Don Oberdorfer (1931-2015) worked as a journalist for nearly four decades; twenty-five of those years were as a staff member at the Washington Post, where he served as White House correspondent (1968-1972), Northeast Asia correspondent (1972-1975), and diplomatic correspondent (1976-1993). The collection is mostly composed of Oberdorfer's notebooks that chronicle his assignments with the Post, as well as his work post-retirement. The collection also consists of transcripts of interviews conducted by Oberdorfer with both American and Soviet foreign policy officials for his book The Turn: From the Cold War to a New Era, The United States and the Soviet Union, 1983-1990 (Poseidon Press, 1991, and Touchstone Press, 1992). Additionally, the papers contain a significant amount of research material and writings related to Oberdorfer's career, foreign policy actions taken by the United States and the Soviet Union at the end of the Cold War, and the political climate of Japan and Korea from the late 1960s into the early twenty-first century.

Consists of correspondence, original sketches by Yanni Posnakoff, personal documents, photographs, exhibition catalogs, and printed material regarding the life and work of the artist in the United States.

This collection contains printed athletic programs for football, baseball, basketball, and ice hockey and other sports, with football predominant. The programs, especially the earlier ones, provide a sweeping view of Princeton's athletic history, documenting not only team statistics and scores, but the players, the venues in which the teams competed, social aspects of advertising, and the evolution of the various games.

The Historical Subject Files Collection documents Princeton University history and related topics from 1746 to the present. The collection consists of documents in almost every two-dimensional format: articles, books and booklets, clippings, correspondence, memoranda, non-photographic images, notes, pamphlets, posters, and reports.

Ricardo Piglia was an Argentine author and professor emeritus of the Department of Spanish and Portuguese Languages and Cultures at Princeton University. His papers contain handwritten and typewritten drafts of his writings, diaries and journals, notebooks, loose handwritten research notes, teaching files, correspondence, personal photographs, and born-digital materials.

Consists of writings, editorial files, correspondence, teaching materials, and other professional working files of Irish poet John Ennis (1944- ), including drafts of his published poetry and unpublished work from the late 1960s through 2016, editorial files related to anthologies of Irish and Canadian poetry he edited between 2002 and 2009, and materials documenting the activities of the Irish arts organization Poetry Ireland and its journal Poetry Ireland Review from its inception in 1978 through the 1990s.

Edgardo Cozarinsky is an Argentine-born film director, producer, screenwriter, novelist, critic, theater director, and playwright. His papers consist of film scripts, related press, correspondence, photographs, general reference files, drafts of his writings, printed matter, and audiovisual materials.

The material in this collection pertains not only to an individual, Richard Schechner, but also to TDR, The Drama Review, a scholarly journal concerned with the broad range of performance in society and in the arts. Schechner, a renowned scholar, director, writer, and educator, edited The Drama Review from 1962-1969 and again from 1986 to the present date. Particularly in the 1960s, and again in the 1990s, both Schechner and TDR challenged traditional, prevailing ideas about theater-what it is, how it should be presented, and the ritual and ideals behind it. Schechner argued for thinking of "performance" as an all-encompassing genre with "theater" as one of its sub-categories. He is widely recognized as the founder of "performance studies" as an academic discipline. In the process of working out what performance studies is, Schechner and his colleagues at New York University created new ideas and new ways of thinking that still affect today's world of performance, theater, dance, and the social sciences. As "the journal of performance studies," TDR did much to shape the new discipline.

Edmund Keeley (1928-) is an author, translator, and Charles Barnwell Straut Professor Emeritus of English at Princeton University, best known for his translations and writings on Greek poets C. P. Cavafy, George Seferis, Odysseus Elytēs and Giannēs Ritsos. The papers consist of Keeley's drafts and proofs of translations, fiction, and nonfiction, including novels, articles, essays, introductions, reviews, and other writings, as well as for works he edited, along with personal and professional correspondence, faculty material, files of the P.E.N. American Center and other institutions with which he was involved, awards and speeches, biographical materials, family papers, scrapbook and other printed materials, manuscripts of others, and photographs and photograph albums.

The Robert F. Goheen Papers contain records that Robert F. Goheen kept mainly before and after he was president of Princeton University (1957-1972). They include files Goheen kept as a graduate student, instructor and professor in Princeton University's Department of Classics for the period 1939-1957. The collection also contains U.S. army records for 1942-1945, when Goheen had interrupted his studies for service in the Second World War, and for 1945-1956, when he served in the Officers Reserve Corps. The majority of the files concern Goheen's post-presidential years, when he was Chair of the Council on Foundations (1972-1977), Ambassador to India (1977-1980), and Director of the Mellon Fellowships in the Humanities (1981-1998), as well as Senior Fellow Public and International Affairs at Princeton's Woodrow Wilson School. In addition, the collection contains some speech notes Goheen kept and some photographs of Goheen from his tenure as President of Princeton University.

This microfilm is second in a series and consists of pamphlets, serials, and monographs either published by organizations in Uruguay or published by outside organizations but pertaining to the subject of religion in Uruguay.

The Legal Case Files series documents the ACLU's involvement in litigation, ranging from files collected on cases for research purposes to records of cases they were significantly involved in. The records include documents filed with the court, correspondence, lawyer's notes, depositions and expert testimony, transcripts of the trials, newspaper clippings, and research materials on the background of the cases and legal precedents.

The Robert Judson Clark Papers consist of records pertaining to the architecture and grounds of Princeton University's campus and the surrounding area, compiled by professor emeritus Robert Judson Clark of the Princeton University Department of Art and Archaeology.

Rodolfo Alonso is an Argentine poet, translator, essayist, and editor. The collection includes Alonso's correspondence with various Latin American writers including Carlos Drummond de Andrade, Raúl Gustavo Aguirre, Juan Gelman, Augusto Roa Bastos, Juan José Saer, Ernesto Sábato, Lêdo Ivo, Hector Tizón, Edgar Bayley, António Ramos Rosa, Milton de Lima Sousa, and Claudio Magris. In addition, the collection includes photographs of Alonso throughout his career with many Latin American figures as well as a personal collection of his family and travels.

Félix Candela was an influential Spanish-born architect and structural engineer, known for his innovative designs using reinforced thin-shell concrete to create the highly efficient hyperbolic parabaloid shapes used in his construction of many well-known churches, factories, and other buildings, primarily in and around Mexico City in the mid-20th century. The collection consists of professional and personal papers, including photographic files documenting his projects, architectural drawings and designs, drafts of lectures and published papers, correspondence, appointment books, student notebooks and artwork, personal photographs and albums, awards and certificates, architectural reference books and magazines, construction materials catalogs, and clippings on various architecture and design topics and on Candela's own work.

The Alejandro Rossi Papers consist of personal notebooks, manuscripts, correspondence with writers, academics, editors and artists, and printed material of the writer.

The Graduate School at Princeton offers masters and doctorate programs in the humanities, social sciences, natural sciences, and engineering. The Graduate School Records consist of minutes, correspondence, reports, writings, applications, surveys, and memoranda, as well as forms, course listings, and information on examinations and fees.

The Carlos Fuentes Papers consists of personal and working papers of Fuentes (1928-2012), Mexican author, editor, and diplomat, including notebooks, manuscripts of novels and novellas, short stories, plays, screenplays, nonfiction writings, speeches and interviews, translations of fiction and nonfiction, correspondence, juvenilia, drawings, documents, photographs, audiocassettes, videocassettes, papers of others, scrapbooks, clippings, and printed material.

The Nanos Valaōritēs Papers consists of the writings, notebooks, sketchbooks, correspondence, and printed matter relating to Pali of the Greek poet, novelist, playwright, and editor, Nanos Valaōritēs. There are also wtitings of other people.

Contains the personal and working papers of Juan García Ponce, a Mexican novelist, dramatist, short story writer, and critic.