Women's World Banking (WWB), one of the world's leaders in microenterprise financing, is a not-for-profit international financial institution founded by a global group of independent women working together with the support of the United Nations in 1979. The Women's World Banking mission is to facilitate the participation of poor women entrepreneurs in the modern economy at the local level, especially those who are generally without access to established financial institutions. The organization consists of an international network of affiliates (independent local institutions that provide a variety of financial and training services to meet the needs of local women) with a central coordinating office in New York City. WWB's records document the administration of the organization, mainly during the tenure of its first president, Michaela Walsh, and include founding documents, financial records, correspondence, records related to affiliates and other organizations, audiovisual materials, and the files of Michaela Walsh.

Consists of 170 albumen prints of Native Americans and frontiersmen taken by Julian Scott in 1890 for the 11th United States Census with a No. 2 Kodak camera, with accompanying documentation.

Consists of the British publisher Victor Gollancz's author files on Miguel Ángel Asturias, Edith Sitwell, and Richard Wright.

Consists of Spanish legal and military documents relating to the administration of Cuba in the 19th century.

Consists of a collection compiled by American clergyman Stewart M. Robinson (Princeton Class of 1915), including photostats of sermons, letters, pamphlets, and communications to newspapers by clergymen in colonial America, which he used as research material for a proposed book entitled "The Political Thought of the Colonial Clergy."

Consists of research notes, correspondence, photographs, and drafts for three articles by Howard C. Rice (1904-1980), published in the Princeton University Library Chronicle (autumn 1951, summer 1959, spring 1971), concerning the French engraver, Charles Balthazar Julien Fevret de Saint-Mémin (1770-1852)

Contains material relating to Hemingway's income tax preparations for the years 1940-1945.

This collection consists of early versions of seven works by American playwright, novelist, and storywriter, Tennessee Williams.

Consists of files (clippings, programs, books, caricatures, etc.) on people involved in theater, from the mid-19th century through the late 1980s, including actors, dramatists, directors, scholars, and designers.

The Theater Photographs Collection contains still photographs of American actors and actresses as well as scenes from plays and includes clippings and printed matter.

Consists of the typed manuscript of The Man Who Could Grow Hair, a book by William Attwood (Princeton Class of 1941) based on his experience as a foreign correspondent in Europe.

Thomas Burnside Morris graduated from New York University in 1861 with a degree in civil engineering. He was a chief engineer of the Long Island Railroad, 1863; a division chief of the Panama Railroad, 1864-1865; a division chief of the Union Pacific Railroad, 1867-1869; and a division chief of the Northern Pacific Railroad, 1870-1874. He died in Oakland, California, on November 8, 1885. The collection consists primarily of material relating to Morris's role in the construction of the Union Pacific Railroad and the Northern Pacific Railroad.

Consists of individual academic files of former undergraduate students of Princeton University, containing grades, transcripts, and other information relating to the subject's academic career. To search for a student by name, please use the finding aids listed as "Other Finding Aids" under "Access and Use." The finding aids are divided by decade, beginning with 1921.

The U.S.S. Princeton [C.V.L.-23] Collection, located in the University Archives, contains research materials for the book, Carrier Down, by Marcia Clark in which the history of the U.S.S. Princeton is chronicled.

Marten Van Heuven (1932- ) led a career in the United States foreign service, serving in several European countries, which culminated with his service as National Intelligence Officer for Europe from 1987 to 1991, a position responsible for the analysis of European and Canadian issues. Van Heuven's papers document his career in the United States foreign service and at RAND, and include his speech files, writings files, and correspondence.

The collection documents the career of Richard Rush (Princeton Class of 1797) as lawyer, statesman, and diplomat, emphasizing diplomatic negotiations between the United States and Great Britain while he was minister to Great Britain (1817-1825) and between the United States and France when he was minister to France (1847-1849), as well as his successful efforts (1836-1838) in securing the Smithsonian bequest, which was used to establish the Smithsonian Institution. The papers of Richard Rush constitute the larger part of the collection; letters of his father, Benjamin Rush, M.D. (Princeton Class of 1760), and papers of his son, Benjamin Rush (Princeton Class of 1829, constitute the other major groups of papers in this family archive.

Papaioannou was born in Lamia and grew up in Athens (Greece). She began working as a photographer during the 1930s, concentrating at first on studies of landscapes, monuments and archaeological exhibits. The outbreak of war in 1940 marked a turning point in her career, as she was intensely affected by the suffering of the civilian population of Athens. Realizing the power of her camera to arouse people's conscience, she documented the troops departing for the front, the preparations for the war effort, and the care received by the first casualties. When the capital was in the grip of starvation, she revealed the horrors of war in her moving photographs of emaciated children. After the liberation, as a member of the photographic unit of UNRRA (United Nations Relief and Rehabilitation Administration), she toured the ravaged Greek countryside recording the difficult living conditions faced by its inhabitants. She often exceeded her brief, immortalizing the faces and personal stories of ordinary people in photographs that stressed dignity rather than suffering. During the 1950s Papaioannou's work expressed the optimism that prevailed in the aftermath of the war with respect to both the future of mankind and the restoration of traditional values. Nevertheless, her photographs of the historic Greek landscape are not in the least romantic, but instead portray it as harsh, barren, drenched in light, and its inhabitants proud and independent, despite their poverty. Voula Papaioannou's work represents the trend towards "humanitarian photography" that resulted from the abuse of human rights during the war. Her camera captured her compatriots' struggle for survival with respect, clarity, and a degree of personal involvement that transcends national boundaries and reinforces one's faith in the strength of the common man and the intrinsic value of human life. (http://www.benaki.gr/index.asp?id=1020103&lang=en) Consists of an open collection of Papaiōannou photographs.

Consists of correspondence and miscellaneous materials related to Walter Kauzmann's work on the Manhattan Project and his career as a professor of chemistry at Princeton University.

Consists of selected material by and about the Irish poet and dramatist William Butler Yeats, including correspondence, a poetry manuscript, photographs, family items, and Cuala Press ephemera.

Consists of selected correspondence, manuscripts, and photographs of the Anglo-American poet W. H. Auden, one of the most acclaimed poets of the 20th century.