Consiste en aproximadamente un centenar de fotografías originales de Elena Garro, su familia, amigos, colegas y de algunos lugares.

Includes two sets of candid photographs of Elena Garro, Elena Garro's friend, Helena Paz, and Gabriela Mora taken in 1974 at Gabriela Mora's home in New York City and in Spain in 1979. Additionally, it includes about one hundred original photographs of Elena Garro, family, friends, colleagues, and some sites.

The collection includes correspondence to and from Mexican author Elena Garro and Chilean American critic and scholar Gabriela Mora, a handwritten testament by Elena Garro, and photographs of Gabriela Mora, Elena Garro, and Garro's family, friends, and colleagues. Also includes audio recorded interviews of Elena Garro conducted by Gabriela Mora in 1974 and 1979.

This series contains manuscript materials for several of White's works of fiction and drama, including various manuscripts, copies, and drafts of his novels, short stories, and plays, occasionally in several versions.

American Charles William White wrote historical novels about artists and writers under the pen name of "Max White." Active as a historical fiction writer primarily in the 1930s through 1950s, White traveled in the same social circles as Gertrude Stein and Alice B. Toklas. The collection consists of manuscripts and correspondence of Charles William White ("Max White"), including correspondence with Alice B. Toklas and Gertrude Stein.

Contains correspondence relating to A. Scott Berg.

Consists of the almost complete files (1943-1999) of manuscripts submitted to the QRL for publication with the exception of a few issues from 1944, 1945, 1974-1977, and 1981 (see the Box/Folder listing for Boxes 1-26 for the specific issues not present in the collection). The majority of the issue files (Volumes I-XXXVIII) contain original typescripts for the poetry, short stories, articles, and reviews that were published. Only some of the typescripts are signed or include autograph corrections by the author, while others include editorial corrections. Some files also contain galley proofs in various forms. The box housing the David Schubert issue files (Volume XXIV, 1983) contains correspondence from Schubert, his friends, wife, and others who contributed material to the publication of this special volume. The box containing the QRL's 50 th Anniversary issue manuscripts (Volume XXXII-III, 1993; specifically Folder 4 in Box 22) includes cover letters from the contributing authors. In addition, a small amount of author correspondence associated with the submitted manuscripts remains in the issue files. However, the bulk of the QRL correspondence is contained in Series 2. Please refer to the Author?Issue Index for an alphabetical listing of all the authors published in the QRL from 1943-1999, and the volumes in which they appeared. Photocopies of the table of contents page for each QRL issue (Volumes I to XXXVIII), as well as photocopies of indexes (where found) for Volumes I-XXII, are available in the Department's collection files for public reference.

Consists of the poetry of Helenē Vakalo, including "Anamnēseis apo mia Ephialtikē Politeia," "Genealogia," and "Topeio Louomenōn," as well as others.

This series consists of poetry, essays, articles, lectures, miscellaneous prose, and notes. Some of the works exist in numerous drafts, while others only appear in their final versions. Most of the poems belong to collections of poetry published between 1945 and 1997, but there are also a number of individual, unpublished poems. The majority of the articles have been cut from the newspaper Ta Nea, where they appeared between 1949 and 1974, and have been chronologically or thematically arranged by the author on pieces of paper. While the essays cover a wide range of subjects, the lectures are mainly about painters and general issues in fine arts. The miscellaneous prose and notes focus on art, but also include other subjects, such as Vakalo's travels, and an account of her thoughts and experiences on the first day of the dictatorship in Greece, 21 April 1967.

Mailing label from Alfred A. Knopf, Publisher, with autograph note; 8 sheets of galley proofs (folded in envelope)

This subseries consists of Richter's autograph manuscripts and typescripts, in varying amounts ranging from early pages and drafts to galley proofs, for eight of his published novels.

TMs with holograph corrections, 4 pp.

Consists of drafts of Monterroso's short stories.

Consists of short drama pieces, poetry, book reviews, translations, notes, and other writings of Monterroso.

Consists of numerous photographs spanning from childhood photographs of David Lewis to professional headshots, travel photographs, and photographs at events and with fellow philosophers, friends, and family.

This series includes additional administrative and academic papers of David Lewis, papers of Stephanie Lewis, family papers, photographs, born-digital files, audiovisual media, and other materials added to the collection following the death of Stephanie Lewis in November 2019. Born-digital files were extracted from optical media and USB drives and contain writings, research, correspondence, and photographs of both David and Stephanie Lewis.

David Kellogg Lewis (1941-2001) was an American philosopher who taught at Princeton University and the University of California, Los Angeles and contributed to metaphysics, philosophy of mind, philosophy of language, philosophy of mathematics, philosophy of science, decision theory, epistemology, meta-ethics, and aesthetics. Lewis's papers include over four decades of his correspondence with other philosophers and scholars, including David M. Armstrong, J. J. C. Smart, Frank Jackson, D. H. Mellor, M. J. Cresswell, Allen Hazen, John Bigelow, and others, as well as drafts of his articles, books, reviews, and unpublished writings with related correspondence, his undergraduate and graduate student papers and class notes, research materials from his time at the Hudson Institute, photographs of Lewis with friends and fellow philosophers, a group of files kept by the Australian philosopher David M. Armstrong regarding Lewis, papers of Stephanie R. Lewis, and family papers.

Includes personal and professional photographs of François Wahl and Severo Sarduy. Also includes photographs of friends, pets, and Wahl's home.

Includes audio or visual materials regarding artwork done by others, photographs, and audiocassettes. The bulk of this series features an extensive slide collection of Sarduy and Wahl's travels.

Includes materials that Rossi considered important, such as founding documents of Vuelta and two items related to his ancestor, the Venezuelan general José Antonio Páez [1790-1873]. This series also includes several scrapbooks that were assembled around the time of Rossi's death.

The Alejandro Rossi Papers consist of personal notebooks, manuscripts, correspondence with writers, academics, editors and artists, and printed material of the writer.

Consists primarily of letters by the American historical novelist Kenneth Roberts to his Doubleday editor, Malcolm Johnson.

Consists chiefly of manuscripts and related material for two novels by American novelist John O'Hara: A Rage to Live (1949) and Ten North Frederick (1955).

Consists of selected correspondence, manuscripts, and documents of and about Ezra Pound, who was one of the most ambitious, influential, and innovative American poets of the modernist period.

From Wilmarth S. Lewis, Editor Yale Edition of Horace Walpole's correspondence to Dr. Pleadwell and Mrs. William C. Moore.

Correspondence to Dr. and Mrs. Pleadwell from Thomas L. Shattuck.

Correspondence to Frank Pleadwell from Herbert Faulkner West.

8 letters, 2 cards, 1 telegrams

Consists of approximately 197 letters, mostly handwritten, by American literary critic Edmund Wilson to Helen Muchnic.

Consists chiefly of correspondence of Cecil Beaton, English fashion and portrait photographer and Academy Award winning stage and constume designer for film and theater, with his author friend Hal Burton.

Articles about Masters as well as publications of his work, etc.

Consists primarily of correspondence between F. Scott Fitzgerald's East Coast literary agent, Harold Ober, and his Hollywood agent, H. N. Swanson, from 20 November 1934 through 4 April 1956.

Consists of Tumin's correspondence with literary authors and colleagues. Also included is correspondence from researchers concerning access to Tumin's papers, some of it addressed to his wife Sylvia Yarost Tumin after his death.

Consists of the correspondence of Guillermo Blanco y Nangle with individuals such as José L. Anguiano and Francisco de Solera, as well as others.

Consists of the correspondence of the Blanco White Family.

These folders contain undated letters that were later identified and given approximate dates. Folder 1 contains the following groupings: seventeen letters, circa 1945-1949 (all letters beginning with "Chère Violette Leduc"); twenty-three "rendez-vous" Letters, circa 1949-1971 (beginning "Chère Violette" and "Ma chère Violette"), which are short letters making appointments to meet at cafes or at Beauvoir's home; and two undated letters. Folder 2 contains a letter from Gary, Indiana (circa August 11th, 1950) discussing Nelson Algren's new house in Michigan; a letter from Norway (circa July 1951); two letters about Ravages (May 1954); a letter from England (circa 1959) mentioning "Coriolan;" a letter and prière d'insérer (circa 1960) related to Leduc's Tresors à Prendre; a letter from Cuba (circa March 4, 1960); four letters (circa 1964) about La Batarde ; one letter (circa 1965) with a title suggestion for La Femme au (petit) renard; thirteen letters from Italy (circa 1952-1963); and thirteen letters to Faucon (circa 1961-1972).

Most correspondence is undated, but in many cases, dates can be found on envelopes.

128 letters.

92 letters and one postcard from Hélène to her mother.

This collection consists of over 400 letters from French writer, philosopher, and feminist theorist Simone de Beauvoir to her mother, Françoise de Beauvoir, and sister, Hélène de Beauvoir (also referred to as Henriette), dating from October 1918 to December 1968.

Joseph Jefferson (1829-1905) was an American actor and author. His collection consists of biographical newspaper clippings, 2 copies of his Autobiography, theatrical criticism and approbation, and clippings on family matters.

Consists of a dated autograph manuscript and a typescript of the short story Alychtismata. The typescript is signed with the pseudonym Dēmētrēs N. Koulourēs.

Consists of an autograph manuscript (11 numbered leaves) with annotations, signed with the pseudonym Kleanthēs Triantos.

This file group consists of short stories written by Triantaphyllos Pittas.

Arthur Friedman is an American collector in music and theater. His collection consists of bound scrapbooks of opera programs and playbills for theater and concert performances covering eighty years of regular attendance by Friedman in New York City at the Metropolitan Opera House, Carnegie Hall, Town Hall, and various legitimate theaters.

drawings; articles and cost report (German), photos; letters, notes on competition; Gruner, Laufenburg 1974-1975

5 issues, 1 article

articles and reports (German)

The Dorothy Shipley White Collection encompasses two sets of photographs, one on the life of Charles deGaulle and the other on French Africa. White presumably collected the photographs in preparation for her book, Black Africa and deGaulle (Pennsylvania State University Press, 1979). Mrs. White sent the photographs and negatives of the deGaulle photographs to Princeton in 1989.

Frederick Quellmalz Jr. was a member of the Princeton University Class of 1934 and one of the founding members of the Princeton Camera Club, a student organization devoted to photography. This collection consists of print photographs and negatives primarily from the 1930s taken by Quellmalz Jr. and other Club members.

41 photographs of Moore. Also includes 4 images from her modeling portfolio and of artwork inspired by her.

4 photographs

This series consists of photogrraphs of Susanna Moore and her family as well as photographs of Frank Conroy, Deborah Eisenberg, Michael Laughlin, Mike Nichols, Jack Nicholson, Michelle Phillips, Roman Polanski, Wallace Shawn, and Richard Sylbert. Also includes images of Moore as a model.

James Ward Smith enrolled at Princeton University in 1934, first graduating with the Class of 1938 before proceeding with graduate studies in Princeton's Department of Philosophy. Following his military service during WWII, Smith returned to Princeton to begin a long career as Professor of Philosophy. The collection is comprised of letters written by Smith to his parents from September, 1934, when Smith entered Princeton, to his discharge from the Navy in 1946.

The Track Rosters folder contains men's and women's track rosters.

The Track Field and Cross Country Materials series contains rosters, meet schedules, programs, score cards, results, clippings and press releases related to Princeton Men's and Women's Track Field and Cross Country.

Notes, correspondence

Correspondence, documents, notes,

Obituaries, notes, family registers

Reels of Microfilm. Dates and locations, 1945-1960s. Originals at the University of Iowa. For more information, see the University of Iowa website, http,//www.lib.uiowa.edu/spec-coll/MSC/ToMsc350/MsC340_Donoso/Notebooks_340.html

This series consists of 29 notebooks in which Donoso recorded themes, characters, references to other writers, miscellaneous notes, and other information about his literary production. This series is organized by notebook number, which was determined by the chronological order.

Consists of general correspondence, including correspondence with Princeton University.

Consists of the correspondence of Alfred Marshall Mayer, his son Alfred Goldsborough Mayer, and Alpheus Hyatt with individuals such as Carl Barus, Anton Julius Carlson, and Charles Eugene Delauney, as well as others.

Consists of photographic negatives and thumbnails.

Nancy Crawshaw's photographs are presented in albums with explanatory notes, as negatives with thumbnails, and as mounted and unmounted prints. They include photographs of Greece, Cyprus, Yugoslavia, Albania, Bulgaria, and the Middle East. The photographs on Greece focus on different topics including classical antiquities, agriculture, the Greek Civil War, shipbuilding, fishing, and architecture. There are also photographs from her accompaniment of UN expeditions in the Balkans. Her photographs on the Middle East include photographs of Turkey and photographs taken on assignment for G.B. Instructional Films on Syria and Lebanon and for the British Foreign Office on Iraq's oil industry.

This sub-series consists primarily of manuscripts of Baird's published and unpublished works between 1932 and 1990, including Controlled Substances, the novel Baird was working on at the time of his death. Many of the works also contain notes, writing journals, correspondence between Baird and his publishers and editors, fan mail, and reviews. Within some of the notes files there are clippings of articles and advertisements that inspired Baird, as well as hand-drawn maps that he used to construct fictional settings. The published works found in the collection include Triumphal Entry (1962), The Old Masters (1963), People Who Pull You Down (1970), The Way to the Old Sailors Home (1977), Poor Millie (1978), Villa Aphrodite (1984) and Smart Rats (1990) [young adult]. Some of these works include author's proofs, galley proofs, and folded and gathered sheets. This sub-series is arranged alphabetically by title and then chronologically by date.

Consists of ideas, notes, novels, short stories, reviews, poetry, talks, addresses, and lectures.

Consists of manuscripts for novels such as Afternoon of an Author, The Great Gatsby, and This Side of Paradise, as well as others.

Consists of tear sheets for works such as "An Alcoholic Case," "The Count of Darkness," and "How to Live on Practically Nothing a Year," as well as others.

This series consists of various documents belonging to or pertaining to Rollins. This series is organized as follows: miscellaneous documents (organized alphabetically), financial documents, Princeton documents (divided according to those from his time as an undergraduate and those from his time as an alumnus), legal documents, and various documents relating to Rollins. Included at the end of this series is the inaugural issue of Biblia.

Consists of personal papers and material related to the American West collected by Philip Ashton Rollins (1869-1950).

Includes reviews for The Rhetoric of Alcuin and Charlemagne, Problems and Styles of Communication, and Fénelon's Dialogues on Eloquence.

This series consists of manuscripts for three of Nicolson's works, Benjamin Constant (1949), Journey to Java (1957), and Paul Verlaine (1921), as well as his notes for Sainte-Beuve (1957).

The series consists of scripts (both typewritten and photocopied) of films, television series episodes, and made-for-TV films, ranging from comedies to tragedies and romances and spanning a period of almost sixty-five years.

Consists of a collection of screenplays and television scripts spanning a period of sixty-four years of film and television production, collected by the writer Peter Orton.

Consists of the correspondence of Johnson, including with former students, regarding Williams College honorary degree, and regarding The Grolier Club, as well as others.

Previously known as Rachel Berezow and Rachel Frank.

Consists of correspondence of the American suffragette Alyse Gregory with her friend A. H. Degenhardt.

Consists of notes and drafts for "Spur Against Complacency" and "Poetry."

Consists of essays such as an essay on Rilke's "War-time Letters," "Some Notes on Popular and Unpopular Art," and an essay on "Imaginary Interviews," Andre Gide, as well as others.

Department: Romance Languages; no photo; date reflects year of degree or last year of enrollment.

Department: Architecture; no photo; date reflects year of degree or last year of enrollment.

Department: Chemistry; no photo; date reflects year of degree or last year of enrollment.

Series 1: Songbooks, 1854-2009 contains books and booklets of brief musical compositions written or adapted for singing, beginning with deluxe editions of Princeton University's most beloved song, "Old Nassau." At the end of this series are a number of individual songs, including class odes from the last quarter of the nineteenth century.

Series 2: Sheet Music, 1849-1995 contains music printed on unbound sheets. While most of the music in this series was written about Princeton, it also includes a small amount of sheet music unrelated to Princeton.

This collection contains various songbooks printed for Princeton University including bound volumes and small booklets. Among the former is a nearly complete series of the Carmina Princetonia. There is also a second series dedicated to sheet music comprising various songs written for Princeton University, including many pieces written by alumni.

This series consists of postcards which depict buildings on the Princeton University campus. It includes buildings which no longer exist, for example, the John C. Green School of Science and Marquand Chapel.

Consists of Princeton-related postcards; the postcards primarily depict Princeton buildings, sites and landmarks.

Approximately 200 postcards of Princeton University sites, buildings and landmarks. Some postcards have writing and postmarks and some are unmarked. Most of the postcards have black and white photographic images, while some are colorized.

This collection contains early scores and lyrics to Princeton University's alma mater "Old Nassau" as well as information about the song and the men who created it.

The Academic series contains audiovisual materials pertaining to class lectures, presentations, and field studies. The Lectures and Interviews series contain public addresses, lectures, and debates.

Subseries contains materials related to general alumni events and activities, including class trips.

16 mm.

Also contains instructions on oral presentations of staff experts and witnesses.

The Philosophy series consists of files of Philosophy faculty.

The Photonics Center series consists of files of Photonics Center faculty.

The Physics series consists of files of Physics faculty.

The Nassau Hall Iconography series consists of notes and drafts for a project in which Varnum Lansing Collins attempted to catalog historical depictions of Princeton's Nassau Hall. Included are notebooks containing several dated lists of Nassau Hall paintings, etchings, and sketches.

Arthur Cort Holden was a member of the Princeton University Class of 1912. He went on to earn a graduate degree in architecture from Cornell University, and joined the New York City firm of McKim, Mead, and White, later forming his own firm and advising Frank Lloyd Wright on the design of the Guggenheim Museum in 1949. Consists of personal papers and correspondence of Arthur Cort Holden.

Series 4: September 2005 Accession of Videotapes, 1982-2000 and undated consists of recordings of television segments about Princeton, lectures, and events, as well as recordings created as part of the promotional material for fundraising campaigns.

Subseries 1A contains minutes of the Faculty Committee's meetings.

A handwritten letter with a typed copy.

Several typed letters by Bowman, a 1973 article on his song "East of the Sun (and West of the Moon)," and his music sheets.

Handwritten letter with typed copy.

The collection consists of letters by American educator and playwright Louis Ellsworth Laflin (Princeton Class of 1924) to George R. Kernodle (a friend from Yale Drama School), written over thirty-three years. Also included are Laflin's notes and papers on Asian/Indian, Egyptian, and Greek drama, copies of six plays written by him, and copies of two essays on the founding and history of Princeton's Theatre Intime.

Consists of selected correspondence, manuscripts, and photographs of noted American poet Edgar Lee Masters.

Consists of selected papers of W. Oliver Strunk, who was a professor of music at Princeton University (1937-1966).

Consists of thirteen typed letters and one autograph letter from Martha Gellhorn to George Brown, Gellhorn and Hemingway's personal trainer, tennis partner, and close friend. The letters are addressed to George Brown (often referred to as "Flash") at his residence in New York City and are written primarily from Finca Vigía, San Francisco de Paula, Cuba, and Sun Valley, Idaho, with a single 1943 letter on White House stationery addressed from Washington, D.C., and one 1946 letter addressed from South Easton Place in London following Gellhorn and Hemingway's divorce. Gellhorn's letters, which she often signed "Marty," are playful and informal in nature and offer a glimpse into Gellhorn and Hemingway's marriage. Their primary topic is Gellhorn's concern over her and her husband's physical condition and weight, soliciting exercises and weight loss advice from Brown and making jokes about the couple's physical condition and eating and drinking habits. Letters also often refer to errands Brown ran for Gellhorn and Hemingway in New York during the couple's time in the American West and abroad. Gellhorn occasionally mentions her travel plans as a war correspondent for Collier's, and in one letter, suggests Brown attend her 1946 play Love Goes to Press at the Biltmore Theatre in New York. Her letters regarding her domestic life with Hemingway refer to travel plans, tennis, hunting and fishing in Idaho, Hemingway's cats and pigeons at Finca Vigía, and rumors in the press about Hemingway having an affair, which Gellhorn dismisses. She also refers fondly to Hemingway's sons as "Bumby," "Mousie," and "Giggy" and comments on their activities.

Consists of a set of dog tags, fifteen pins, and a cloth badge from Gellhorn's career as a war correspondent, primarily from the Spanish Civil War and World War II, including dog tags from her time as a war correspondent for Collier's Magazine during World War II, which are embossed "Martha G. Hemingway / War Correspondent / Colliers Magazine;" her United States War Correspondent's badge; a "¡No pasarán!" pin from the Spanish Civil War; a United States Armed Forces Parachutist Badge with four stars affixed to it; along with other pins and military pips from Great Britain, the Middle East, and Russia.

Consists of an open collection of letters and memorabilia of American war correspondent, journalist, and novelist Martha Gellhorn (1908-1998), assembled from various sources. Contents include approximately fifty letters (1968-1974) to her adopted son George "Sandy" Gellhorn and fourteen letters (1941-1946) to George Brown, who was Gellhorn and Ernest Hemingway's personal trainer, tennis partner, and friend, as well as badges from Gellhorn's time as a war correspondent and a portrait drawing of her.

Consists of correspondence, documents, photographs, and printed material relating to the professional career and personal life of American psychologist James Mark Baldwin (Princeton Class of 1884).

Consists selected correspondence and manuscripts of celebrated American poet Marianne Moore.

Originally titled Spring Torrents.

A program for a Class of 1901 35th Reunion Memorial Service, as well as a booklet with photographs of busts.

Consists primarily of manuscripts of Stephen French Whitman (Princeton Class of 1901), as well as correspondence and documents concerning their publication and the career of the author.

Consists of letters to Theodore Komisarjevsky and George Reavey.

Consists of correspondence with some carbons of Edmonds' replies, concerning the publication of most of Edmonds' nearly seventy short stories and at least seven of his novels or writings for young adults.

Includes Smith's manuscripts, notes, and proofs for his last anthology, The Golden Shakespeare; manuscripts of "Saved from the Salvage," about his recollections of Venice during the winter of 1897 and 1898, which appeared in Horizons (March, 1943); and "Slices of Cake," an account of his meeting Henry James at Edith Wharton's shortly after the outbreak of World War I, published in The New Statesmen and Nation (June, 1943); as well as a few miscellaneous writings.

Consists of selected papers, including manuscripts, research materials, and correspondence, of American-born British essayist and critic Logan Pearsall Smith.

Series 1: H. Hubert Wilson Collection on the Department of Politics, 1924-1977 (bulk 1967-1977) consists primarily of published sources on topics of interest to Wilson, including the administration, finances and governance of Princeton University, the activities of the Priorities Committee, government ties and sponsored research at Princeton, ROTC, and campus politics. It also contains materials originating in Wilson's teaching at Princeton, including student papers and theses, as well as drafts of a publication titled "This Isn't Princeton".

H. Hubert Wilson was a professor in Princeton University's Department of Politics from 1943-1977. The collection consists primarily of published sources on topics of interest to Wilson, as well as materials originating in Wilson's teaching at Princeton, and drafts of a publication titled "This Isn't Princeton".

The Meeting Minutes series contains the meeting minutes of the Ladies Auxiliary. Included are annual meetings of the entire body, more frequent but less well-attended regular meetings, and executive board meetings. Each set of minutes notes the type of meeting, and contains the date of the meeting, its location, a list of attendees, and issues discussed or voted upon. Until 1915 the minutes are handwritten in bound ledgers by the Ladies Auxiliary Secretary.