Consists of Spanish legal and military documents relating to the administration of Cuba in the 19th century.

The Theater Photographs Collection contains still photographs of American actors and actresses as well as scenes from plays and includes clippings and printed matter.

Consists of miscellaneous screenplays and related materials, such as continuity, superimposed versions (i.e. script translations), release dialogue scripts, and revisions/drafts. There are also a few information packets--these include interviews with and/or biographies of stars, synopses, and various and sundry other materials meant for release.

Consists of playbills of New York City theaters from the late 19th century to the present day.

The Performing Arts Serials Collection consists of serial printed material concerning the performing arts, including circus, dance, film, opera, radio, speech, television, theater, and vaudeville. For the most part, publications are represented by a sample or two issues.

The Dance Subject Files consist of dance-related subject files from early 20th century through 1980s. Among the material are clippings, photos, programs, promotional materials, and dance school brochures.

Consists of files (clippings, programs, books, caricatures, etc.) on people involved in theater, from the mid-19th century through the late 1980s, including actors, dramatists, directors, scholars, and designers.

This collection contains broadside playbills from the United States, England, and Europe.

This collection includes some playscripts stamped or addressed by theater agencies in Chicago, New York City, and Hollywood, while others were used at McCarter Theater or by the Princeton University Players. There are wartime scripts from both world wars, as well as government plays from the Federal Theater Project, the Works Progress Administration, and the Department of Agriculture's War Food Commission.

Consists of miscellaneous single-item acquisitions that span multiple collecting areas, topics, genres, and time periods.

Silver print photographs, created for news articles and photo essays, that document tribal fishing sites and practices in and around Washington and Oregon. Focus on Celilo Falls shortly before The Dalles Dam obliterated the sacred fishing grounds and the tide pools of La Push on the Quillayute River. Most with photographer's credit, date stamp, and affixed caption on verso. Many of the images were taken for The Seattle Times by local photographers Roy Wolfe, Josef Scaylea, and R. B. Kolsbun. Other credited photographers include Ruth Kirk, Vic Condiotty, Dell Mulkey, Bob and Ira Spring, Larry Dion, and John W. Thompson.

Consists of screenplays for over 500 films produced by Columbia Studios, Paramount Pictures, Metro-Goldwyn-Mayer, Twentieth Century Fox, and others.

Consists of postcards relating to Mexican tourism.

Consists of books, maps, scrapbooks, posters, and other materials.

Consists of selected correspondence, manuscripts, and photographs of the Anglo-American poet W. H. Auden, one of the most acclaimed poets of the 20th century.

Consists of correspondence and documents of Jonathan Belcher, dating from his early years in Massachusetts to his days as colonial governor of New Jersey.

Consists chiefly of correspondence of the American poet and novelist Maxwell Bodenheim.

Consists primarily of several versions, reflecting the printing stages, of Backbone of the Herring (1941), Curtis Bok's fictionalized look at courtroom justice seen through the eyes of a judge. Bok was a common pleas court judge in Pennsylavnia at the time.

Elias Boudinot was a lawyer and Revolutionary statesman, serving as member of the Continental Congress (president, 1782), secretary of foreign affairs (1783-84), New Jersey congressman (1789-95), and director of the U.S. Mint (1795-1805). The collection consists of miscellaneous letters and documents of Boudinot, many of which concern his land dealings.

Consists of correspondence, a typed manuscript, and printed material related to Willa Cather, one of the most respected American women novelists of the early twentieth century.

Louis O. Coxe (Princeton Class of 1940) was a noted twentieth-century poet, playwright, and critic. The collection contains autograph and typescript versions of Coxe's poetry and sixteen of Coxe's notebooks. Also included are materials for the play Billy Budd, such as notes, drafts, worksheets, galley proofs, and production notes.