Toni Morrison (born Chloe Ardelia Wofford, 1931-2019) was a Nobel prize-winning American author, editor, and Professor Emeritus at Princeton University. The material described in this finding aid consists of manuscripts, drafts, galleys, and proofs of Morrison's novels and other writings; personal correspondence; editorial files relating to Morrison's work at Random House and later publication of two posthumous works by Toni Cade Bambara; academic and teaching files, particularly pertaining to SUNY Albany and Princeton University; working files; press clippings; published books, photographs, audiovisual materials, and awards and memorabilia.

Edmund Keeley (1928-) is an author, translator, and Charles Barnwell Straut Professor Emeritus of English at Princeton University, best known for his translations and writings on Greek poets C. P. Cavafy, George Seferis, Odysseus Elytēs and Giannēs Ritsos. The papers consist of Keeley's drafts and proofs of translations, fiction, and nonfiction, including novels, articles, essays, introductions, reviews, and other writings, as well as for works he edited, along with personal and professional correspondence, faculty material, files of the P.E.N. American Center and other institutions with which he was involved, awards and speeches, biographical materials, family papers, scrapbook and other printed materials, manuscripts of others, and photographs and photograph albums.

Sonya Rudikoff (1927-1997) was a writer, literary critic, and independent scholar, active from the 1950s through the 1990s, who wrote primarily on Victorian literature, feminism, and Virginia Woolf. The papers include Rudikoff's professional and personal correspondence, including five decades of extensive correspondence from second-generation Abstract Expressionist painter Helen Frankenthaler; typescripts of Rudikoff's unpublished fiction and lectures; notebooks, papers, and diaries from her time at Bennington College in the late 1940s; along with a curriculum vitae and bibliography of her work and some related materials.

Kurt Weitzmann left his native Germany in 1935 for Princeton where he spent the remainder of his life, at the Institute for Advanced Study as a permanent member (1935-1972) and as a professor in Princeton University's Dept. of Art and Archaeology (1945-1972). Included are personal and professional correspondence, related files, course outlines, lectures, manuscripts and notes for various published works, scrapbooks of clippings, and printed matter.

Richard Ullman (1933-2014) was a scholar of U.S. foreign policy and international affairs. The collection documents Ullman's career as an academic, his service with the U.S. State Department and the Council on Foreign Relations, and his process of researching and publishing the three-volume Anglo-Soviet Relations, 1917-1971.

Richard Palmer Blackmur was a notable literary critic, poet, and Princeton University professor. This collection documents Blackmur's creative and academic efforts, and includes his critical essays, reviews, poetry, short stories, plays, and unpublished novels. In addition to his writings, Blackmur's papers contain significant correspondence with major literary figures of the twentieth century.

The collection consists of personal papers of Kimon Friar, one of the first and most prolific translators of modern Greek poetry into English. His work helped bring modern Greek literature to the attention of the international public.

This collection of religious ephemera comprises materials from all over Latin America, with the exception of Cuba. While the date range covered in this extensive collection spans 165 years, the bulk of the items was published between 1960 and 2010.

Consists of works, correspondence, and printed matter of Henry Neill Paul (Princeton Class of 1884). Also included is an autograph book and account books of family members.

Consists of correspondence, documents, photographs, account books (1925-1975), financial papers, and printed matter of Hamilton Cottier (Princeton Class of 1922, professor of English, 1925-1962), and material relating to "Southlawn," the home of his father, Alonzo Cottier, in Scarsdale, N.Y.