128 letters.

92 letters and one postcard from Hélène to her mother.

This collection consists of over 400 letters from French writer, philosopher, and feminist theorist Simone de Beauvoir to her mother, Françoise de Beauvoir, and sister, Hélène de Beauvoir (also referred to as Henriette), dating from October 1918 to December 1968.

Consists of papers of journalist Levering Cartwright (Princeton University Class of 1926) relating to the association of "Death Valley Scotty" (Walter Scott, 1872-1954), an eccentric prospector, Wild West show entertainer, and hoaxer, with his friend and financier, Albert M. Johnson, an insurance company executive.

Contiene 3 libretas escolares de Mario Vargas Llosa: 1 del Colegio Salesiano y 2 del Colegio "La Salle".

Contiene 3 libros: "El niño boliviano" (primer libro de Mario Vargas Llosa); "Libro primero de lectura" y "Método de inglés".

The Mario Vargas Llosa Papers consists of notebooks, manuscripts of novels, plays and screenplays, short stories, nonfiction, documents, correspondence, and printed and recorded material.

Lindley M. Garrison (1864-1932) was a lawyer who served as Secretary of War for President Woodrow Wilson from 1913 to 1916. Garrison's papers document his service as Secretary of War and include correspondence, writings, and newspaper clippings.

The "Literary Landmarks of Princeton" Exhibition Collection consists of author files and miscellaneous materials related to the "Literary Landmarks of Princeton" exhibition curated by Alfred L. Bush in 1967. The exhibition chronicled works of fiction, drama, and poetry written in Princeton by over 100 authors from the early 18th century to the mid-1960s.

Consists of correspondence in French between Léon-François Hoffmann and Haitian poet René Depestre, including handwritten letters, faxes, and several other documents. Other additions include photocopies of correspondence between Haitian writer and politician Jacques Roumain and his wife Nicole Hibbert.

This series consists of photographic and manuscript material spanning Hall's entire career, from when he started experimenting with photography in 1965 until his death. Manuscripts, research, interviews, correspondence, working drafts, audio and visual materials in magnetic and optical formats, and reviews are also included with the project to which they correspond.

Louis O. Coxe (Princeton Class of 1940) was a noted twentieth-century poet, playwright, and critic. The collection contains autograph and typescript versions of Coxe's poetry and sixteen of Coxe's notebooks. Also included are materials for the play Billy Budd, such as notes, drafts, worksheets, galley proofs, and production notes.

Consists of approximately 100 letters and postcards addressed to Trigueiros from seven correspondents: Jorge Amado (1967-1995), António S. Celestino (1973), Manuel Ferriera (1959-1966), Jesué Pinharanda Gomes (1960-1995), António Guedes de Amorim (1947-1971), Afonso Lopes Vieira (1935-1944), and José Rodrigues Júnior (1958-1987).

Consists primarily of material relating to Ohio farmer Luzern Humphrey's overland journey from Kanesville, Iowa, to the Oregon Territory in 1852, his life there through 1853, and his return to Iowa in 1854, including his journal and 51 letters to his wife in Ohio. Also included are some papers relating to the family of William Miller, the founder of Adventism.

Consists of the correspondence of William F. Gekle, including Arthur Machen and Edwin Steffe, as well as others.

Consists of correspondence and miscellaneous material relating to the Welsh translator, novelist, and storywriter Arthur Machen (1863-1947) that was collected by the American businessman and author William Francis Gekle.

Series 1 consists of proposals and surveys compiled by the Office of Occupational Health and Safety in regards to radiation safety measures taken to protect workers and researchers at the Princeton-Pennsylvania Accelerator, a particle research facility that operated on Forrestal Campus from 1957 to 1971.

Marc Gaede (1946- ) is an American photographer, environmental activist, and teacher based in California. The collection consists of Gaede's black-and-white photographs of the American West and Southwest, correspondence, contracts, and other working files primarily related to his books on photography, archaeology, and conservation, and a large group of working files, which include audiovisual and digital materials, for a biography project Gaede collaborated on with Hunkpapa Lakota Sioux activist Robert Sundance (1927-1993).

Consists of personal and family papers of Robert Sundance collected by Marc Gaede, including drafts of short writings by Sundance (some of which contain revisions by Gaede), correspondence, documents, and photographs of Sundance throughout his life as well as of his family members.

The majority of Aronoff's files relate to Bradley's first and second terms in Congress as she served as Administrative Assistant. Aronoff was the driving force in Bradley's office, wielding a great deal of influence with Bradley and the staff. Her files reflect the diversity of Bradley's interest as well as providing a glimpse at the national picture during those years.

Consists of personal papers of Marius B. Jansen, a Princeton professor of Japanese history.

Photos from a luncheon in honor of Jansen, Various Correspondence concerning the Princeton Club in Tokyo

Selected works of Takagi, including a 1935 manuscript "A Survey of Japanese Studies in the Universities and Colleges of the United States"

Consists of thirteen typed letters and one autograph letter from Martha Gellhorn to George Brown, Gellhorn and Hemingway's personal trainer, tennis partner, and close friend. The letters are addressed to George Brown (often referred to as "Flash") at his residence in New York City and are written primarily from Finca Vigía, San Francisco de Paula, Cuba, and Sun Valley, Idaho, with a single 1943 letter on White House stationery addressed from Washington, D.C., and one 1946 letter addressed from South Easton Place in London following Gellhorn and Hemingway's divorce. Gellhorn's letters, which she often signed "Marty," are playful and informal in nature and offer a glimpse into Gellhorn and Hemingway's marriage. Their primary topic is Gellhorn's concern over her and her husband's physical condition and weight, soliciting exercises and weight loss advice from Brown and making jokes about the couple's physical condition and eating and drinking habits. Letters also often refer to errands Brown ran for Gellhorn and Hemingway in New York during the couple's time in the American West and abroad. Gellhorn occasionally mentions her travel plans as a war correspondent for Collier's, and in one letter, suggests Brown attend her 1946 play Love Goes to Press at the Biltmore Theatre in New York. Her letters regarding her domestic life with Hemingway refer to travel plans, tennis, hunting and fishing in Idaho, Hemingway's cats and pigeons at Finca Vigía, and rumors in the press about Hemingway having an affair, which Gellhorn dismisses. She also refers fondly to Hemingway's sons as "Bumby," "Mousie," and "Giggy" and comments on their activities.

Consists of an open collection of letters and memorabilia of American war correspondent, journalist, and novelist Martha Gellhorn (1908-1998), assembled from various sources. Contents include approximately fifty letters (1968-1974) to her adopted son George "Sandy" Gellhorn and fourteen letters (1941-1946) to George Brown, who was Gellhorn and Ernest Hemingway's personal trainer, tennis partner, and friend, as well as badges from Gellhorn's time as a war correspondent and a portrait drawing of her.

Consists of a set of dog tags, fifteen pins, and a cloth badge from Gellhorn's career as a war correspondent, primarily from the Spanish Civil War and World War II, including dog tags from her time as a war correspondent for Collier's Magazine during World War II, which are embossed "Martha G. Hemingway / War Correspondent / Colliers Magazine;" her United States War Correspondent's badge; a "¡No pasarán!" pin from the Spanish Civil War; a United States Armed Forces Parachutist Badge with four stars affixed to it; along with other pins and military pips from Great Britain, the Middle East, and Russia.

Letters to Mary Shepard (Knox), illustrator of the Mary Poppins books, spanning 1943 March 19-1968 September 25. From business correspondents, most notably her agent A. S. Knight.

Clippings and photocopies of articles by P. L. Travers. Some are reviews of children's books. Other topics include: childhood, fairy tales, myth and tradition, writing for children, and the relationship between writer and artist.

Graduate work in a formal sense emerged at Princeton in the 1870s when President James McCosh added new faculty and graduate fellowships. This collection consists of theses submitted toward the fulfillment of requirements for master's degrees at Princeton University.

Letters to Earle J. Bernheimer, 2 photographs of "Seawood", 1 photograph of Booth Tarkington, 1 clipping.

Consists of an open collection of miscellaneous letters and memorabilia of American novelist and dramatist Booth Tarkington (1869-1946).

Consists of correspondence and other materials collected by Mathieu-Guillaume-Thérèse Villenave relating to Alina d'Eldir, including her biography, her work with magnetism treatments, and the Ordre Asiatique de Morale Universelle.

One letter to Terence de Vere White.

Contains correspondence from Terence de Vere White.

Mary Chavelita Dunne Bright (pseudonym George Egerton) was a writer and translator in the nineteenth and twentieth centuries. She was influential in the late-nineteenth century "New Woman" movement as well as the early modernist movement in English-language literature. The collection primarily consists of correspondence between Bright and various friends, family members, and literary and theatrical colleagues. The collection also contains a small number of manuscripts which include prose, poetry, and biographical notes.

Mavis Kalmar was an English stage actress. Her collection consists of correspondence (1917-1946), two diaries (undated), two sketchbooks, and photographs.

Consists chiefly of correspondence of the American poet and novelist Maxwell Bodenheim.

Consists of books, maps, scrapbooks, posters, and other materials.

Consists of postcards relating to Mexican tourism.

Princeton Inn was conceived of by a group of University alumni and trustees in 1914 who recognized the need for a hotel to comfortably house the families of students and other visitors in close proximity to campus. Consists of the minute books of the Princeton Inn and a sample form book.

Series 5: This series of correspondence is comprised of materials transferred from the Manuscripts Division of the Department of Collections at Princeton University in 2010.

Consists primarily of letters by Aaron Burr (Princeton Class of 1772) to members of his family and associates, along with some documents pertaining to his legal career.

Includes correspondence between William Tipping and Edward Ford; one letter from Edward Ford to Isaac Taylor; one letter form William Tipping to Griffith; one letter from J. Holmes to John Tipping; one letter to John tipping fromn his cousin Th. Bewley (?); one letter from grandmother Fearon to Jane; two letters from unidentified senders (one in French); one letter from Anthony Titley to William Tipping (July 9, 1866); one letter from Henry Avaray Tipping to Joan (26.7.1921); a few letters sent to William Tipping from unidentified senders; one letter in Arabic.

This series consists of approximately one hundred and forty family letters, comprising some 450 pages, written on tours of Europe and the Middle East around 1840, several nicely illustrated. Includes a copius run of retained drafts of letters to Isaac Taylor, the publishers Houlston and Wright, Dr. Robert Trail, the painter Josiah Gilbert, and others, concerning publication of plates after drawings made on his tours. The present letters - many of which, written on large extended sheets of paper, are very long - display the élan of a young Englishman on the Grand Tour and provide the reader with a vivid view of Middle Eastern travel in the first half of the nineteenth century.

This series consists of autograph manuscript drafts and notes regarding the history of Tipping family, William Tipping's trips to the Middle East, and one bound manuscript diary of a tour in South America.

This series includes various reports and information about particular individuals related to the global women's movement.

Consists of correspondence with individuals such as Carlos Baker, John Addison, Barbara Whitehead Holmes, and David Whitehead, as well as others.

Consists of a collection of miscellaneous material, both originals and copies, related to Mormons, Mormonism, and the Church of Jesus Christ of Latter-Day Saints.

Consists of a collection of letters and autographs of over 120 English, American, and a few European actors, actresses, playwrights, theatrical managers, directors, critics, and others connected with the theater from the late 19th and early 20th centuries.

The Miscellaneous Dance Files Collection contains printed programs, souvenir programs, clippings, and reviews of various ballet companies and choreographers.

Consists of photographs (ca. 1944-1946) of Greece and Greek partisans taken by classical scholar Moses Hadas.

This collection includes some playscripts stamped or addressed by theater agencies in Chicago, New York City, and Hollywood, while others were used at McCarter Theater or by the Princeton University Players. There are wartime scripts from both world wars, as well as government plays from the Federal Theater Project, the Works Progress Administration, and the Department of Agriculture's War Food Commission.

This collection contains materials published and/or distributed in Cuba by the Catholic Church and affiliated organizations, and issued between 1904 and 1998.

Includes correspondence, research materials, and original items relating to the Browning and Hotchkiss rifles in Albee's collection and Albee as the recipient of the Medal of Honor. There are also research materials that relate to correspondents represented in Albee's personal papers.

Consists of miscellaneous screenplays and related materials, such as continuity, superimposed versions (i.e. script translations), release dialogue scripts, and revisions/drafts. There are also a few information packets--these include interviews with and/or biographies of stars, synopses, and various and sundry other materials meant for release.