Tom and Ellen Crane are the parents of a Princeton Class of 2010 men's hockey player. The collection consists of email newsletters written by the Cranes for the families and fans of the Princeton men's hockey team.

The dates in the headers of the 2007-2008 emails do not necessarily reflect the dates on which they were originally sent.

Consists of personal papers of Tēlemachos Alaveras, a prolific Modern Greek writer and editor of the literary magazine Nea Poreia for more than fifty years. He was also the president of the Literary Society of Thessalonikē and member of boards of many other organizations. Included also are the archives of Nea Poreia, as well as the personal papers of Alaveras's father, Chrēstos Alaveras.

Consists of a typescript of American marine Henry Aplington's unpublished autobiography "To Be a Marine" and two related letters he wrote to Princeton professor Samuel Hynes.

Todd S. Purdum (1959-) is a political journalist whose work has appeared in a number of publications, including Vanity Fair, The New York Times, and POLITICO. The collection is mostly composed of Purdum's research materials on various political and cultural figures created for his work with Vanity Fair. Other noteworthy materials in the collection relate to Purdum's senior thesis written for Princeton University's History Department on the Eisenhower-era State Department's Loyalty-Security Program.

Vice President Al Gore, interviewed in his White House office, various topics for NYT profile

Tom Reed, a 1971 alumnus with a Master's degree in Public Affairs from the Woodrow Wilson School, is an administrator in the New York City Department of Health as well as a graphic designer and illustrator who has published several instructional works and children's books. The collection consists of computer graphics and illustrations created by Reed of Princeton-related subjects such as James Madison and Albert Einstein, as well as artwork for Association of Princeton Graduate Alumni reunions.

"Dragons Tigers Dreams, Oh Yes!"

"Galileo's Galactic Magic"

Toni Morrison (born Chloe Ardelia Wofford, 1931-2019) was a Nobel prize-winning American author, editor, and Professor Emeritus at Princeton University. The material described in this finding aid consists of manuscripts, drafts, galleys, and proofs of Morrison's novels and other writings; personal correspondence; editorial files relating to Morrison's work at Random House and later publication of two posthumous works by Toni Cade Bambara; academic and teaching files, particularly pertaining to SUNY Albany and Princeton University; working files; press clippings; published books, photographs, audiovisual materials, and awards and memorabilia.

Princeton Millenium Lecture Series.

This collection consists of two boxes of typescripts, screenplays, and scene descriptions by American playwright and screenwriter Townsend Martin (Princeton Class of 1917) as well as one box of similar material by other authors, such as Willis Goldbeck and Fannie Hurst.

Consists of thirteen diaries (1903, 1906-1908, 1912-1918, 1922-1923) by Donald Phillips describing his adventures as a trapper and hunter in Alberta, Canada, and the typed manuscript "Tracks Across My Trail" (1940), a transcription of the diaries edited by J. Monroe Thorington.

Consists of two journals kept by an anonymous sailor detailing French voyages to the Indian Ocean, Southeast Africa, Indonesia, the Caribbean, and South America in the early 1820s. Entries document illegal trafficking by the French of enslaved persons from Indonesia and Southeast Africa to Île Bourbon (now Réunion), trade in livestock and foodstuffs in South America and the Caribbean, and life on board the ships.

Includes descriptions of the following travels: Le Havre to Wright Island, United Kingdom, aboard Minerve, September-October 1820; Le Havre to Désirade Island, Guadeloupe, aboard Minerve, November 21, 1820-March 26, 1821, back on the Moselle; Le Havre to Baía de São Marcos, Brazil, aboard Saint Louis, September 8, 1821- March 5, 1822. (51 leaves).

Includes descriptions of the following travels: Le Havre to Pointe-à-Pitre, Guadeloupe, aboard Aimable Eulalie (owned by Feray), April 28-September 5, 1822 (as lieutenant); Euridice under Captain Le Coq as lieutenant: Crach, France, to Ensenada, Argentina, December 29, 1822-April 14, 1823; Saint Denis, Île Bourbon arrives June 16, 1823; Saint Louis , Île de France (Mauritius Island) arrives June 24, 1823; Saint Denis, Île Bourbon; Toamasina, Madagascar, arrives July 13, 1823; Saint-Paul, Île Bourbon, arrives August 1, 1823; Toamasina to Anjouan (Comoros Islands), September 22, 1823; Anjouan to Mohéli, leaves October 22, 1823; Between October 22 and December 23 1823: East Coast of Africa and Islands, including Makaloé, Miquindamy (Mikindani, Tanzania), Tanguy (Tanga, Tanzania) and Misimboua (Mocimboa da Praia, Mozambique); Misimboua to Oïbe Island (Ibo, Mozambique) December 15, 1823-March 7, 1824; Oïbe to Île Bourbon (with stop in Madagascar), March 7-April 26, 1824; Île Bourbon to Bali (Indonesia), May 16–October 7, 1824; Stops on several islands and arrives in Timor, Indonesia, October 31; Dili (Timor) – Île Bourbon, November 19–December 24, 1824; Summary of trades in Madagascar (rice), Seychelles (coconuts for Île Bourbon plantation), stay in Mauritius, 1825-June 14, 1826. (38 leaves, with 3 inset leaves).

The Triangle Club Board of Trustees, which is composed of Triangle Club alumni, was established in 1901 in order to promote the Club, enhance its reputation, make arrangements for the annual tour, and ensure a record of its activities. The collection documents the governance of the Triangle Club by its graduate Board of Trustees, particularly under the chairmanship of John Ball '52 (1973-1985), and includes bylaws, correspondence, reports and meeting agendas and minutes. The collection also includes minutes of the board of trustees meetings for 1983-1992 and 2006-2011.

The Triangle Club Records consists of records of the Club and its predecessor, the Princeton College Drama Association, for productions performed by these organizations from 1883 to the present. Materials include correspondence, playbills, scripts, scores, newspaper clippings, posters, scrapbooks, and photographs as well as audio-visual recordings.

Tristan E. Beplat (1912-1997) was a New York banking executive with expertise in international banking. He had a significant role in the economic reconstruction of postwar Japan through his work in the Finance Division of the Economic and Scientific Section, General Headquarters, Supreme Commander for the Allied Powers. Beplat's papers document his service in Japan and include memoranda, papers, and reports on the banks and economy of Japan from 1945 to 1948.

Consists of selected material of Nobel prize-winning poet T. S. Eliot, primarily of correspondence but including several photographs, typescripts of poems, and corrected proofs.

Correspondence with Franklin Gary. Announcement of Scrutiny, a quarterly review. Signed Christmas Card.

Text as published in Minneapolis Morning Tribute

Consists of writings, notebooks, correspondence, files from Time magazine, subject files, legal and financial correspondence, photographs, and printed material of T. S. Matthews, an author and editor of Time magazine.

Annotated by Norah McGuinness, identifying real counterparts of characters.

Consists of correspondence received by various members of the Twining family, originally of New Haven and Litchfield, Connecticut, and later of New York. There are letters both personal and professional in nature.

Tyler Lussi is a member of the Princeton University undergraduate Class of 2017. For her senior thesis entitled "Exercising Their Equality: Coeducation and Athletics at Princeton University after 1969," Lussi conducted interviews with student athletes and coaches on their experience with coeducation. This collection contains transcripts of phone interviews and surveys facilitated by Tyler Lussi.

Bjorklund speaks about his time as a student-athlete at Princeton for the University's football and baseball teams. He speaks about the beginnings of co-education, the lack of women's sports, and how the anti-war protests affected the athletic environment. In addition, he speaks about winning several collegiate awards, joining the New York Jets, and his perspective on how Princeton women's sports has evolved since his senior year.

Bjorklund talks about her experience attending Princeton as a part of the first class under co-education, her experience as a student-athlete for the women's basketball team, and her time as a University trustee. She discusses Merrily Dean's role in forming the women's basketball team and how the women's basketball team struggled to access equipment, gear, locker rooms, or playing time with the men's team. In addition, she talks about how the women's basketball team lacked access to the Dillon Gym court and broad acceptance from male Princeton undergraduates and alumni. Finally, she discusses her reluctance to file administrative complaints about disparities between men and women's sports.

Consists of a series of manuscript lectures by U. M. (Uel Merrill) Fisk, a white Universalist pastor and lecturer on the radical abolitionist lecture circuit in New York and New England in the years leading up to and during the American Civil War. The lectures in the collection from this period argue for the abolition of slavery, and another from the Reconstruction Era advocates for voting rights for Black men.

Consists of an address book of over 1,300 index cards belonging to Ulises Carrión, a conceptual artist known for his role in the mail art movement and for conceptualizing the artistic genre of the artists' book.

Contains the "Vertical Signs," "Horizontal Signs," "Mailings" and "Particular Mailings" cards. Includes the mailing information for the following individuals and entities: "A Space"; Franklin Aalders; Martine Aballea; "Abandon"; Judith Abrahms; Edgar Acevedo; H. P. Adamski; Adelaide College of Art and Education [Australia]; J. Adler; "Aérosol"; Jersie Affelder; "AGAR"; The Agent; Juan Agius; Akademie voor Beeldende Kunsten [Breda]; "Album"; Alessandro ("Shède"); "Algo Parra"; Mario Allione and Mario Garosi; Annalisa Alloatti; Marcel Alocco; Alro "The Alternative Press"; Frederic Altmann; Roberto Altmann; Egidio Alvaro; Charles Amarkhanian and Barbara Law; Aracy Amaral; Matteo D'Ambrosio; Woody van Amen; Louis America; American Council for the Arts (see: P. Peterson[?]); Manuel Amigo; Amsterdamse Kunstraad; Stichting Amsterdams Fonds voor de Kunst; Jaroslav Andel; Erik Andersch; Eric Andersen (and Brigit Giedekier); Beth Anderson "Ear Magazine"; Holly Anderson; Peter Anderson "Embryo"; Raúl and Lene Anderson; Simon Anderson c/o Royal College of Art; Volker Anding (see: Galerie Aura); Michael Andre "Unmuzzled Ox"; M. Angioni; Mp. Anker; Xoan Anleo; "Anterem" (see: Flavio Ermini); Antro art; Ida Applebroog; Joshua Applegarth; Anne Applewhite; "AQ"; Avelino de Araújo; Natalie d'Arbeloff; "El Archivero" (Yani Pecanins/Gabriel Macotela/Armando Saenz); Roy Arden; Stichting "De Ark"; W.J. Arkenberg "La Mamelle"; John Armleder; Michael-René d'Arnal; Jón Gunnar Arnasson and Rúri; "Art Catalogues" (Dagny Corcoran); "Art in Form" (Laura J. Millin); "Art in Opposition" (see Gallingani); "Art Institute of Chicago" (Jessie Affelder); "Art Metropole"; "Art Police"; "Artes Visuales," Museo de Arte Moderno, Mexico City (Beatriz Moyano); "Artexte"; "Artfoot" (J. Stoll); "Artforum"; Arno Arts; "Arts Bibliographic" (Robert Self); The Arts Council; "Artseribe"; Tom van As; Carlos Asp; Atelier 63; "Atelierbericht"; Gabor Attalai [Hungary]; "Aubes" Annie Vasseur; "Audio Arts" (audio-cassettes); Audiozine Transart Inc.; Pat Aufderheide (and Steve); "Augerlander"; Gallery Aura; Australian National Gallery; Metalic Avau; Rose Avery; Mark Axelrod; Mats B.; Annette Baack "Baackscher Kunstraum"; R. P. Baacke; Vittorio Baccelli; Heimrad Bäcker; "Backworks" (Jon Hendricks/Barbara Moore); Dao Badao; Kunstcentrum "Badhuis," Nora Baeters; Kum Nam Baik, Dept. of Art, Seung Kyun Kwan Unviersity, Seoul; B. J. and Monique Bailly; Zoltan Bakos [Hungary]; Eduard Bal; Ma. Teresa Balboni and Roberto Brizza; Eugènia Balcells; Ramon Balderas Sanchez; Marco Baldini; Carel Bahth (and Tanneke Alpherts); Jacqueline Balthazar "Le Daily-Bul"; Fritz Balthaus; Barbara Baracks; Daniel Barber; Diego Barboza; Vera Chavez Barcellos; Leslie Barnett; Peter Barnett; Baron; Vittore Baroni; Petra Barreras "Museo del Barrio"; Luciano Bartolini; Luca Bartos; "The Basement Group"; Rubén Bautista; Glen Baxter; John Jack Baylin; B.B. K. (Beroepsveremiging van Beeldende Kunsteraans); Gianni Becciani; Lizzie de Bechi; Heimz Beck; Bedaux B. V.; Bedeschi (Guiseppe) and Ponzi (Paolo) ("International Archives"); Sandra van Beek/Paul Bonger; "Beeldend Theater"; Rolf Behme; Patrick Beilman (Cow Town Art); Laszlo Beke; Lucky Belder; Peter Below; Zadok Ben-David; Kazimierz Bendrowski; Enzo Benedetto; Barton Lidice Benes; Reinhard Bennecke; John M. Bennett; Mirella Bentivoglio; "Benzene"; Fátima Bercht; Neil Berecry; Jerzy Beres; Steve Beresford; Barry Berg (City of Garden Grove Art Gallery); Hans and Else ten Berge; Pierre van Berkel; Sylvia van Berkel; Prins Bernhard Fonds; Ulrich Bernhardt; Will J. Bertheux; Renate Bertlmann; Joep Betrams/Aldje Janssens; Phyllis Berwick; "Het Bestaan"; Peter van Beveren; Annibale C. Bianchi; Michael Biberstein; Bibliothèque dArt et d'Archéologie [Switzerland]; Bibliothèque Nationale [de France] (Mme. F. Woimant); Mike Bidner; Ania Bien/Kees Hodde; "Bile Magazine"; Bill Bissett; Daniël Billiet; "Bizarre Angel"; Julien Blaine; Manon Blanchette The Banff Centre; Guy Bleus; Mark Bloch; Edition Block; Cor Blok; Carel Blotkamp; Philip Boas; Museum Bochum (Michael Fehr); Jan Bodde; Saskia de Bodt; Klaus Boegel; Marius Boender; Peter de Boer; Waling Boers; Jan de Boever; [Marinus] Boezem; Nenad Bogdanovic; Josien Bokhoven; Peter Bokros; Atelier Bonanova (see: Mata); Eugenio Bonet; Régis Bonvicino; Rudolf Bonvie; Bert Boogaard; The Book Bus (see: J. Flaherty); "Bookspace" (Miles DeCoster/Tom Broderick); Filip Bool; Rommert Boonstra; Ron Boonstra; Gabriel Borba [Filho]; Joan Borgman; Maris Borillo; Wiestaw Borowski; Jean-François Bory; Joop Bos; Franceso del del Bosco/Fabrizio Vareses; "Bosgarren"; Boston College Gallery; Bickhard Botlinelli; Bart Boumans; Christophe Bourseiller; Brian P. Bower; Don Boyd Fluxus West; Brad Brace; Tony Bradley; Joaquim Branco; "Totem"; Liesbeth Brandt Corstins/Kees Bros; Pieter Brattinga; Herman Braun (Fluxus collector); Terry Braunstein; Hans Breder Univ. of Iowa; Heinz Breloh; Hannah Bremer (see: Kryptogame); Jaap Brenner; Ingrid Bres and Marius Quee; George Brett; "Brick" Nairn (Stan Drayland); David Briers "Pages"; Jackie Brody "Print Collector's Newsletter"; Gianni Broi; A. A. Bronson; Dieter Brookmann; Bazon Brosk; José U. d. Broucke; Mariette Brouwers; Bruce Brown; Cee Brown Performance Artists Archives; Kathan Brown "Crown Point Press"; Jean Brown (Archive); Paul Brown; Ron Brownson Art Research Library [New Zealand]; Ciarlone Bruno; Carol Bruns "Fifty-four Pages"; Paulo Bruscky; Wojciech Bruszewski; Charlton Buch "Third Story"; David Buchan; "Buchhandlung" Hilka Nordhausen; Willy Buchholz; Pavel Büchler; Ernst Buchwalder; Bull Infos; L. Bunse; "Bureau de l'Art"; Peter Burgess; Büro Berlin; "Bus Plunge"; Bruno Bussmann; Maris Bustamente; Francel Butler; Russell Butler [Arkansas]; Henryk Bzdok; Richard C. (Craven); Judith Cohen; CAIRN; Maurizio Camerani; Carl Camu; Sam Cannarozzi; Arthur and Corinne Cantrill; Captain Collage; Jorge Caraballo [Uruguay]; Michel Cardena; Octavio Cardozo (and Nena); Gilmar Cardozo; Carioca (Carrie Carlton); Eugene Carl; Tony Carruthers; Paul Carter; Beniamino Carucci; Luciano Caruso; "Cassetera"; Nello Cataldo; Jose Luis Castillejo; Luis Catriel; Bo Carefors; Guglielmo Achille Cavellini; Canobio Visualita; Gabriella Censi; "Centre d'art Contemporain" [Geneva, Switzerland]; Centre de documentació d'art actual [Barcelona, Spain]; "Ceofrith Press"; C. E. P. A.; Theresa Hak Kyung Cha; Bill Chambers; Joëlle Charian; Cozette de Charmoy; Bruno Chiarlone ("Corto Circuito N. Zero"); Sang-Hyun Cho [Seoul, Korea]; Henri Chopin; George Chrest; John Christie; Carlo Giovanni Cicatelli; Javier Cinca; Moacy Cirne; Daniele Ciullini; Jean Clareboudt; Hans Clavin; Buster Cleveland; Cleveland Inst. Of Art (att. Mrs. Karen T. Schudy); "Coach House Press" Rick Simon; Bob Cobbing; Ryosuke Cohen [Japan]; Robin Cohen; Sas Colby; David Cole; Collation; Libreria Colonese (specialist in Futurist publications); Norman B. Colp; Erik Colpaert; Annette Cone-Skelton; "Constant Art/Changing System"; "Contact Music Magazine"; E. E. Content; Carlo Marcello Conti; Geoffrey Cook; "Cookie Press"; "Copyright"; D. J. Corcoran; Michel Corfu; Johan Cornelissen; Philip Corner; "Corps de Garde"; Nanni Cortassa; Cow Town Art; Cracker Jack Kid; Mike Crane ("Running Dog Press"); P. Creemers; Phil Crepain; "Criss-Cross"; Ricardo Cristobal; Liesbeth Crommelin; Ron Croworoft; Anna Crowell; Robin Crozier; Tito Cruls; Natale Cuciniello; Robert Cumming; Barbara Cushman; Mr. Cuttlefish; Simon Cutts; Dorit Cypis; Albrecht D.; Daniel Daligand; Ineke van Dam; Johannes van Dam; Clys Dana (Horus); Betty Danon; Si Dardick; "Darling Darlene"; Wally Darnell; "Data"; "Dataskil" (Tom Kinkowstein); Francis David; Peter M. David Gallery (Ross A. Sussman) [Minneapolis]; Ben Davis; Douglas Davis; "Galeria December"; Tjeerd Deelstra; Guillermo Deisler; "Deja Vu" (Diana Kehlmann); Philipe Deleglise (and Anouk Crossot); Nick Demartino; Denmark; "La Derive"; Mirtha Dermisache [Argentina]; John Desailly; Danny Devoz; Mario Diacono; "Il Diaframma"; Diagramma/Luciano Inga-Pin; Wlademir Dias-Pino; Juan Luis Diaz; "Dier"; Paula van Dyk; Pier van Dyk; Wouter Dyk; Braco Dimitrijevic; Rosalind Dimon-Van der Kloof; Remy Dios; Marcello Diotalleni; Eugenis Dittborn; Rolf Dittmar; "Documentazione Arti Visive"; Bonnie Donohue; Doo Daaa Newspaper; Peter Downsbrough; Jorge Dragon; Ferruccio Dragoni; Uwe Dressler (and Katharina Ehrich); Jerry Dreva; Charles Dreyfus; Mary Dritschel; Stanislaw Drozdz; Johanna Drucker; Michael Druks; "Dry"; Leonhard Frank Duch; Patrick Duffey; Francois Dufrene; John Duncan; Michel Duquette; Nino Tommaso Durante; Steven Durland; "Centrum Dziekanka"; Grzegorz Dziamski; Nigel Earthy; Eaton/Shoen Gallery; David Ebony Gallery [New York City]; Carlos Echeverry; Rob Edelman The American Film Institute; J. M. Edelstein Chief Librarian National Gallery of Art; P. J. M. van der Eeden; R. van Eek; Felipe Ehrenberg/Lourdes Grobet; Nicolaus Einhorn; G. M. Eirich; Claes Ejdemyr; Werven Elbrecht; Eric Elgherabli; Jürgen Elsässer; "Embryo" (Peter Anderson); E. M./Media; Ruud Engelander; Leif Eriksson; Michael and Uta Erlhoff; Tania Erlij; Flavio Ermini; "Erres" Isa Delord; Fred Escher; Pablo Espinoza Vera; Barbara Ess; "Etcetera"; Eulalia; Jimmy Evans; C. J. Evans; Lee Ewing; "Ex-Libris" (Arthur Cohen); Experimental Art Foundation; Valie Export; E. E. F. (Eyes and Ears Foundation); Marcelo Expozito; Hans Eykelboom; Giorgio Fabbris; "Facade"; John Faichney; "Faits Divers"; Arturo G. Fallico; Joe Fang; Rúri Fannberg; F. A. R. (Foundation for Art Resource Inc.); M. Fariello; Derek Faulkner; "The Fault" Ian Tenty; F. W. Faxon Company, Inc.; Samuel Feijoo; Hans-Peter Feldmann; M. and T. Felguerez; J. W. Felter; P. C. Fencott; Julia A. Fenton; Atlanta Art Workers Coalition; Ferró; Robert Filliou; Fiat al Müvészek Klubja; Peter Finch; Jim Findlay; A. M. Fine; "Fine Print"; Finnair; Allen Fischer; Hervé Fischer; Joel Fischer; Robert Fischer; Pat Fisch; S. Fishbein; Five/Cinq Aesthetics Ltd.; Joe Flaherty; Peter Flischman; Irena Flis; Aaron Flores; Victor Manuel Flores; Henry Flynt; Museum Fodor; Taden de Fonseca Junges; Giovanni Fontana; Fred Forest; Maria Cecilia Forton; Prof. M. Fraccaro; "Fragile"; Kiki Franceschi; Filip Francis; Harley Francis; Nicola Frangione; Peter Frank; Cees Franke; "Franklin Furnace" (Martha Wilson); Piet Franzen; Sean Fraser; Brad Freeman; Rob La Frenair/Martine Mayes; Helgi Porgils Fridjonsson; Ken Friedman; Erika and Otto Friedrich; Georg Fritsh; William Furlong; John Furnival; "Fuse"; Fylkingen; "G7 Studio"; Lucio Gacina; Bill Gaglione and Darling Darlene; Henryk Gajewski; Jesus Galdamez Escobar; Gyorgy (and Julia) Galantai; Peggy Gale; "Galeria"; Galerie im Taxispalais; Galleria d'Arte Nuova; Gallery without a Gallerist; Alberto Gallingani; David Garcia and Annie Wright; Fernando Garcia Sevilla; E. Garnet "Impulse"; Alexandre Garrett "Beyond Baroque"; Nancy Garuba; Ron Gasowski; Walter Gaspari; Hanski Gebert; Anna Bella Geiger; Istvan B. Geller; Johan van Geluwe; "General Idea"; Nicole Genetet-Morel "Art Present"; Bob George; Robin George; "Gepein"; Jochen Gerz; Paul-Armand Gette; Sara Gibert; Kryn Giezen; Gifreu; Randy Giles; Kenneth Gill; Jane Gilmor; Gino Gini; Lily van Ginneken; Michel Giroud; Rolf Glasmeier; Marek Glogowiec; Jorge Glusberg; Anthony Gnazzo; Mr. Gobel "Neue Galerie"; Lionel Godart; Klaus Goheling; Rich Gold; Rochelle Goldberg; School of the Art Institute [Chicago]; Maurizio Goldoni; Antonio Gomez; Gonzala/Rit; David Goodstein; Erin Goodwin; Maya Gordon; Ludwig Gosewitz; Claudio Goulart/Diogenes Grocco; Urs and Rös Graf; Ivald Granato; Tom J. Gramse; Flavio Grassi; Thomas Gravemaker; Antje von Gravenitz; Nicole Gravier; Roy Grayson; Lily Greenham; "Nigel Greenwood Bookshop"; Dominique Gregoire "Goddog Press"; Peggy Ellen Gregory; Gretta (Sarfaty); John Greyson; Frank Thomas Gribling; Jullia Griffiths; C. A. Groenendyk/T. Holt; Klaus Groh; Groninger Museum; Lex de Groot; Paul Groot; Michael Groschop; Manfred Grossmann and Cornelia Reis; Hermann Gruber "Mail-Art Archive"; "Gruppo Alternativo"; Massimo Gualtieri; Luis Guardia Neto; G. Guben ("Appa Appa"); Giampaolo Guerini; Mauricio Guerrero; Caprano Guido; Galleri Guld; Andrew Gunz; Ernie Gusella; Graciela Gutièrrez Marx; Pedro J. Gutiérrez; Helfried Hagenberg; Horst Hahn; Frans Haks; Alan Halsey; Richard Hambleton; Robert Handforth; Sten Hanson; Happy New Art Gallery; Mary Harding; Plassum Harel; Dick Harmson; Harris Graphics; John P. Hartham Keeper of the Library Victoria and Albert Museum; "Hart-Slag"; Kiyoshi Haruyama [Japan]; Henrik Have "After Hand"; Martha Hawley; Richard Hayman; David Hecht; M. J. Hecht; Jockel Heenes; Carina Heden; Ron Heglin; Alex Heibel; Bernard Heidbieck/Francoise Janicot; Harry Jeijink; Willemien en Piet Hein v. d. Brandhof; Lyn Hejinian; Jonathan Held; Skuta Helgason and Martina Simona; Scott Helmes; Jon Hendricks; Geoff Hendricks/ Brian Buczak; Marten Hendriks (and Elly); "Heretic"; Ragna Hermannsdottir; Lien Heyting; Peter Hiess; Dick Higgins; E. F. Higgins; "High Performance" Linda Burnham; Pati Hill; Steve Hitchcock "Cabaret Voltaire"; Ludo Hoes; Judith Hoffberg "Umbrella"; Ton Hokken; Jim Hol "The Agent"; Pieter Holstein; S. R. Holtzmann; Marek Holynski; Peter Homeyer; Davi Det Hompson; Roger D'Hondt "New Reform Gallery"; Riza Honest; Harry Hoogstraten/Susanne Hahn; Centrum t' Hoogt; Nan Hoover; Else M. Hooykaas; Tohei Horiike [Japan]; Pete Horobin; Dulce Horta; "Horus"; Sue Horvitz "The Philadelphian"; Per Hovdernak; "Edition Howeg"; Joël Hubaut; Joseph Wolfgang Huber/Karla Sachse; Pierre-Alain Hubert; Fondation Claude Nicolas Ledoux; Hudinilson Jr.; F. W. Huebach "Interfunktionen"; James R. Hugunin "Phenomenological Artworks"; Gerard Huisman; Hetti Huisman and Grietha Jurriens; Sipke Huismans; Edition Hundertmark; Petra van Hulzen; Humble Hummel (Homeyer); HYPE World H. Q. (J. P. Jacob); "Image Bank"; Franz Immoos; "Impulse"; "Informazione"; Arni Ingolfsson; "Interfunktionen"; "Intermedia"; International Cultureel Centrum; "Interstate"; Marc Isphording; Sanja Ivekobic; Robert Jacks; J. P. Jacob; Steffen Jacob; Servie Janssen; David Jekel; Birger Jesch; Dick Jewell; Susanna John/Dieter Cöllen; James Johnson; Philip Johnson; Ray Johnson; Tom Johnson "Two-Eighteen Press"; Tim Jones; Ko de Jonge; A. Jorczak; Alberto Jose; Robert Joseph; Jacques Juin; Taden Junges; "Just Another Asshole"; "Kalamiteit"; Bruce Kalberg; Hans-Werner Kalkmann; T. Kantor; Ulli Katlenstroth; Leandro Katz; Werner F. J. Kauur; George van Keeken; Jack Keguenne; Judit Kele; Karl Kempton "Kaldron"; Eleanor Kent; Mathias Kessler; "The Kitchen;" "Klar!"; Jouke Kleerebezem; Franciszek Klak; Miroslav Klivar; K. L. M.; Milan Knizak; Alison Knowles; J. H. Kocman; Hans Koetsier; Michael Köhler; G. J. Komry; Marek Konieczny; Buchhandlung Walther König; Jaak de Koninck; Márton Koppány; Richard Kostelanetz; Hennie Koster; Andrzej Kostolowski; W. Kotte; Kowa Kato; Grzegorz Kowalski; Jaroslaw Kozlowski [Poland]; Jurgen Kramer; Jürgen Kramer; Maarten Kramer; "Krauthammer"; Hubert Kretschmer (see Produzenten Galerie); Galeria Krimzinger; Steingrumur Eybjoord Kristmundsson; Harrie de Kroon; Karl Krüll; "Kryptogame"; D. and M. Kubbe; Shigeko Kubota; Abe Kuipers; Zofia Kulik and Przemylaw Kwiek; Lucis Kume; Toshihiro Kuno; Kunstgeschichtliches Inst. Freiburg; Romualdo Kutera (and Anna); "KVHR arte"; Przemyslaw Kwiek; Andrzej Kwietniewski; "Labirynt," Galeria Szluki L. D. K.; Suzanne Lacy; Magda Lagerwerf-van Willigen; Maria Lagunes; L. A. I. C. A. Journal; Lalaland; Menchu Lamas; R. J. Lambert; Karin M. H. Lambrecht; Lamella Distribution; Brian Lane; Bert H. Lange; Carel Lanters and Lee eun Young; Mario Lara (and Shat Lepor); Gerald Jupiter-Larsen; "Laughing Bear" (Tom Person); Thorbjorn Lausten; Steven Paul LaVoie; Julia Lazar; "L. B. T."; Michael Leaman; Studio LeClair; Gerry Leewes; Mike Leggett (and Deborah); Betty Leirner; Jacqueline Leirner; Andrár Lengyel; (Shat Lepor); Georges Levantis; Elsja Lewin; Ronald Lewin; C. L. Lewis; "Liaison"; Peter van Lieshout; John Liggins; "Lightworks" [Ann Arbor]; James Lineham; Tomek Lipinski; A. Lionel-Marie (Mme), Bibliothécaire, C. G. Pompidou, Musée d'Art Moderne; Lucy Lippard; Unhandeijara Lisboa; Literarisches Informationszentrum; Ginny Lloyd; Bernd Lobach; Lockwood Memorial Library/Poetry Collection/State University of NY (Buffalo, NY); Lockwood Memorial Library/Serials Department/State Univ. of NY (Buffalo, NY); "Lodz Kaliska"; Carl E. Loeffler, "La Mamelle"; "The Loft"; Mark Lombardi; Niels Lomholt; Harley Lond; Long Beach Museum of Art, Connie Fitzsimmons; Fred Lonidier; Arrigo Lora-Totino; Ekkehard Lory; Agneda Lozano; Pedro M. Lucia; Serse Luigetti; "Luna/Sea Press"; "Lunatique"; Scarlatina Lust; Luty; Don Mabie; Christopher Mach Art (Machert); Barbara Mackowiak; "Mag" Magazin; Odair Magalhaes; Ruggero Maggi; "El Mago" (Juan Pagán); Noemi Maidan "Soft Art Press"; Mail Etc., Art (Ed. Koslow/B. Donohue); Mata Galeria (Marek Grygiel); Malmö Konsthall; Tim Mancusi; J. O. Mallander; "Mandragora"; Frankie Mann; Bernard and Martine Marcelis "Librairie Post-Scriptum"; Joan Manreza; Alessandra Marchi "Centro Di"; "Grupo Marco"; Manuel Marin/Gilda Castillo; Cosimo Marino; Christine de Martini; Dalibor Martinis; Sofia Martinou; Pier Marton; Radomis Masic; Mata; Andreas Mathyl; Ma. Beatriz Matias; Slavko Matkovic; Rudolf Matter; Bernd Mattheus; Yutaka Matsuzawa;Artur Matuck; Dora Maurer; Edition Hansjorg Mayer; Peter Mayer; M. C. (publishers: David Cole, Paul Zelevansky); John McAuley ("Maker"); John McBride; Steve McCaffery; Barry McCallion; Paul McCarthy; Thomas G. McCullough; Bary M. McInerney; Richard Meade; J. Medeiros; "De Media"; "Mediamatic"; Guillermo Medina; Valcárcel Medina; Gal. Lydia Megert; "Mekka"; Santiago Mercado; "Meta" (Parole and Imagini); Metallic Avau; Diogenes G. Metidieri; "Metro Studio's" G. Akkermans/J. Kleerebezem; "Metropolis"; Tommy Mew, Art Department, Berry College, Mt. Berry, GA; Peter Meyer; Eugenio Miccini; Rolando Mignani; Dorine Mignots; Ken Mikolowski "The Alternative Press"; Richard Milazzo "O. O. L. P. Press"; Karel Miler; Gerry Miller; Uncle Don Milliken; Enzo Minarelli; "Minimal Rock" (Roberto Fischer); Gerald Minkoff; Richard Minsky; Antoni Miralda; "Mislaid Information"; Steffen Missmahl; Bill Mitchell; Bill Mitchell; C. Patrick Mitchell; "Mixage" (Joël Hubaut); Jun Mizukami (F. A. I. N.); Modern Art Gallery (Grietta Insam/Herbert); Moderna Museet (The Bookshop) [Stockholm. Sweden]; Mohammed (Plinis Mesciulam); Kees Mol; Yigal Moldavsky; Mark Molenaar; Michael Mollet "Mollet's Postcard Garden"; Greta Monach; "Montevideo" (Annie Gentils, Katlendykdok West); Alan Moore; Barbara Moore; Stephen Moore and Ann T. Rosenthal; Jozias Benedicto de Moraes Neto; Emilio Morandi; Robert Morgan; Niland B. Mortimer "Cooperative Printing Program); David Moss; Jorge Mourao; W. Moser/H. Nordhausen; Lech Mrozek; Wilhelm Kaizer Muires Director of the "Museum of Desperate Art"; Titus Muizelaar and Dirkje Houtman; Rolf Mulder; Brian Muldoon; Agathe Müller; Galleria Multipla; Stephen Mumberson; Antoni Muntadas; Ernesto Muñoz; Patricia Laura Muñoz; John Murphie (Library) (Nova Scotia College of Art); Graeme Murray Gallery; Museo de Arte Moderno/Helen Escobedo, Rita Eder/Jose Carlos Gonzalez/Mexico; Museum für (Sub-) Kultur; "Museum Journaal"; Museum of Broadcasting (Curator: Jeff Fuerst); Museum of Modern Art The Library (Daniel J. Pearl); "Museum of Desperate Art"; Museum van Hedendaagse Kunst (Jan Hoet); "Musics"; Magdalo Mussio "La Nuova Foglio"; R. Mutt Galleries; Myndlista- Og Handidoskoli (The Icelandic College of Arts and Crafts) (Trudis Trurdottir, Librarian); Galerie Nächst St. Stephan; Peter Nagourney; Paul Nagy; Maurizio Nannucci; Opal and Ellen Nations; G. J. Nauta; "N. D." (magazine); Louise Neaderland The Inst. Soc. Of Copier Artists; Paul Neagu; Ned. Kunststichting; Nederlands Laboratorium voor Film (N. L. F.); Joszef Nemedy Varga; "Neue Galerie"; Floris M. Neussüss "Fotoforum"; Andrew Nevai; Hans Nevidal; "New Agency"; "New Wilderness Foundation" (Maggie DallaTana, Associated Manager); The New York Public Library, Preparation Services, Acquisition Division; Giulia Niccolai; b. p. Nichol ("Gronk/Ganglion Press"); "Nie-Galeria"; Paul Henning Nielsen; Paul Nieuwenhuysen; Roland de Nijs; 911 (Jill Medvedow/Mark Anderson); Henri Niotou; R. Nissle; N. L. F. (Nederlands Laboratorium voor Filmtechnuk); NO Magazine; Sune Nordgren "Kalejdoskop"; "North" (Bert Petersen); Nouveau Mixage; La Nouvelle Revue d'Art Moderne (J. Rualdes/N. Yalter); "N. R. G." (Dan Raphael, ed.); Tom Ockerse; Kathy O'Dell; Dainaso Ogaz, Morgan O'Hara; Sean O'Huigin; Valery Oisteanu; Jürgen O. Olbrich; Jerzy Olek; Richard Olson; "One Ten Records" (Bob George); "Only Paper Today"; Luigi Ontani; A. Margot van Oosten (Afzet); "Open Space"; "Operador" (Antonio Fuentes Reyes); Dov Or-Ner; Luciano Ori; "Oriel"; Graziano Orriga; "Orworks"; Kevin Osborn; Otis Art Institute, Library; Wolfhard Ottenhausen and Irene; "Out of London Press"; Owen Sound; R. W. D. Oxenaar; P. A. D. (Political Art Documentation); Marco Pachetti; "Pacific Center for the Book Arts" (see: Frances Butler); Pacifica Radio Station, Jackie Apple; Clemente Padin; Ray di Palma; Joan Palou; Magnus Palsson; Rolf Paltzer; P. A. N. (see: M. Bloch); Claudio Parmiggiani; Mike Parr "Inhibodress Archive"; Andrzj Partum; Ewa Partum "Galeria Adres"; Gerard Pas; Luca Patella; Antón Patiño, Salle Simon I. Patiño, Cité Universitaire; Ian Patrick; T(om) Patrick; Kund Pedersen; Aulo Pedicini (see: "Gruppo Alternativo"); Michael Peel; Sef Peeters; Peter Pehrson; R. Peli and M. Versari "C. D. O. Communicazioni Visive"; Jim Pennington "Aloes Books"; Umberto Peña; Oswaldo Pepe "Poesia e Arte"; "Percorsi" (Sergio Iagulli); Michele Perfetti; Jack Perkins; Geza Perneczky; Pawel Petasz; M. T. Peters; Ad Petersen; Lane Adler Petersen; Alena Petriova and Han; Chris Petteys; Michael J. Phillips; Clive Philpot, Librarian, The Museum of Modern Art, Peter Pick; Sándor Pinczehelyi; Venancio Pinheiro; Francisco Pino Gutièrrez; Franca Pisani "Operozio"; Carlo Pittore; Jean-Marie Place; Daniel Plunkett; Revue d'Art Contemporain; J. M. Pochet "Amenophis"; "Pociao's Book Shop" Sylvia Pogorzalek; Teresa Poester; M. Poirier, dit Caulier; Barber van der Pol; Sybren and Cora Polet; Gian-Carlo Politi "Flash Art"; Vitor Pomar and Luisa Correia; Flavio Pons; Genesis P-Orridge "C. O. U. M."; "Postcard Palace"; "Postcard Preservation Society" (Tane); Uwe Poth; "Pracownia Dziekanka"; Jerry Prillaman; "Print Collectors' Newsletter"; "Print News"; "Printed Matter"; Jan van Raay; J. Rabascall; Rachel Vaughan; Vladan Radovanovic; Markus Raetz; Keith Rahmings; Rainer Verlag; Rara; Jean-Marc Rastorfer; R. A. U. Connection (Peg Griffith); "Räume"; Franco Ravedone; Tom Recchion; Van Reekummuseum; Marshall Reese/Nora Ligorcino; Robert and Ruth Rehfeldt; Terry Reid "Open Drawers"; Jock Reynolds and Suzanne Hellmuth; Dagmar Rhodins; Maria Irene Ribeiro; P. J. Ribeiro; Boyd Rice; Ricerche Inter/media; Jaroslaw Richtr; Tony Rickaby; Willem de Ridder; Christian Rigal; Tommy Rinnstein ("Modern Productions"); Marcus do Rio; Ripling, Earl; Bill H. Ritchie; Lena Rivkin; Clive Robertson; Jorge Rojas (Dragon); Nigel Rolfe; Scott Rollins; Guy Rombouts; Lia Rondelli; Bas Roodnat; Woclaw Ropiecki; Peppe Rosamilia; "La Rose" (Stephen Harlow and Gillian Garro); Marilyn Rosenberg; Martha Rosler; Sever Rossi; Dieter Roth; Walter van Rooy; Rit; Katerini Rubini; Günther Ruch; Harry Ruhé (and Taja v. d. Berg); "Ruimte Morguen" (Marc Schepers); Edward Ruscha "Heavy Industry Publications"; Donald Russell (and Helen Brunner) W. P. A.; Domenico Lo Russo; Paul Rutkovsky; Piotr Rypson; Stan Ryven; "Produzenten Galerie" Hubert Kretschmer (and Susan); "Prop"; Jürgen Prusas; J. Przybylak; Publishing Center for Cultural Resources; "Pumps"; "Grupo Puzzle" (A. Mendes/A. Azevedo/J. Dixo); Marius Quee; Alvaro de Sà (and Neide); Lena Sabadell; Karla Sachse; Dorry Sack; Marvin Sackner; Takako Saito; J. C. Sampais "Experiencias"; Marcel Sanchez Martinez; Rafael Sanchez Ventura; Bernhard Sandfort; Roberto Sandoval; "Santa Marta" (Griffa, Nannucci, Melo, Zorio, et al.); Osmar Santos; Horacio Sapere; Sarenco, Ed. "Factotum-Art" and Lotta Poetica; Jose Antonio Sarmiento; Kyrillos Sarris; Rob Saunders; Sautter and Lackmann; Ken Saville "Transient Press"; Guido Savio; Diet Sayler; H. Schäfer/R. v. d. Stadt; "Schema" (Raúl Dominguez); Bert Schierbeek; Ruedi Schill "Apropos"; Allen Schiller; Manuel Schmettau; Angelika Schmidt; Peter Schmidt; Prof. Dr. Siegfried Schmidt, Univ. Bielefeld; Barbara and Gabrielle Schmidt-Heins; Carsten Schmidt-Olsen; Bernd Schmitz "V. T. D. Verlag"; Carolee Schneemann; Werner Schneider; Jurgen Schoberl; Wil Scholte, Posthumus; Christian Scholz; Rüdiger Schottle; Guy and Anne Schraenen; R. D. Schroeck; Wolfgang Schroter; Tomasz Schulz; Dieter Schwarz; Jürgen Schweinebraden; Jill Scott; Michael Scott; Ms. Erica Scranton, Arts Library, University of California, Santa Barbara, CA; Wojciech Sztukowski; Silvia Segarra; "Segno"; Günter Seidl; Spencer Seidman; Suzanne Sekey; Adrian Self "Blank Page"; "Senoj" (Ben Davis, George Hemphill and Sarah Schroth); Servaas; Angelo Sgabellone "Queen Street Magazine"; Shaffy Theater; "Shameless Hussy Press"; Susan Share "Book Gatherings"; Mieko Shiomi; Yoshio Shirakawa; S. I. D. A. C.; Predrag Sidjanin; Jochen Sieckmann; Planstudio Siepmann; Tomasz Sikarski; Alex Silber; Falves Silva; Luca de Silva; R. Silveira and J. Plaza; Walter Silveira; Piero Simoni; Lothar Simsheuser "Knöterich-Produktion"; Wim van Sinderen "Het Bestaan"; Chuck Singleton; Oey Tjeng Sit; Marie Sjöberg; Terry Sladden; A. and H. Sluizer; Herman de Smedt; Aggy Smeets; "Smegma"; Yves de Smet; Alexis Smith; Claudia Smith (see: "Luna/Sea Press); Keith Smith and Scott; Larry Smith; Pauline Smith; Dr. Manfred Smuda; Alain Snyers; "Sobre Arte," Carlos Echeverry/Beatriz Jaramillo; Hans Sohm; Mary Ellen Solt; "Sorbo Rosso"; William Louis Sorensen; Daniel Sotiaux; Al Souza; "Spaces"; Silvio Spada; "Spatia"; Adriano Spatola, "Ed. Geiger"; "Spectro" Chris Wainwright; "Sphinx" (Llys Dana); Lon Spiegelman (Linda and Lee); Nicholas Spill; P. J. Spletlstösser; Ellen Sragow; "Galerie S:t Petri" (Jean Sellem Marie Sjöberg); "Forum Stadtpark"; Rolf Staeck; Klaus Staeck; Umberto Stagnaro; Galerie Stähli; Chuck Stake "OFF Centre Centre"; "Stampa"; Elsa Stanfield; Dominick Steiger, "Buchdienst Fesch"; Silvia Steiger; Stanley Stellar; Petr Stembera; Charles T. Stephanian, Media Director, San Francisco Art Institute; Eben Sterling; Carol Stetser (Padma Press); Fritz Stier; Kristine Stiles; G. P. Stips-van Weel, Ministerie van C. R. M.; Telfer Stokes; Jeff Stoll (see: Artfoot); Ms. Joni Stossel, Gallery Shop, Art Gallery of Ontario; Irene de Stoppelaar; Evert J. van Straaten; Street Editions (Lyn Mandelbaum); "Studio 16/e"; "Studio 718" (Electro Arts Gallery); "Studio '79"; "Studio LeClair"; Enrico Sturani; "Stuff," Erik Colpaert; Lucien Suel; Peter Sümeghy; Rod Summers; Manfred Sundermann; Henk Sunkar; Jaroslav Supek; Salli and Dorien de Swaan; Andy Swapp; André Swertz; Robert Swierkiewicz; Istvan Sziranyi; Balint Szombathy (and K. Ladik); Rino Tacchella; Atena Tacha; Juanelio Tajes; Shinkichi Tajiri; Taller de Amsterdam; Bruno Talpo; Luis Tamarit Veliz; Tane (see: "Postcard Preservation Society"); Vincent Tangredi ("Impulse"); Roberto Taroni; "TAU/MA" (Achille Maramotti); Pat Towerner; Mike Taylor; Claes Tellvid; Steva Terrades; Mark Terstroet; "Texto Poético" (Bartolomé Fernando, David Pérez); The Sandor Tezler Library, F. J. Anderson, Wofford College; "Theâtre du Silence" (Giampaolo Guerini); Gerhard Theewen; Jean-Claude Thenot; "Thermor" (Edgar Allen Burchmiller); "Third Eye Centre" (Alice Bain); Henrik Francis Thomsen; Rosie Thompson "Constant Art/Changing System"; Ronald van Tienhoven; Thérry Tillier; Slarko Timotijevic "Happy New Art Gallery"; Tinkerbelle; Todd's Copy Shop; Miroljut Todorovic "Signalist Centre"; Monique Toebosch; Kenji Togami; Robert Tolman; Barbara de Tonnac "Gal. N. Gillespie/E. de Laage"; Gianni Tonoli; "Top Stories"; Alex Tarrid Zone Igloo; Endre Tot; Gabor Toth; Fenyvesi Toth Arpad; Dick Trace it (real name: Richard Hambleton); Vincent Trasov and Michael Morris; "Treacle Press" Bruce McPherson; Jerzy Trelinski; Horst Tress; "Trikop"; David Troostwyk; Fred Truck ("Cookie Press"); Gudrun Tryggvadottir, Student Academy Reykjavik; Pietro Turco; Cosey Fanni Tutti; Gys van Tuyl; "Tweed Museum of Art," University of Minnesota; Ian Tyson "Treacle Press"; Keiji Uematsu; "Centro Uh"; Tim Ulrichs; Uncle Don Milliken "Orworks"; Union Gallery, San Jose State University; "Untel"; "Untitled" (Specialist in Postcards); "The Upstairs" (Craig Pleasants)/"Upstairs Artworks" (Sam McMillan); Laurence Upton; Janos Urban; Nikolaus Urban/Els van der Gaaf; Stanislaw Urbanski; Franco Vaccari; Alex Vallauri; Santiago Vallcorba "Aiguadevidre"; Jiri Valoch; Laurens Vancrevel; Christine Vandemortel; F. Varesco; Ed Varney; Ben Vautier, Chez Malabar et Cunegonde; Frans Verheyden; Rick Vermeulen/Helen Howard; Video Inn (Karen Henry/Paul Wong); "Video in Print" (see also: Bill H. Ritchie); "Video Data Bank," Lyn Blumenthal/Kate Horsfield; Video Transfer Services; Edgardo Antonio Vigo/Graciela M. Vigo; Lars Vilks; Bernard Villers; Simon Vinkenoug; Ricardo Vinoz; "Visible Language"; "Visual Studies Workshop"; "Vitrine" (Brigitte Niegel); Harry v. d. Vliet; Nelly Voorhuis; "Vort Works Inc."; V. P. R. O.; Alex (Ander) de Vries; Herman de Vries; "Walklett"; Dennis Walsak; E. Walsh ("Post Industrialism"); Samuel Walsh; Tony Ward, "Arc Publications"; Peter Warren; Washington Project for the Arts; Niek Waterbolk; "W. D. S. S."; Eric Wehrmeyer; Peter Weibel; Albert van der Weide and Marga van Mechelen; Lawrence Weiner; Rachel Weiss; C. and C. Welch; M. Westburg, "The Ray Rodrique Art Gallery"; "Western Front Society"; Steve Wheatley "Caligula Books"; "White Walls" (Buzz Spector); Bill Whorrall; Andrzej Wielgosz, "Galeria Rysunku"; Joos Wiersinga; Ronald Wigman; Henk Wynen; Corry Wijngaarden/Chick Rice; Bob de Wit; Joost de Wit; "Workspace Loft, Inc." (Prop); Woe Wössner; Wulle-Konsumkunst; Hervé Würz; William Xerra; Paulo Yutaka; "Z" (Walter van Rooy); "De Zaak"; Horacio Zabala; David Zack; Franci Zagorcnik; Aloysio Emilio Zalvar; Trudy Zandee; Rick Zehner; Paul Zelevansky; Roberto Zito; Heinz Zolper; "Zona" (see: M. Nannucci); "Zona"; Jörg F. Zutter; Nicholas Zurbrugg.

Contact sheets, negatives, prints, notebooks, research files, manuscripts, and correspondence of Ulli Steltzer, a German-born photographer residing in the United States and Canada since 1953. Materials relate to a number of published and unpublished photography projects spanning Steltzer's career from 1957 until 2008, including her portraits of prominent Princeton intellectuals and her wide-ranging documentary work, featuring American Indian artists of the Pacific Northwest, black communities in the American South, social conditions for migrant laborers and immigrants throughout the United States, and many other rural and tribal communities throughout the Americas and Asia.

Consists of individual academic files of former undergraduate students of Princeton University, containing grades, transcripts, and other information relating to the subject's academic career. To search for a student by name, please use the finding aids listed as "Other Finding Aids" under "Access and Use." The finding aids are divided by decade, beginning with 1921.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

This collection consists of the individual academic files of former undergraduate students of Princeton University. The files contain grades, transcripts, and other information relating to the subject's academic career.

Consists of personal files of former undergraduate students of Princeton University. Information in each file varies greatly but can include the names of relatives, notable achievements and news items, address updates, and obituaries.

Consists of personal files of former undergraduate students of Princeton University. Information in each file varies greatly but can include the names of relatives, notable achievements and news items, address updates, and obituaries.

Consists of individual files of former undergraduate students of Princeton University, compiled by the Bureau of Alumni Information. Material in each file varies greatly but most include the names of relatives, notable achievements at Princeton and post-graduation, news items, address updates, and obituaries.

Consists of personal files of former undergraduate students of Princeton University. Information in each file varies greatly but can include the names of relatives, notable achievements and news items, address updates, and obituaries.

This finding aid contains a list of former undergraduate students of Princeton University who did not graduate, and whose dates of attendance are unknown.

The Undergraduate Student Government (USG), established in 1975, was founded on the principles of representation and independence fostered during the student agitation and institutional reforms of the previous decade. The bulk of the collection consists of the records and publications of the Undergraduate Student Government from 1982 to 1997. Campaign and publicity records from the Princeton University Democrats, and student activism files from the office of Princeton University Professor Stanley Kelley are included in the collection as well.

The Steering Committee on Undergraduate Women's Leadership at Princeton University was formed in order to gain a better understanding of how female and male Princeton undergraduates define and experience achievement and leadership. The Steering Committee on Undergraduate Women's Leadership documents the group's work from 2009-2011 and includes reports, research materials and communications among committee members in both paper and electronic form.

Consists of a memorandum and typed copies of the "Summaries of the Daily Operations" of the United Nations Mission Mediator to Palestine in 1948-1949, ordered and here compiled by F. P. Henderson, the head of the U.N. operations branch in Haifa, Israel.

The Records of United Service to China, Inc., known from 1941 to 1946 as United China Relief, Inc., document the activities of the organization from the early formation in 1940 to its official consolidation with the American Bureau for Medical Aid to China in 1966. In addition there is a limited amount of material from other Chinese relief agencies that predate the founding of United China Relief / United Service to China. The Records focus on UCR/USC attempts to raise money in the United States, to educate Americans about China and the Chinese people, and to carry on relief work in China. The collection consists primarily of correspondence among the various individuals and agencies involved with UCR/USC, along with other material produced by the agency, such as minutes and publicity material. In addition, the collection includes a series of photographs dealing with China during the 1940s and efforts in the United States to raise money for China during the same period.

Consists of three meeting ledgers documenting the activities of the Mrs. Edmund Rice Auxiliary of the United Spanish War Veterans, an American women's organization run by suffragists and philanthropists that advocated for veterans and their families during the first two decades of the 20th century, including during World War I.

Consists of a complete set of muster rolls for the 39th Infantry Regiment of United States Colored Troops for the period of August 31st to October 31st, 1864, documenting African American soldiers who fought in the American Civil War in Virginia under the command of Colonel Ozora Pierson Stearns.

The Office of Physical Planning is one of several branches that together comprise the University's Department of Facilities. Consists of architectural surveys of the University Chapel with details of the window bays and the exterior facade, as well as photographs, slides, and microfilm documenting the work done on each window and sculpture during the 2000-2001 restoration, and day logs recording daily progress.

The University Hotel existed at the corner of Railroad Avenue (today University Place) and Nassau Street from 1876-1887. Consists of three volumes of guest registers from the University Hotel.

Series 1: University Hotel Registers, 1876-1886 consists of three volumes of guest registers.

The University Land Records consist of deeds, mortgages, bonds, other legal papers, and maps concerning the acquisition, disposition, or description of University properties. The records document the physical expansion of the University from its earliest period through the acquisition of large tracts of land in the 20th century, including the properties around Carnegie Lake and numerous farms. A portion of the papers relate to research conducted by Professor Gerald Breese for his book Princeton University Land, 1752-1984 (1986).

The collection consists mainly of playbills, photographs, and clippings of press announcements and reviews of the University Players, a youthful group of Princetonians aspiring toward careers in the performing arts. Not entirely comprised of Princeton alumni and undergraduates, however, the organization provided experience and training for many hopefuls who have in fact succeeded in that goal. Taking its name from an earlier group with the same ambitions and who also made great contributions to American theatre and film, it provided the Princeton community with some exciting and meritorious summer theatre for more than a decade.

The University Research Board, which consists of six faculty members from different departments, is an advisory committee to the president on all research conducted at Princeton University. The collection consists of University Research Board meeting minutes, annual reports, correspondence between members, and some subject files, as well as the memos and correspondence of Raymond J. Woodrow, executive officer and secretary of the Committee on Project Research and Invention, predecessor to the University Research Board.

This collection contains pamphlets, flyers, bound reports, and working papers pertaining to a wide range of urban issues in Brazil.

This collection contains dozens of rare documents of Uruguay's Consejo de Estado during the era of the military dictarship, covering the years from 1972-1980. The documents were originally collected by a member of the Consejo de Estado.

The U.S.S. Princeton [C.V.L.-23] Collection, located in the University Archives, contains research materials for the book, Carrier Down, by Marcia Clark in which the history of the U.S.S. Princeton is chronicled.

The Vachel Lindsay Collection consists of correspondence, poetry manuscripts, photographs, drawings, and printed material of the American poet Vachel Lindsay (1879-1931).