslaw Kwiek; Andrzej Kwietniewski; "Labirynt," Galeria Szluki L. D. K.; Suzanne Lacy; Magda Lagerwerf-van Willigen; Maria Lagunes; L. A. I. C. A. Journal; Lalaland; Menchu Lamas; R. J. Lambert; Karin M. H. Lambrecht; Lamella Distribution; Brian Lane; Bert H. Lange; Carel Lanters and Lee eun Young; Mario Lara (and Shat Lepor); Gerald Jupiter-Larsen; "Laughing Bear" (Tom Person); Thorbjorn Lausten; Steven Paul LaVoie; Julia Lazar; "L. B. T."; Michael Leaman; Studio LeClair; Gerry Leewes; Mike Leggett (and Deborah); Betty Leirner; Jacqueline Leirner; Andrár Lengyel; (Shat Lepor); Georges Levantis; Elsja Lewin; Ronald Lewin; C. L. Lewis; "Liaison"; Peter van Lieshout; John Liggins; "Lightworks" [Ann Arbor]; James Lineham; Tomek Lipinski; A. Lionel-Marie (Mme), Bibliothécaire, C. G. Pompidou, Musée d'Art Moderne; Lucy Lippard; Unhandeijara Lisboa; Literarisches Informationszentrum; Ginny Lloyd; Bernd Lobach; Lockwood Memorial Library/Poetry Collection/State University of NY (Buffalo, NY); Lockwood Memorial Library/Serials Department/State Univ. of NY (Buffalo, NY); "Lodz Kaliska"; Carl E. Loeffler, "La Mamelle"; "The Loft"; Mark Lombardi; Niels Lomholt; Harley Lond; Long Beach Museum of Art, Connie Fitzsimmons; Fred Lonidier; Arrigo Lora-Totino; Ekkehard Lory; Agneda Lozano; Pedro M. Lucia; Serse Luigetti; "Luna/Sea Press"; "Lunatique"; Scarlatina Lust; Luty; Don Mabie; Christopher Mach Art (Machert); Barbara Mackowiak; "Mag" Magazin; Odair Magalhaes; Ruggero Maggi; "El Mago" (Juan Pagán); Noemi Maidan "Soft Art Press"; Mail Etc., Art (Ed. Koslow/B. Donohue); Mata Galeria (Marek Grygiel); Malmö Konsthall; Tim Mancusi; J. O. Mallander; "Mandragora"; Frankie Mann; Bernard and Martine Marcelis "Librairie Post-Scriptum"; Joan Manreza; Alessandra Marchi "Centro Di"; "Grupo Marco"; Manuel Marin/Gilda Castillo; Cosimo Marino; Christine de Martini; Dalibor Martinis; Sofia Martinou; Pier Marton; Radomis Masic; Mata; Andreas Mathyl; Ma. Beatriz Matias; Slavko Matkovic; Rudolf Matter; Bernd Mattheus; Yutaka Matsuzawa;Artur Matuck; Dora Maurer; Edition Hansjorg Mayer; Peter Mayer; M. C. (publishers: David Cole, Paul Zelevansky); John McAuley ("Maker"); John McBride; Steve McCaffery; Barry McCallion; Paul McCarthy; Thomas G. McCullough; Bary M. McInerney; Richard Meade; J. Medeiros; "De Media"; "Mediamatic"; Guillermo Medina; Valcárcel Medina; Gal. Lydia Megert; "Mekka"; Santiago Mercado; "Meta" (Parole and Imagini); Metallic Avau; Diogenes G. Metidieri; "Metro Studio's" G. Akkermans/J. Kleerebezem; "Metropolis"; Tommy Mew, Art Department, Berry College, Mt. Berry, GA; Peter Meyer; Eugenio Miccini; Rolando Mignani; Dorine Mignots; Ken Mikolowski "The Alternative Press"; Richard Milazzo "O. O. L. P. Press"; Karel Miler; Gerry Miller; Uncle Don Milliken; Enzo Minarelli; "Minimal Rock" (Roberto Fischer); Gerald Minkoff; Richard Minsky; Antoni Miralda; "Mislaid Information"; Steffen Missmahl; Bill Mitchell; Bill Mitchell; C. Patrick Mitchell; "Mixage" (Joël Hubaut); Jun Mizukami (F. A. I. N.); Modern Art Gallery (Grietta Insam/Herbert); Moderna Museet (The Bookshop) [Stockholm. Sweden]; Mohammed (Plinis Mesciulam); Kees Mol; Yigal Moldavsky; Mark Molenaar; Michael Mollet "Mollet's Postcard Garden"; Greta Monach; "Montevideo" (Annie Gentils, Katlendykdok West); Alan Moore; Barbara Moore; Stephen Moore and Ann T. Rosenthal; Jozias Benedicto de Moraes Neto; Emilio Morandi; Robert Morgan; Niland B. Mortimer "Cooperative Printing Program); David Moss; Jorge Mourao; W. Moser/H. Nordhausen; Lech Mrozek; Wilhelm Kaizer Muires Director of the "Museum of Desperate Art"; Titus Muizelaar and Dirkje Houtman; Rolf Mulder; Brian Muldoon; Agathe Müller; Galleria Multipla; Stephen Mumberson; Antoni Muntadas; Ernesto Muñoz; Patricia Laura Muñoz; John Murphie (Library) (Nova Scotia College of Art); Graeme Murray Gallery; Museo de Arte Moderno/Helen Escobedo, Rita Eder/Jose Carlos Gonzalez/Mexico; Museum für (Sub-) Kultur; "Museum Journaal"; Museum of Broadcasting (Curator: Jeff Fuerst); Museum of Modern Art The Library (Daniel J. Pearl); "Museum of Desperate Art"; Museum van Hedendaagse Kunst (Jan Hoet); "Musics"; Magdalo Mussio "La Nuova Foglio"; R. Mutt Galleries; Myndlista- Og Handidoskoli (The Icelandic College of Arts and Crafts) (Trudis Trurdottir, Librarian); Galerie Nächst St. Stephan; Peter Nagourney; Paul Nagy; Maurizio Nannucci; Opal and Ellen Nations; G. J. Nauta; "N. D." (magazine); Louise Neaderland The Inst. Soc. Of Copier Artists; Paul Neagu; Ned. Kunststichting; Nederlands Laboratorium voor Film (N. L. F.); Joszef Nemedy Varga; "Neue Galerie"; Floris M. Neussüss "Fotoforum"; Andrew Nevai; Hans Nevidal; "New Agency"; "New Wilderness Foundation" (Maggie DallaTana, Associated Manager); The New York Public Library, Preparation Services, Acquisition Division; Giulia Niccolai; b. p. Nichol ("Gronk/Ganglion Press"); "Nie-Galeria"; Paul Henning Nielsen; Paul Nieuwenhuysen; Roland de Nijs; 911 (Jill Medvedow/Mark Anderson); Henri Niotou; R. Nissle; N. L. F. (Nederlands Laboratorium voor Filmtechnuk); NO Magazine; Sune Nordgren "Kalejdoskop"; "North" (Bert Petersen); Nouveau Mixage; La Nouvelle Revue d'Art Moderne (J. Rualdes/N. Yalter); "N. R. G." (Dan Raphael, ed.); Tom Ockerse; Kathy O'Dell; Dainaso Ogaz, Morgan O'Hara; Sean O'Huigin; Valery Oisteanu; Jürgen O. Olbrich; Jerzy Olek; Richard Olson; "One Ten Records" (Bob George); "Only Paper Today"; Luigi Ontani; A. Margot van Oosten (Afzet); "Open Space"; "Operador" (Antonio Fuentes Reyes); Dov Or-Ner; Luciano Ori; "Oriel"; Graziano Orriga; "Orworks"; Kevin Osborn; Otis Art Institute, Library; Wolfhard Ottenhausen and Irene; "Out of London Press"; Owen Sound; R. W. D. Oxenaar; P. A. D. (Political Art Documentation); Marco Pachetti; "Pacific Center for the Book Arts" (see: Frances Butler); Pacifica Radio Station, Jackie Apple; Clemente Padin; Ray di Palma; Joan Palou; Magnus Palsson; Rolf Paltzer; P. A. N. (see: M. Bloch); Claudio Parmiggiani; Mike Parr "Inhibodress Archive"; Andrzj Partum; Ewa Partum "Galeria Adres"; Gerard Pas; Luca Patella; Antón Patiño, Salle Simon I. Patiño, Cité Universitaire; Ian Patrick; T(om) Patrick; Kund Pedersen; Aulo Pedicini (see: "Gruppo Alternativo"); Michael Peel; Sef Peeters; Peter Pehrson; R. Peli and M. Versari "C. D. O. Communicazioni Visive"; Jim Pennington "Aloes Books"; Umberto Peña; Oswaldo Pepe "Poesia e Arte"; "Percorsi" (Sergio Iagulli); Michele Perfetti; Jack Perkins; Geza Perneczky; Pawel Petasz; M. T. Peters; Ad Petersen; Lane Adler Petersen; Alena Petriova and Han; Chris Petteys; Michael J. Phillips; Clive Philpot, Librarian, The Museum of Modern Art, Peter Pick; Sándor Pinczehelyi; Venancio Pinheiro; Francisco Pino Gutièrrez; Franca Pisani "Operozio"; Carlo Pittore; Jean-Marie Place; Daniel Plunkett; Revue d'Art Contemporain; J. M. Pochet "Amenophis"; "Pociao's Book Shop" Sylvia Pogorzalek; Teresa Poester; M. Poirier, dit Caulier; Barber van der Pol; Sybren and Cora Polet; Gian-Carlo Politi "Flash Art"; Vitor Pomar and Luisa Correia; Flavio Pons; Genesis P-Orridge "C. O. U. M."; "Postcard Palace"; "Postcard Preservation Society" (Tane); Uwe Poth; "Pracownia Dziekanka"; Jerry Prillaman; "Print Collectors' Newsletter"; "Print News"; "Printed Matter"; Jan van Raay; J. Rabascall; Rachel Vaughan; Vladan Radovanovic; Markus Raetz; Keith Rahmings; Rainer Verlag; Rara; Jean-Marc Rastorfer; R. A. U. Connection (Peg Griffith); "Räume"; Franco Ravedone; Tom Recchion; Van Reekummuseum; Marshall Reese/Nora Ligorcino; Robert and Ruth Rehfeldt; Terry Reid "Open Drawers"; Jock Reynolds and Suzanne Hellmuth; Dagmar Rhodins; Maria Irene Ribeiro; P. J. Ribeiro; Boyd Rice; Ricerche Inter/media; Jaroslaw Richtr; Tony Rickaby; Willem de Ridder; Christian Rigal; Tommy Rinnstein ("Modern Productions"); Marcus do Rio; Ripling, Earl; Bill H. Ritchie; Lena Rivkin; Clive Robertson; Jorge Rojas (Dragon); Nigel Rolfe; Scott Rollins; Guy Rombouts; Lia Rondelli; Bas Roodnat; Woclaw Ropiecki; Peppe Rosamilia; "La Rose" (Stephen Harlow and Gillian Garro); Marilyn Rosenberg; Martha Rosler; Sever Rossi; Dieter Roth; Walter van Rooy; Rit; Katerini Rubini; Günther Ruch; Harry Ruhé (and Taja v. d. Berg); "Ruimte Morguen" (Marc Schepers); Edward Ruscha "Heavy Industry Publications"; Donald Russell (and Helen Brunner) W. P. A.; Domenico Lo Russo; Paul Rutkovsky; Piotr Rypson; Stan Ryven; "Produzenten Galerie" Hubert Kretschmer (and Susan); "Prop"; Jürgen Prusas; J. Przybylak; Publishing Center for Cultural Resources; "Pumps"; "Grupo Puzzle" (A. Mendes/A. Azevedo/J. Dixo); Marius Quee; Alvaro de Sà (and Neide); Lena Sabadell; Karla Sachse; Dorry Sack; Marvin Sackner; Takako Saito; J. C. Sampais "Experiencias"; Marcel Sanchez Martinez; Rafael Sanchez Ventura; Bernhard Sandfort; Roberto Sandoval; "Santa Marta" (Griffa, Nannucci, Melo, Zorio, et al.); Osmar Santos; Horacio Sapere; Sarenco, Ed. "Factotum-Art" and Lotta Poetica; Jose Antonio Sarmiento; Kyrillos Sarris; Rob Saunders; Sautter and Lackmann; Ken Saville "Transient Press"; Guido Savio; Diet Sayler; H. Schäfer/R. v. d. Stadt; "Schema" (Raúl Dominguez); Bert Schierbeek; Ruedi Schill "Apropos"; Allen Schiller; Manuel Schmettau; Angelika Schmidt; Peter Schmidt; Prof. Dr. Siegfried Schmidt, Univ. Bielefeld; Barbara and Gabrielle Schmidt-Heins; Carsten Schmidt-Olsen; Bernd Schmitz "V. T. D. Verlag"; Carolee Schneemann; Werner Schneider; Jurgen Schoberl; Wil Scholte, Posthumus; Christian Scholz; Rüdiger Schottle; Guy and Anne Schraenen; R. D. Schroeck; Wolfgang Schroter; Tomasz Schulz; Dieter Schwarz; Jürgen Schweinebraden; Jill Scott; Michael Scott; Ms. Erica Scranton, Arts Library, University of California, Santa Barbara, CA; Wojciech Sztukowski; Silvia Segarra; "Segno"; Günter Seidl; Spencer Seidman; Suzanne Sekey; Adrian Self "Blank Page"; "Senoj" (Ben Davis, George Hemphill and Sarah Schroth); Servaas; Angelo Sgabellone "Queen Street Magazine"; Shaffy Theater; "Shameless Hussy Press"; Susan Share "Book Gatherings"; Mieko Shiomi; Yoshio Shirakawa; S. I. D. A. C.; Predrag Sidjanin; Jochen Sieckmann; Planstudio Siepmann; Tomasz Sikarski; Alex Silber; Falves Silva; Luca de Silva; R. Silveira and J. Plaza; Walter Silveira; Piero Simoni; Lothar Simsheuser "Knöterich-Produktion"; Wim van Sinderen "Het Bestaan"; Chuck Singleton; Oey Tjeng Sit; Marie Sjöberg; Terry Sladden; A. and H. Sluizer; Herman de Smedt; Aggy Smeets; "Smegma"; Yves de Smet; Alexis Smith; Claudia Smith (see: "Luna/Sea Press); Keith Smith and Scott; Larry Smith; Pauline Smith; Dr. Manfred Smuda; Alain Snyers; "Sobre Arte," Carlos Echeverry/Beatriz Jaramillo; Hans Sohm; Mary Ellen Solt; "Sorbo Rosso"; William Louis Sorensen; Daniel Sotiaux; Al Souza; "Spaces"; Silvio Spada; "Spatia"; Adriano Spatola, "Ed. Geiger"; "Spectro" Chris Wainwright; "Sphinx" (Llys Dana); Lon Spiegelman (Linda and Lee); Nicholas Spill; P. J. Spletlstösser; Ellen Sragow; "Galerie S:t Petri" (Jean Sellem Marie Sjöberg); "Forum Stadtpark"; Rolf Staeck; Klaus Staeck; Umberto Stagnaro; Galerie Stähli; Chuck Stake "OFF Centre Centre"; "Stampa"; Elsa Stanfield; Dominick Steiger, "Buchdienst Fesch"; Silvia Steiger; Stanley Stellar; Petr Stembera; Charles T. Stephanian, Media Director, San Francisco Art Institute; Eben Sterling; Carol Stetser (Padma Press); Fritz Stier; Kristine Stiles; G. P. Stips-van Weel, Ministerie van C. R. M.; Telfer Stokes; Jeff Stoll (see: Artfoot); Ms. Joni Stossel, Gallery Shop, Art Gallery of Ontario; Irene de Stoppelaar; Evert J. van Straaten; Street Editions (Lyn Mandelbaum); "Studio 16/e"; "Studio 718" (Electro Arts Gallery); "Studio '79"; "Studio LeClair"; Enrico Sturani; "Stuff," Erik Colpaert; Lucien Suel; Peter Sümeghy; Rod Summers; Manfred Sundermann; Henk Sunkar; Jaroslav Supek; Salli and Dorien de Swaan; Andy Swapp; André Swertz; Robert Swierkiewicz; Istvan Sziranyi; Balint Szombathy (and K. Ladik); Rino Tacchella; Atena Tacha; Juanelio Tajes; Shinkichi Tajiri; Taller de Amsterdam; Bruno Talpo; Luis Tamarit Veliz; Tane (see: "Postcard Preservation Society"); Vincent Tangredi ("Impulse"); Roberto Taroni; "TAU/MA" (Achille Maramotti); Pat Towerner; Mike Taylor; Claes Tellvid; Steva Terrades; Mark Terstroet; "Texto Poético" (Bartolomé Fernando, David Pérez); The Sandor Tezler Library, F. J. Anderson, Wofford College; "Theâtre du Silence" (Giampaolo Guerini); Gerhard Theewen; Jean-Claude Thenot; "Thermor" (Edgar Allen Burchmiller); "Third Eye Centre" (Alice Bain); Henrik Francis Thomsen; Rosie Thompson "Constant Art/Changing System"; Ronald van Tienhoven; Thérry Tillier; Slarko Timotijevic "Happy New Art Gallery"; Tinkerbelle; Todd's Copy Shop; Miroljut Todorovic "Signalist Centre"; Monique Toebosch; Kenji Togami; Robert Tolman; Barbara de Tonnac "Gal. N. Gillespie/E. de Laage"; Gianni Tonoli; "Top Stories"; Alex Tarrid Zone Igloo; Endre Tot; Gabor Toth; Fenyvesi Toth Arpad; Dick Trace it (real name: Richard Hambleton); Vincent Trasov and Michael Morris; "Treacle Press" Bruce McPherson; Jerzy Trelinski; Horst Tress; "Trikop"; David Troostwyk; Fred Truck ("Cookie Press"); Gudrun Tryggvadottir, Student Academy Reykjavik; Pietro Turco; Cosey Fanni Tutti; Gys van Tuyl; "Tweed Museum of Art," University of Minnesota; Ian Tyson "Treacle Press"; Keiji Uematsu; "Centro Uh"; Tim Ulrichs; Uncle Don Milliken "Orworks"; Union Gallery, San Jose State University; "Untel"; "Untitled" (Specialist in Postcards); "The Upstairs" (Craig Pleasants)/"Upstairs Artworks" (Sam McMillan); Laurence Upton; Janos Urban; Nikolaus Urban/Els van der Gaaf; Stanislaw Urbanski; Franco Vaccari; Alex Vallauri; Santiago Vallcorba "Aiguadevidre"; Jiri Valoch; Laurens Vancrevel; Christine Vandemortel; F. Varesco; Ed Varney; Ben Vautier, Chez Malabar et Cunegonde; Frans Verheyden; Rick Vermeulen/Helen Howard; Video Inn (Karen Henry/Paul Wong); "Video in Print" (see also: Bill H. Ritchie); "Video Data Bank," Lyn Blumenthal/Kate Horsfield; Video Transfer Services; Edgardo Antonio Vigo/Graciela M. Vigo; Lars Vilks; Bernard Villers; Simon Vinkenoug; Ricardo Vinoz; "Visible Language"; "Visual Studies Workshop"; "Vitrine" (Brigitte Niegel); Harry v. d. Vliet; Nelly Voorhuis; "Vort Works Inc."; V. P. R. O.; Alex (Ander) de Vries; Herman de Vries; "Walklett"; Dennis Walsak; E. Walsh ("Post Industrialism"); Samuel Walsh; Tony Ward, "Arc Publications"; Peter Warren; Washington Project for the Arts; Niek Waterbolk; "W. D. S. S."; Eric Wehrmeyer; Peter Weibel; Albert van der Weide and Marga van Mechelen; Lawrence Weiner; Rachel Weiss; C. and C. Welch; M. Westburg, "The Ray Rodrique Art Gallery"; "Western Front Society"; Steve Wheatley "Caligula Books"; "White Walls" (Buzz Spector); Bill Whorrall; Andrzej Wielgosz, "Galeria Rysunku"; Joos Wiersinga; Ronald Wigman; Henk Wynen; Corry Wijngaarden/Chick Rice; Bob de Wit; Joost de Wit; "Workspace Loft, Inc." (Prop); Woe Wössner; Wulle-Konsumkunst; Hervé Würz; William Xerra; Paulo Yutaka; "Z" (Walter van Rooy); "De Zaak"; Horacio Zabala; David Zack; Franci Zagorcnik; Aloysio Emilio Zalvar; Trudy Zandee; Rick Zehner; Paul Zelevansky; Roberto Zito; Heinz Zolper; "Zona" (see: M. Nannucci); "Zona"; Jörg F. Zutter; Nicholas Zurbrugg.

Consists of an address book of over 1,300 index cards belonging to Ulises Carrión, a conceptual artist known for his role in the mail art movement and for conceptualizing the artistic genre of the artists' book.

Consists of a series of manuscript lectures by U. M. (Uel Merrill) Fisk, a white Universalist pastor and lecturer on the radical abolitionist lecture circuit in New York and New England in the years leading up to and during the American Civil War. The lectures in the collection from this period argue for the abolition of slavery, and another from the Reconstruction Era advocates for voting rights for Black men.

Consists of letters of Ferdinand Lassalle, the German "scientific" socialist who founded the Democratic Socialist Party and in 1862 proposed a theory (Lassalleanism) in opposition to Marxism.

Consists of selected correspondence, manuscripts, and documents of and about Ezra Pound, who was one of the most ambitious, influential, and innovative American poets of the modernist period.

30 pp.

102 pp.

Two volumes containing "Nude Croquet", one in English and one in Slovak (Nahy Kroket, translated by Prelozila Gabriela Nova).

16 pp.

6 pp.

31 pp. Includes 1-page intro by Boyd.

Consists chiefly of correspondence of Frederick Warne & Co., the London publishers, with prospective authors.

A mock-up of the cover for Graziano's book, and a photo negative of Pizarnik.

Consists of Frank Graziano's working files for Alejandra Pizarnik: A Profile (Durango, Colo.: Logbridge-Rhodes, 1987), his critical work on the Argentine poet.

Consists of typed manuscripts, including a poetry collection titled "Nosokomeio ekstrateias" (1971); and the poems "Kairo" (1967); "Stēn trypherē apoikia" (1967); "Nychterino" (1951); and "Massalia" (1967).

Consists of two notebooks containing a handwritten translation in Greek by Aslanoglou of the lecture delivered by Albert Camus in Uppsala University on December 14, 1957.

The collection consists of autograph manuscripts and typescripts of Aslanoglou works.

Consists of typescripts of the poems: "Nature and Art" (14th line rewritten by hand); "The Engadine"; "Thoune", 2 leaves; "An Etruscan Tomb"; "Greece at the Congress", dated "April 1878"; "The Song"; "Lake Como"; "Lines on a Statue" signed by Charles Tuckerman; and "Two Sonnets" [England - France].

Consists of seven pages from Tuckerman's outgoing letterbooks with copies of a long letter about W. Stillman, 6 December 1869, and his letter of resignation as Minister Resident at Athens, addressed to the Secretary of State Hamilton Fish, 3 April 1871.

Consists of an autograph manuscript signed of "Sonnet. Dolce Far Niente", 1 leaf.

TMs (carbon), 33 pp. - "Enero de 1962". TMs (carbon) with corrections by Irby, 20 pp. TMs (carbon) with corrections by Irby, 9 pp.

11 pp. Published in Amaru (Lima).

40 pp. under the pseudonym of "Mercurio"

Consists of a typescript of Kofodimos English translation "Asēmina," a novel by Ēlias Lephousēs.

Consists of documentation that Thomas Kofodimos pulled together, when he was trying to find a United States publisher for his English translation of Lephousēs' book Asēmina Laiou. Also, includes letters from Ēlias Lephousēs to Thomas Kofodimos and to Joan Kofodimos, family photographs, and miscellaneous photographs of ELAS (Greek People's Liberation Army) leaders, materials related to Kofodimos' escape from Greece to the United States, information about his career after coming to the United States, various memoirs and personal history, death notices and obituaries of Kofodimos' published both in the United States and in Greece.

Consists of a typescript of American marine Henry Aplington's unpublished autobiography "To Be a Marine" and two related letters he wrote to Princeton professor Samuel Hynes.

Consists of manuscripts of Theophilus Parvin III, a nineteenth-century Presbyterian missionary from Buenos Aires, Argentina.

Consists of eighteenth-century correspondence and documents of Princeton graduate (Class of 1783) Samuel Beach and mostly 19th-century material relating to the Beach and Jones families.

It was published in Shenandoah magazine and in a book on Bishop published by the University of Michigan Press.

Consists primarily of Pulitzer Prize-winning poet Elizabeth Bishop's correspondence with her friend Ashley Brown.

Consists of the typed manuscript of The Man Who Could Grow Hair, a book by William Attwood (Princeton Class of 1941) based on his experience as a foreign correspondent in Europe.

384 pp.

Consists of a draft of author F. M. Tibbot's novel Simon Hastings (1942).

11 pp.

Consists of the original typed draft with holograph corrections of Irving Brant's biography James Madison, the Virginia Revolutionist

Consists of 42 letters by novelist Booth Tarkington to Mildred and Madeleine Burrage, friends that he and his wife made in Kennebunkport, Maine.

Page 198 is missing

Consists of selected papers of Moses A. Lane, a nineteenth-century career serviceman in the U.S. Navy, serving most of his time as a gunner. Much of the material relates to a tour (1852-1855) in the Mediterranean aboard the sloop of war St. Louis.