Includes photographs and portaits of Kimon Friar and Nikos Kazantzakis; an oversized photogrpah of Kimon Friar along with Nikos Kazantzakis has been removed to Box 127 (Miscellaneous and Oversized material).

Includes typed manuscripts (carbon copies) of several versions of Dekavalles' poems both in Greek and in English with handwritten corrections by Friar; and several signed poems by Dekavalles.

Includes signed, autograph poems by Vrettakos in Greek: "Akoma tout' he anoixē", Takēs Lioumas", Etsi mou stathēke ho Taygetos", "Margarita", "To salparisma tou karaviou"; typescript drafts (carbon copies) of poems translated from Greek by Friar bearing his autograph corrections; typescripts of the poems in Greek; poet's explanatory notes on his poems; biographical statement and "Credo"; business correspondence with Friar relating to the selection, translation,and publication of some of Vrettakos' poems in Modern Greek Poetry (additional correspondence has been placed in Box 151, folder 4).

These folders contain undated letters that were later identified and given approximate dates. Folder 1 contains the following groupings: seventeen letters, circa 1945-1949 (all letters beginning with "Chère Violette Leduc"); twenty-three "rendez-vous" Letters, circa 1949-1971 (beginning "Chère Violette" and "Ma chère Violette"), which are short letters making appointments to meet at cafes or at Beauvoir's home; and two undated letters. Folder 2 contains a letter from Gary, Indiana (circa August 11th, 1950) discussing Nelson Algren's new house in Michigan; a letter from Norway (circa July 1951); two letters about Ravages (May 1954); a letter from England (circa 1959) mentioning "Coriolan;" a letter and prière d'insérer (circa 1960) related to Leduc's Tresors à Prendre; a letter from Cuba (circa March 4, 1960); four letters (circa 1964) about La Batarde ; one letter (circa 1965) with a title suggestion for La Femme au (petit) renard; thirteen letters from Italy (circa 1952-1963); and thirteen letters to Faucon (circa 1961-1972).

Most correspondence is undated, but in many cases, dates can be found on envelopes.

Consists of nearly 300 letters from Simone de Beauvoir to Violette Leduc documenting their literary friendship spanning four decades, along with 23 notebooks containing manuscript drafts of Leduc's autobiography, La Bâtarde (1964).

Includes obituaries, memorials, newspaper clippings, issue of the Princeton Alumni Weekly, vol. XXIII. no. 24 (1923), and four copies of Erwin Panofksy's printed biography.

Contour drawing in ink of Charles Rufus Morey, date and artist unknown. Signed by American ambassador James Clement Dunn "Rome, 1949."

Consists of typed drafts of "The Cross in the Nimbus of Christ," "Scholarship in the Arts: Past and Future," "Medieval Culture: Ecclesiastical or Secular," "A Mediaevalist looks at Modern Art," "The Maid-Servant in the Annunciation and in the Visitation," "Maplewood Lectures: I II," "Early Christian Art," "The Reliquary of St. Adrian."

Includes Keeley's notes on American literature (background for senior thesis and final exams), his general Princeton University reading notes, and his notes on Constantine P. Cavafy.

Includes a beaded child's vest, a wallet, a handkerchief, six small framed drawings of women in Greek costume, a small amount of Syrian currency, a Class of 1948 P-rade button, and other small objects and momentos that Edmund Keeley collected.

Photocopies.