Consists of correspondence of the American suffragette Alyse Gregory with her friend A. H. Degenhardt.

Consists of approximately 5000 early 20th-century American architectural drawings (blueprint and trace drawings), primarily by C. Grant La Farge and various firms with which he was associated, including Heins & La Farge, La Farge, Clark & Creighton, La Farge, Warren & Clark, La Farge & Morris, and La Farge & Son. There are also groups of drawings by the architects Wilson Eyre, Pennington Satterthwaite (Princeton Class of 1893), Robert Gibson, and a few miscellaneous firms.

The American Ballet Theatre is an American ballet company founded by Oliver Smith and Lucia Chase in 1940. The collection consists of programs of performances of the Ballet Theatre dance company from its first performance in 1940 until 1979.

The American Civil Liberties Union (ACLU) is the pre-eminent civil liberties organization in the United States, utilizing litigation, lobbying, and public education to defend and preserve the individual rights and liberties guaranteed by the U.S. Constitution. These records document the administration and work of the ACLU's national office, regional offices, and legal projects, with particular emphasis on the areas of civil rights, children and women's rights, freedom of speech (and all First Amendment questions), and due process, among many others. The records include case files, correspondence, meeting minutes, research files, and files of staff members. Portions of the records (Subgroup 1; Subgroup 2, Series 2, 3, and 4; Subgroup 3, Subseries 5B) have been digitized and are available for members of the Princeton community to view here. To view the database from outside Princeton University, please see the Guide to the American Civil Liberties Union Records.

The American Civil Liberties Union Records, The Roger Baldwin years, document the activities of the ACLU from 1917 through 1950. The files contain materials on conscientious objection, freedom of speech, academic freedom, censorship, and labor concerns. The files reflect work on litigation, advocacy, and public policy. Materials include correspondence and newspaper clippings. Subgroup 1 has been digitized in its entirety and is available for members of the Princeton community to view here. To view the database from outside Princeton University, please see the Guide to the American Civil Liberties Union Records.

The American Civil Liberties Union (ACLU) is the pre-eminent civil liberties organization in the United States, utilizing litigation, lobbying, and public education to defend and preserve the individual rights and liberties guaranteed by the U.S. Constitution. These records document the administration and work of the ACLU's national office, regional offices, and legal projects, with particular emphasis on the areas of civil rights, children and women's rights, freedom of speech (and all First Amendment questions), and due process, among many others. The records include case files, correspondence, meeting minutes, research files, and files of staff members. Subgroup 3, Subseries 5B (Southern Regional Office) has been digitized and is available for members of the Princeton community to view here. To view the database from outside Princeton University, please see the Guide to the American Civil Liberties Union Records.

The Legal Case Files series documents the ACLU's involvement in litigation, ranging from files collected on cases for research purposes to records of cases they were significantly involved in. The records include documents filed with the court, correspondence, lawyer's notes, depositions and expert testimony, transcripts of the trials, newspaper clippings, and research materials on the background of the cases and legal precedents.

The Organizational Matters series documents the administration of the ACLU National Office and their interactions with the regional offices, affiliates, outside organizations, and the general public. The records include committee meeting minutes and mailings, staff files, and department records. The majority of the records are the files of Executive Director Ira Glasser and the records of the Legal Department.

The Printed and Audiovisual Materials series contains the published works of the ACLU, including publications, audio recordings, and videos. These include educational materials published by the ACLU, newsletters, press releases, and public appearances and interviews with ACLU staff.

The Project Files series contains the records of twelve of the ACLU's projects, which each addressed an area of civil liberties violations. Project records typically consist of case files, research files, and project publicity and correspondence. The best documented projects are the Children's Rights Project and Women's Rights Project, and to a lesser extent the Arts Censorship Project, Capital Punishment Project, and Reproductive Freedom Project.

The Regional Offices series documents the work and administration of the ACLU's three regional offices: Mountain States Regional Office, concerned with civil rights in the west and Native American rights, the Southern Regional Office, focusing on civil rights in the south, and the Washington, D.C. office, which concentrates on national legislation and the actions of the federal government. The files include correspondence, case files, office publications, research files, and the papers of individual staff members. Subgroup 3, Subseries 5B (Southern Regional Office) has been digitized and is available for members of the Princeton community to view here. To view the database from outside Princeton University, please see the Guide to the American Civil Liberties Union Records.

The ACLU is the preeminent civil liberties organization in the United States. These records document the work of their national office in the areas of civil rights, children and women's rights, freedom of speech (and all First Amendment questions), and due process, among many others, predominantly from 1970 to 2000.

Ananda K. Coomaraswamy was a noted art historian and champion of Ceylonese and Indian culture. This collection covers a broad spectrum of Ananda K. Coomaraswamy's work in the fields of art history, philosophy, religion, and social criticism.

The Papers of Andrew C. Imbrie, Class of 1895, (1875-1965) provide information on his undergraduate years, his service as an alumni trustee from 1907 until 1912 (including a period as Financial Secretary of the Princeton University Board of Trustees (1909-1912) during which he had charge of reorganization of the business management of the University leading to the creation of what became the Office of the Controller) and his family's genealogy.

Consists of an open collection of photographs by Prokopiou.

Consists of miscellaneous papers of George M. L. La Branche relating to angling.

Anne Martindell was one of the first three women to serve in the New Jersey State Senate. After her four-year term ended in 1977, she served as director of the Office for Foreign Disaster Assistance, and was ambassador to New Zealand and Western Samoa for a two-year term. The papers document her career in politics and civil service, and also contain her unpublished memoirs and personal papers.

Consists chiefly of correspondence between artist Annette Covington and Princeton professor and dean Luther P. Eisenhart, and papers relating to the "Baconian" theory of the authorship of Shakespeare's plays.

The President of the University is charged with the general supervision of the interests of the University and with special oversight of the departments of instruction. This collection consists of the collected reports to the President prepared annually by each academic department and administrative office.

Professor Ansley J. Coale (1917-2002) was a demographer whose work focused on nuptiality, fertility, and mortality in several countries. Coale joined the Princeton University faculty in 1947 and spent his entire career as a member of the university's Office of Population Research (OPR). The papers contain correspondence, Coale's research papers and projects, and samples of data collected. The material spans the several decades (1950s to 1990s) Coale spent as a member of the Princeton faculty, as well as the work he did during his retirement.