The School of Architecture, previously known as the School of Architecture and Urban Planning, is Princeton University's academic unit dedicated to the teaching and study of architecture and related topics. The records include subject files, correspondence, course descriptions, and other administrative materials, as well as records from the Bureau of Urban Research and its successor, the Research Center for Urban and Environmental Planning.

The Art and Archaeology Department is one of the University's most distinguished academic departments, responsible for the education of students on the graduate and undergraduate level as well as the administration of the Princeton Art Museum. This collection consists of the records of the Department of Art and Archaeology, which include advisory council minutes; faculty files; gift records; correspondence; recommendations; project files; course lists; historical documents; and lists of images used in classes.

The Office of Communications is Princeton University's administrative department with oversight of media relations and publicity, official publications, web site design and development, and photographic services. The Office of Communications Records consist of subject files and photographs created by the office, some going back to the 1920s, when the first Director of Public Relations was appointed.

The material in this collection pertains not only to an individual, Richard Schechner, but also to TDR, The Drama Review, a scholarly journal concerned with the broad range of performance in society and in the arts. Schechner, a renowned scholar, director, writer, and educator, edited The Drama Review from 1962-1969 and again from 1986 to the present date. Particularly in the 1960s, and again in the 1990s, both Schechner and TDR challenged traditional, prevailing ideas about theater-what it is, how it should be presented, and the ritual and ideals behind it. Schechner argued for thinking of "performance" as an all-encompassing genre with "theater" as one of its sub-categories. He is widely recognized as the founder of "performance studies" as an academic discipline. In the process of working out what performance studies is, Schechner and his colleagues at New York University created new ideas and new ways of thinking that still affect today's world of performance, theater, dance, and the social sciences. As "the journal of performance studies," TDR did much to shape the new discipline.

The Lulu Glaser Papers contains various artifacts, letters, photographs, and other items belonging to Lulu Glaser, a popular singer and actress during the early 1900s. Glaser starred in a couple Broadway plays in the 1890s and later opened the Lulu Glaser Opera Company in 1900, where she produced a number of operas before retiring from performing in 1917. Collection includes materials relating to Glaser's many productions as well as offers insights into her personal life before and after retirement.

Consists of the typed manuscripts of two books of philosophy by American professor Barrows Dunham: Man Against Myth and Giant in Chains.

Consists of autograph musical compositions, diaries, notebooks, and related material of Boswell, an American composer.

Consists of correspondence of the American architect and author Claude Fayette Bragdon, as well as related printed material.

Papaioannou was born in Lamia and grew up in Athens (Greece). She began working as a photographer during the 1930s, concentrating at first on studies of landscapes, monuments and archaeological exhibits. The outbreak of war in 1940 marked a turning point in her career, as she was intensely affected by the suffering of the civilian population of Athens. Realizing the power of her camera to arouse people's conscience, she documented the troops departing for the front, the preparations for the war effort, and the care received by the first casualties. When the capital was in the grip of starvation, she revealed the horrors of war in her moving photographs of emaciated children. After the liberation, as a member of the photographic unit of UNRRA (United Nations Relief and Rehabilitation Administration), she toured the ravaged Greek countryside recording the difficult living conditions faced by its inhabitants. She often exceeded her brief, immortalizing the faces and personal stories of ordinary people in photographs that stressed dignity rather than suffering. During the 1950s Papaioannou's work expressed the optimism that prevailed in the aftermath of the war with respect to both the future of mankind and the restoration of traditional values. Nevertheless, her photographs of the historic Greek landscape are not in the least romantic, but instead portray it as harsh, barren, drenched in light, and its inhabitants proud and independent, despite their poverty. Voula Papaioannou's work represents the trend towards "humanitarian photography" that resulted from the abuse of human rights during the war. Her camera captured her compatriots' struggle for survival with respect, clarity, and a degree of personal involvement that transcends national boundaries and reinforces one's faith in the strength of the common man and the intrinsic value of human life. (http://www.benaki.gr/index.asp?id=1020103&lang=en) Consists of an open collection of Papaiōannou photographs.

Horton Davies was a Princeton University professor of religion; his wife, Marie-Helene Davies, is author of LAUGHTER IN A GENEVAN GOWN: THE WORKS OF FREDERICK BUECHNER, 1970-1980 (1983). Consists of papers relating to the novelist Frederick Buechner (Princeton Class of 1947) collected or created by Davies.

Consists primarily of letters by Erwin and Dora Panofsky to the artist Mildred Burrage and her sister Madeleine ("Bob").

Consists of four small groups of correspondence between Wesley Halliburton and others after the death of his famous son Richard in 1939. Richard Halliburton was a celebrated adventurer and author known, among other things, for having swum the length of the Panama Canal.

Consists of photographs of the Greek-American community of New York in the 1940s.

The L. Ashton Sly Collection of Musical Scores is a 137 volume collection of vocal scores and/or libretti for one hundred twenty-three musical comedies, comic operas, and operettas, including twenty-eight full production promptbooks. These are arranged alphabetically by title and housed in 8 record center cartons.

Consists primarily of correspondence between Broadway producer George C. Tyler and many well-known theater people including dramatists Eugene O'Neill and Booth Tarkington.

Charles Lawton Campbell (Princeton Class of 1916) was an American playwright and advertising writer. His collection contains ninety-four drafts, fragments, and fully-conceived plays, as well as poems, essays, and an autobiography covering fifty years of his life as a devotee of the theater.

This collection consists of early versions of seven works by American playwright, novelist, and storywriter, Tennessee Williams.

Named in honor of Christian Gauss (1878-1951), one of Woodrow Wilson's original preceptors and dean of the college from 1925 to 1946, the Gauss Seminars in Criticism were conceived in 1949 by Richard P. Blackmur (1904-1965). One of America's foremost literary critics–and one of Princeton's most distinguished professors of English–Blackmur sought to stimulate discussion and the exchange of ideas in the humanities through presentations from scholars, artists, critics, and writers. The collection is composed of correspondence with guest speakers.

H. Hubert Wilson was a professor in Princeton University's Department of Politics from 1943-1977. The collection consists primarily of published sources on topics of interest to Wilson, as well as materials originating in Wilson's teaching at Princeton, and drafts of a publication titled "This Isn't Princeton".

The Auxiliary to the Isabella McCosh Infirmary is a volunteer fundraising organization which supports Princeton University Health Services. Founded in 1902 as the Ladies Auxiliary to the Isabella McCosh Infirmary, the group has been responsible for shaping student health at Princeton University for over a century. The records contain meeting minutes, annual reports, correspondence, and subject files which pertain to the McCosh Infirmary, or to the organization itself.

Brooks Bowman '36 is best remembered as the composer of the songs "East of the Sun (and West of the Moon)" and "Love and a Dime." The Brooks Bowman Papers consist of correspondence and photographs that document his school years and his foray into the music industry. The bulk of the papers consist of Bowman's correspondence with his mother, sister, and numerous friends.

The University Research Board, which consists of six faculty members from different departments, is an advisory committee to the president on all research conducted at Princeton University. The collection consists of University Research Board meeting minutes, annual reports, correspondence between members, and some subject files, as well as the memos and correspondence of Raymond J. Woodrow, executive officer and secretary of the Committee on Project Research and Invention, predecessor to the University Research Board.

Since its first class of six graduates and one honoree in 1748, Princeton University has awarded over 80,000 diplomas. This collection contains 213 original diplomas and photostats, including executed diplomas as well as blank, sample or spoiled diplomas.

Working in conjunction with the Office of Development, Princeton University's Office of the Recording Secretary receives and officially acknowledges gifts to Princeton on behalf of the president and the trustees of the University, and keeps donors informed as to the impact of their gifts. The files from the Office of the Recording Secretary consist of records of gifts donated to Princeton.

The collection contains representations of Nassau Hall and other historic buildings of Princeton University. Most of them are reproductions, some photographic.

The 250th anniversary of Princeton's founding as the College of New Jersey in 1746, also known by the coined term "Bicennquinquagenary", was celebrated in 1996-1997 with a yearlong series of events. The collection consists of the records of the office in charge of organizing all 250th anniversary celebration activities, as well as examples of the many publications, event programs, invitations, posters, audio and visual recordings, and commemorative artifacts created in conjunction with those activities.

The Cyrus Fogg Brackett Lectureship in Applied Engineering and Technology was established in memory of Professor Brackett in 1921 and continued until 1953. The collection contains many of the lectures–both in manuscript and published form–and correspondence with lecturers and potential lecturers. The collection also includes some general materials relating to the lectureship, such as citations, registries, histories, schedules, and short summaries of Professor Brackett's life and accomplishments.

The Student Christian Association and its predecessors were the dominant religious organizations at Princeton University for almost a hundred and fifty years. The Philadelphian Society, founded by a small group of students in 1825, was the quasi-official campus religious agency by the beginning of the twentieth century. In 1930 the Student-Faculty Association (SFA), organized by the Dean of the Chapel, took over the Society's programs, focusing on community service. In 1946 the Student Christian Association (SCA) replaced both the Society and the SFA, coordinating both religious and community service activities in campus. The Student Volunteers Council succeeded the SCA in 1967.

The collection contains photographic negatives and prints of Princeton University campus life, taken by J. Wayman Williams for the Bric-a-Brac yearbook and the Princeton Alumni Weekly during the years 1943-1944 and 1947-1950. The collection is still being processed and the negatives are not available to view in the reading room. The negatives are in a queue for digitization.

Galbraith Ward, Class of 1915, and Marquand Ward, Class of 1917, were both Princeton graduates who served and died in World War I. This collection consists of many letters and postcards they wrote to their childhood nurse, Margaret Heyerdahl, plus a photograph album compiled after their deaths.

Consists of an open collection of photographs depicting Greek antiquities, portraits, and landscapes by Karl Eller.

Consists of selected letters to American scholar and educator James Holly Hanford, most of them concerning his studies of John Milton.

Consists of an open collection of photographs by Geralēs.

Consists of the corrected typescript of a collection of essays by A. C. M. Azoy (Princeton Class of 1914) on 18th- and 19th-century United States military history, entitled Paul Revere's Horse (1949).

Consists of correspondence of Matthew Phipps Sheil, a prolific British writer of fantasy fiction, with editors, literary agents, publishers, and other authors.

Consists of personal journals of Theodore Spencer, American poet and essayist, and distinguished Harvard University literature professor.

Consists of correspondence and columns related to Donald L. Gordon's role as editor of the American News of Books and contributor to the Saturday Evening Post.

Consists of summary reports (1948-1949) of operational intelligence of the British military mission to Greece during the Greek Civil War (1944-1949).

Contains approximately 175 letters by Sir Sydney Carlyle Cockerell, written after Cockerell's retirement as director (1908-1937) of the Fitzwilliam Museum, to Janet Troxell, an American collector of manuscripts, discussing, in part, William Morris, Dante Gabriel Rossetti, the Kelmscott Press, and Cockerell's rare book and manuscript collections.

Consists, primarily, of a life-long series of correspondence between Carter Godwin Woodson, founder of the Association for the Study of Negro Life and History, and Charles H. Wesley, African-American historian and college president.

James Ward Smith enrolled at Princeton University in 1934, first graduating with the Class of 1938 before proceeding with graduate studies in Princeton's Department of Philosophy. Following his military service during WWII, Smith returned to Princeton to begin a long career as Professor of Philosophy. The collection is comprised of letters written by Smith to his parents from September, 1934, when Smith entered Princeton, to his discharge from the Navy in 1946.

Consists of the typed manuscript of The Man Who Could Grow Hair, a book by William Attwood (Princeton Class of 1941) based on his experience as a foreign correspondent in Europe.

Consists of 110 letters by influential magazine editor and critic H. L. Mencken to David Warren Ryder, a San Francisco area journalist, written mainly from Baltimore and New York between the years 1922 and 1947.

Consists of approximately 175 letters by college president James Creese (Princeton Class of 1918) to his Princeton classmate and friend Thomas H. English, who became a professor of English at Emory University, Georgia.

Consists of selected letters, holograph and typewritten, of Katherine Anne Porter.

Consists of thirteen letters from Charles Gillispie (1918-2015) home to his parents, Raymond Livingston Gillispie and Virginia Coulston, while he was stationed with the United States Army in France, Germany, and Austria during the final months of World War II in Europe. His letters, which span from March 9th to August 25th, 1945, are addressed from France, Germany, Austria, Bavaria, and Camp Shelby in Mississippi, and describe the conditions for American soldiers and prisoners of war in Europe, the state of the people and infrastructure in the German and French countryside, and other topics.

Consists of selected files from the offices of Farrar & Rinehart, Inc., New York City publishers.

Consists of a small archive of files from English publisher and author Fredric Warburg (of Secker & Warburg).

Consists of letters by Laflin (Princeton Class of 1924) to Helen D. Hill, covering his years at the Lawrenceville School and Princeton University, and typescripts of four of his plays based on religious themes.

Consists of an open collections of Spyros Meletzēs photographs.