Contains notes for In the Cut, as well as quotations from various authors.

Copy of edited typescript.

Includes a full typescript of Part I, pages 1-383, along with a group of unedited cut pages at the end.

2 copies.

Consiste en dos cuadernos con textos y poemas, escritos, varios textos a mano, una entrevista a Reina María Rodríguez, material impreso, una foto y otros materiales.

Consiste en cuatro cuadernos con contenido tipo diario (con apuntes, poemas y otros textos inéditos), poemas y otros escritos, seis fotos de "La Torre de Letras" (La Habana) y una foto de Reina María Rodríguez con la profesora Martha Cristófol.

Incluye nueve diarios/cuadernos, escritos, material impreso, cartas y otros materiales.

Contiene material relacionado con "Artists in the Schools" y cursos en Princeton University: "Introduction to the Art of Dance" and "Dancing East to West: Traditional Practices and Contemporary Debates in World Dance."

Contiene escritos de Alma Concepción y material de investigación.

Class of 1946 Studies Program, Speaker(s): Michael Mahoney

Consists of drafts.

Contains a photograph of Van Houton.

Includes some personal correspondence as well as recommendations for colleagues. Some correspondents include, Vera Hauschild, Helen Sword, and Fred Haines.

Correspondence relates to publications, specifically Life of a Poet: Rainer Maria Rilke (1996), lectures, professional affiliations and events, including those related to the Internationale Rilke-Gesellschaft. Some correspondents include, Dr. Renate Scharffenberg, Curdin Ebneter, Rilke family members, Georges Borchardt, and Jonathan Galassi.

Correspondence relates to publications, specifically Hermann Hesse: Pilgrim of Crisis (1978), lectures, professional affiliations and events, including those related to the Internationale Hermann Hesse Gesellschaft. Some correspondents include Heiner Hesse (1909-2003), literary executor of Hermann Hesse and other Hesse family members, Volker and Ursala Michels, Uli Rothfuss, Siegfried Unseld, and Fred Haines.

6 VHS tapes

TMs, 7 pp. "Alterrada, coludida, orgullosa, asustada" [terrifying, conniving, proud, afraid].

1 cassette tape

This is the smaller of the two scrapbooks in this box

Consists of Professor Emeritus Lionel Gossman's file of correspondence, clippings and programs relating to McCarter Theatre productions directed by Stephen Wadsworth. Includes correspondence between Gossman and Wadsworth.

Consists of additional papers donated in 2019, many of which pertain to Fitch's biography of Sylvia Beach and writings on French literary cafes. Materials include correspondence, research files, photographs, slides, and audiovisual materials (5 VHS tapes and 1 audiocassette).

Contains correspondence with Susan Albertine, Susquehanna Univ., notes various drafts of NRF's contribution, "Secular Saint, Sylvia Beach, a Woman of Business in Paris" (various titles).

Includes 6 original small pencil sketches on tracing paper, along with several photocopies of sketches, computer-generated designs, and landscape drawings for the restaurant. Also contains one newspaper clipping that was originally stored with these materials.

This series of materials consists primarily of drafts of Mills' poetry and prose, as well as essay drafts, autobiographical pieces, short stories, reflections, a radio play script, fragments, notes, lists, and numerous drafts of correspondence. Some of these draft letters were addressed to Peter Quartermaine, Robin Crozier, Alan Halsey, Adrian Mitchell, Marjorie Perlof, Jonathan Williams, and Pia Simig, among several others. A small portion of the notes and fragments pertain to novel ideas that Mills was developing and researching. The essays pertain to the works of poets and artists (e.g. Ian Hamilton Finlay, Roy Fisher, David Prentice, and Peter Berry), as well as broader topics, such as the "world of little magazines." Additional materials pertaining to Mills' writing include mockups and layouts of works such as poetry booklets and maquettes, but most significantly the board mockups of "30 Signatures to Silver Catches" by Ian Hamilton Finlay, Margot Sandeman, and Stuart Mills, which Tarasque Press printed in 1971 and also likely put on exhibition. To a lesser extent, the series also contains drawings, paintings, and collages; a small amount of teaching notes; and material related to to Tarasque, Aggie Weston's, and Poet's Poems. Mills' drawing of the Tarasque bird that became the magazine's front cover design is in this series. Some of these publications-related materials include catalogue lists, a note to subscribers, and planning notes.

The Broadcast Center operates a full TV/audio production studio and supports recording of events, classes, and interviews at the studio and on campus. The collection includes over 2,300 video recordings of Princeton-related lectures, conferences, symposia, events, ceremonies and creative works.

Student interviewed, Nassau Hall crane shots, Nassau Hall interior with students talking about the hall. Rainey/Hooper

Richardson Hall outdoor shots, gargoyle shots, students hanging out outdoors, student reading a book to camera, Nassau Hall outdoor shots. Rainey/Hooper

This series includes microfilmed constituent correspondence. Some reels of microfilm are identified by date ranges, others have a ten-digit range. The ten-digit range is coded; the first three numbers represent a chronological system using the Julian date (the number of the day of the year from 1 to 365.) The long numbers were used as identifiers for incoming and outgoing mail. The 4th from the left, singles, data, group, case refer to whether the response was individually prepared, a form paragraph was used, responses were batched, or if it was casework. The remaining digits were used within the system for administrative purposes.