Consist of numerous loose and framed photographs, including approximately 400 cartes-de-visite (some of which are from the studios of Matthew Brady and M.P. Simons) and a couple of daguerreotypes, and several photograph albums belonging to Arnold Guyot, Constance Cameron (A. Guyot Cameron's sister), Henry Clay Cameron, and A. Guyot Cameron. A majority of the photographs depict family members; friends, such as Jane Link and Lucy Russell, as well as those likely unaffiliated with the Cameron and Guyot families, such as prominent American politicians and members of European royal families, are also represented.

41 photographs, ranging in size from 1 3/4" x 3 1/4" to 5 3/4" x 8 3/4". Most appear to be family.

10 portraits, many of which are signed. Mostly from photographer Orren Jack Turner, Princeton, NJ, ranging in size from 4" x 6.5" to 4.25" x 6.25"

Consists of the correspondence of Guillermo Blanco y Nangle with individuals such as José L. Anguiano and Francisco de Solera, as well as others.

Consists of the correspondence of the Blanco White Family.

This subseries consists of photographs arranged by topic, such as baseball or portraits of Berg, without geographic distinctions. This subseries also consists of images of others and images by others, such as documentary prints of Moe Berg by the collector Charles Owen. These are identified at the folder-level when known. Additional information on specific origin and identified individuals is provided at the folder-level when known.

This subseries consists of photographs arranged by an identifiable location or locations. Additional information on specific places and identified individuals is provided at the folder-level when known.

This subseries consists of notebooks, notepads, and associated sheaves of paper arranged by date. Materials in this subseries have been gathered because of physical relationships, such as notes bound in spiral notebooks, or multiple pages of notes that still are or once were on the same pad of paper. These materials are intellectually similar to the materials in Subseries 2A: Loose Notes, but are physically distinct. Both subseries should be considered in tandem for the most complete look at Berg's notes at any given time.

Consists of photographs of Madrid, Spain during 1945 (which do not appear to contain Hemingway) as well as photographs of General Lanham in his later life (Washington, D.C., 1975). Also includes photographs of Hemingway memorabilia, books, and photographs. Contains a photograph of a birthday party for Ernest Hemingway in 1959, a photograph of Ernest and Mary Hemingway in Cuba (1945), several other photographs of Hemingway that appear to be taken in Cuba, several photographs of Hemingway and Lanham together in WWII, and one inscribed photograph of Hemingway, Lanham, and Buck (inscribed with "To Buck from his best friend, always, and whenever. Ernest Hemingway").

Consists of the correspondence of Charles T. Lanham, including William Faulkner and Ernest Hemingway (many of which are photocopies), as well as others.

This subseries consists of material created by family and colleagues of Ashbel Green. The bulk of the material relates to Ashbel's children, wives, and in-laws. Much of the correspondence between family is personal in nature. Since the material covers numerous members of the Green and McCulloh families, the dates range from before the birth of Ashbel to well after his death.

The series contains documents created by Ashbel's father Jacob and various other family and associates. This series contains two subseries: Jacob Green and Others. The Jacob Green subseries contains the writings of Ashbel's father while the Others subseries consists mostly of personal correspondence between family members.

Ashbel Green (1762-1848) was a prominent Presbyterian minister, eighth president of the College of New Jersey, and co-founder of the Princeton Theological Seminary. The bulk of the papers consist of Green's personal writings, including diaries and sermons. The papers of Green's father, the Reverend Jacob Green (1722-1790) are also included.

The Office of the Business Manager Series consists of documents pertaining to the department's finances. The business of hiring contractors and construction firms for new buildings and renovations and the finances of grounds and buildings maintenance is represented here through correspondence, reports, meeting minutes, and printed material. A bulk of the material pertains to project estimates and budget planning.

The John P. Moran Files consist of documents maintained by Moran during his tenure with what is now known as the Department of Facilities. The documents cover a range of administrative business within the department, including budgetary information, estimates and specifications for building projections, the maintenance of University housing, and the administration of services such as grounds maintenance, food service, and garbage removal. Items of note include correspondence and reports discussing the University's assessment and response to the energy crisis of the mid-1970s.

Consists of the correspondence of J. D. Salinger, including originals as well as photocopies.

Consists of J. D. Salinger: A Writing Life as well as printed matter related to Ursinus College and Valley Forge Military Academy.

Consists of the correspondence of Ian Hamilton and J. D. Salinger.

The Chapter Files subseries includes drafts, notes and a substantial amount of source material relating to Martindell's unpublished autobiography. The subseries is arranged by chapter number, and chapter titles indicate the subject of each section of the book. Researchers should note that these files contain a small amount of photographs in addition to those found in the Photographs series.

The Photograph series contains photographs, arranged alphabetically by subject, from Martindell's personal and professional lives. Included are photographs of Martindell with Jimmy Carter and George McGovern and from Martindell's state senate campaign, as well as publicity shots and photographs of her various travels. Researchers should note that a small number of photographs are available in the Memoirs series.

The Subject Files series is primarily composed of documents relating to Martindell's personal activities and is arranged alphabetically. Included are materials detailing Martindell's education, from high school to a course taken at Princeton University in 1999, as well as correspondence and Freedom of Information Act requests regarding Federal Bureau of Investigation documents pertaining to Martindell, and a draft of a New Jersey legislature resolution regarding impeachment of Richard Nixon. There is also a scrapbook from a trip taken by Martindell in 1923. Materials include school records, correspondence, clippings, and notebooks.

This subseries consists of both pen-and-ink and pencil drawings, as well as three prints and one tracing. The primary subject is female figures, but there are also two portraits and a small selection of miscellaneous drawings. Three drawings, "Relaxation," "Memory," and "Extension" [circa1919-1920], were published in Twenty-eight Drawings [see also Box 7, Folder 1]. Furthermore, this subseries contains three prints of drawings of Bloch. This subseries is organized by subject and then by medium, with miscellaneous material located at the end.

The Stella Bloch Papers Relating to Ananda K. Coomaraswamy consists of manuscripts, correspondence, drawings, photographs, printed material, and postcards of the American dance critic, art historian, and artist Stella Bloch (1898-1999). This collection documents the relationship between Bloch and the Anglo-Indian art historian, philosopher, and author Ananda K. Coomaraswamy (1877-1947) who embodied the roles of mentor, husband, and friend. The papers primarily contain correspondence by Coomaraswamy to Bloch, as well as a small amount of other letters. Writing was a vital form of communication for Coomaraswamy and Bloch, especially during their marriage, since they always resided in different cities; he lived in Boston while she lived in New York. There are also drawings by Coomaraswamy and by Bloch, as well as photographs-some taken by Coomaraswamy-that include portraits and assorted images from their travels to India and Southeast Asia. The articles in both manuscript and printed form provide a sampling of Coomaraswamy and Bloch's writings on art, religion, and philosophy. Furthermore, there is a small selection of printed material about Coomaraswamy and Bloch, and a series of memento postcards.

Consists of both pen-and-ink and pencil drawings, as well as three prints and one tracing. The primary subject is female figures, but there are also two portraits and a small selection of miscellaneous drawings. Three drawings, "Relaxation," "Memory," and "Extension" [circa1919-1920], were published in Twenty-eight Drawings [see also Box 7, Folder 1]. Also consists of unbound pencil drawings and two sketchbooks from Bloch's travels, one each from Bali (1919) and Java (1919-1920). The primary subject of the unbound drawings is Coomaraswamy and Bloch, while that of the sketchbooks is indigenous people and dancers of Bali and Java. Also included in the Bali sketchbook are two drawings of Coomaraswamy, one of him wearing a typical Balinese hat, and two prints of a Balinese dancer, one hand-colored [see also Box 8, Folder 1].

[wife of Frederick Henry Osborn]

[son of William Church Osborn and Alice Clinton Hoadley Dodge Osborn, and Princeton Class of 1910]

[son of William Church Osborn and Alice Clinton Hoadley Dodge, and Princeton Class of 1910]

The majority of the Women's Rights Project subseries is composed of case files. Well documented cases challenge sexual discrimination and include Christman v. American Cyanamid Company (employment), Faulkner v. Jones (Citadel) (education), and Peters v. Wayne State University (retirement benefits). The subseries also contains files on state legislation and cases related to prosecuting women for drug or alcohol use during pregnancy for child abuse, and files on the administration of the project such as correspondence, finances, and the clinic they taught with the Columbia Law School.

The Voters' Rights Project subseries contains case files, correspondence, and the files of director Charles Morgan. The primary cases are Hadnott v. Amos , a class action suit brought by the National Democratic Party of Alabama (NDPA) against Alabama state officials for refusing to include NDPA candidates on ballots in the 1968 general election, and Johnson v. Miller regarding Georgia's congressional districts. The correspondence includes letters from prisoners with general appeals for ACLU help on due process violations and project correspondence with the Southern Regional Office and with affiliates. Also included are files on organizations involved in related advocacy work, publications, speeches, and newspaper clippings.

The Sexual Privacy Project subseries is largely composed of case files and subject files about the project's work on behalf of the LBGT community, prostitutes, and the general right to sexual privacy. Major issues addressed in the cases include anti-sodomy laws, child custody, discrimination, employment discrimination, military rights, police harassment, and security clearance. The subject files consist of materials on cases and legislation that the ACLU was monitoring and research materials on a wide variety of sexual privacy issues. The subseries also includes materials for a book on gay rights, correspondence from homosexuals in prison about their treatment, files on legalizing prostitution, and files on sexual privacy legislation and challenges in each state.

This sub-series consists of "Mis primeros versos," a notebook (24 unnumbered pages) with poems written when the author was twelve years old.

Esta subserie consiste de cuadernos, apuntes, borradores de novelas y obras de teatro, ensayos, notas de conferencias, libretas escolares y otros materiales.

Los archivos adicionales incluyen correspondencia, borradores, pruebas, artículos, recortes y otros materiales.

This subseries includes government-issued documents, including marriage and birth certificates and passports as well as awards and certificates; newspaper clippings and a few periodicals; notes and writings; various types of ephemera, such as programs and souvenirs; and unidentified letters and empty envelopes. Most of the materials relate to Harry Maule Crookshank and Harry F.C. Crookshank with some relating to Emma Comfort Crookshank and Helen Elizabeth "Bessie" Crookshank, in particular, Bessie's involvement with the British Red Cross during World War II.

Includes some letters and a diary. Of special note is a letter to his family written during the Battle of the Somme (September 14, 1916); as well as correspondence between Harry and Winston Churchill (December 7, 1954).

This subseries includes the correspondence, diaries, and scrapbooks of Emma Comfort Crookshank. Some items predate her marriage to Harry M. Crookshank. There are 9 diaries with large gaps in the years covered.

Consists of La Casa del Libro, "Memorial service in memory of Dr. Elmer Adler," and miscellaneous printed matter.

Consists of "Van Wyck Brooks and the Creation of a Historical Fable" as well as miscellaneous printed matter.

Consists of From the Shadow of the Mountain: My Post-Meridian Years, "The Soul: An Essay Towards a Point of View," and "Writers and the Future".

Consists of transcripts for "Early Poetry", BBC, produced by James McFarlan, "Portrait of Dylan Thomas", interview by Wynford Vaughan Thomas, and "This is Your Life", Television Theatre.

Consists of papers such as Cecil, Henry: Portrait of a Judge, and Other Stories; Driberg, Tom: "Cottage Squalor"; and Lindsay, Jack: "The Poetry of Edith Sitwell," as well as others.

Consists of the writings of Edith Sitwell, including biographical materials, book reviews, essays, interviews, introductions, lectures, and poetry, as well as miscellaneous notes.

Consists of miscellaneous correspondence of Nellie Harris and Esar Levine.

Consists of Esar Levine's scrapbook pages and contemporary newspaper clippings and magazine tearsheets about Harris and his writings, as well as reports of police arrests and seizures of copies of My Life and Loves in both France and America. Also present are original, printed paperback copies of Harris's Joan La Romée (play) and Stories of Jesus The Christ... including Jesus by George Bernard Shaw, an assortment of magazines edited by Harris or containing articles by or about him, a few photographs of Harris, and other printed ephemera and memorabilia relating to him.

Consists of over one hundred autograph and typed letters (chronologically arranged in 8 folders by date), mostly signed by Harris, to his friend and agent, Esar Levine, dating from 1920 to 1930 and discussing various publication and marketing strategies for My Life and Loves in both Mexico and America, as well as personal and financial matters. There are also letters to Harris and Levine from their mutual business associates, and from such notable persons as Otto Kahn, H.L. Mencken, Upton Sinclair, and G.S. Viereck, arranged by correspondent. Also present is a typed copy of a letter from G. Bernard Shaw to Harris's widow, Nellie O'Hara Harris, as well as one folder of her sporadic correspondence with Levine, ending with the news of her death in 1955

Consists primarily of miscellaneous letters.

Consists of materials related to individuals such as Ernest boyd, F. Scott Fitzgerald, and George Stewart, as well as others.

Consists of correspondence between Boyd and Mencken for the years 1927-1952.

This subseries contains letters by individuals to people other than María Rosa Oliver, including two by Tota Atucha [de Llavallol], one to Rafael Alberti and María Teresa León, and the other to Victoria Ocampo. Other correspondence filed here is a letter by Gisèle Freund to Victoria Ocampo from Nazi-occupied France, dated December 7, 1940, and two letters by Oliver's friend (and co-author) Norberto A. Frontini to others. There are two letters written to María Teresa Bortagaray de Testa, one dated 1992(?) by Hebe Clementi who has published a biography of Oliver, and the other, dated 1993, by Editorial Sudamericana. The subseries is arranged alphabetically by the surname of the sender.

This subseries, arranged alphabetically, consists of Oliver's correspondence with friends and colleagues, including well-known Latin American, European, and American novelists, poets, artists, and cultural figures. The largest number of letters are by Luis Saslavsky (126), followed by Victoria Ocampo (80+), Waldo Frank (40), and Eduardo Mallea (23). There is also a large amount of correspondence with individuals active in the organization World Council of Peace, in particular, the Colombian sociologist Diego Montaña Cuéllar, Colombian Jorge Zalamea, and Argentinian Alfredo Varela. Also of interest are the letters by Chilean peace activist Olga Poblete, British peace advocate Monica Felton, and director of the U.S. Section of the Women's International League for Peace and Freedom Mildred Scott Olmstead. Significant Latin American writers in the correspondence include Gabriela Mistral, Miguel Angel Asturias, Alfonso Reyes, J. C. Onetti, Gabriel García Márquez, and Mexicans Daniel Cosío Villegas and Jesús Silva Herzog. There is correspondence from numerous individuals of the Casa de las Américas in Havana, Cuba, and Roberto Fernández Retamar, in particular. Correspondence from other political and cultural figures in Argentina include Alfredo L. Palacios and Gregorio Bermann. There are numerous letters from the '20s and '30s of cultural interest-Conde Galeazzo Ciano (son-in-law of Benito Mussolini), German playwright Georg Kaiser, French theater directors Louis Jouvet and Lugné-Poe, architect Le Corbusier and philosopher Jacques Maritain. From the '40s and '50s, there are 11 letters by American dance executive Lincoln Kirstein and letters by American writers Howard Fast and Joseph Starobin. Undated, but probably from the '60s, are four letters by French author Simone de Beauvoir. The correspondence is also strong on Brazilian writers-there are 11 letters each (in Portuguese) by Jorge Amado and Vinícius de Moraes, spanning the years 1941-1975.

The Nonfiction subseries contains Oliver's typescript and autograph manuscripts and notes of nonfiction articles, book and film reviews, speeches, conference papers, and sections of her published memoirs. This subseries is divided in two sections, General (1), and Articles, Speeches, and Notes (2). Each section is arranged alphabetically by subject, and, if there are multiple items on the same subject, the items are arranged chronologically within each subject. The manuscripts in the first section consist of her autobiographical writings, some of which can be identified as drafts of her memoirs, and the material in the second section consists of Oliver's nonfiction writings, arranged by subject. The nonfiction articles are in Spanish and English, and were written for a variety of publications in Latin America, Italy, and the United States. The subjects of Oliver's articles include North American novelists, Cuba in the 1960s, Pablo Neruda, the peace organization World Council of Peace, and reports on her visits to China, India, Ceylon, and the Soviet Union in the 1950s and 1960s.

Consists of scrapbooks on "Friends of Albert Schweitzer, Boston," "A Picture Story," "His Eightieth Year," and general clippings.

Consists of the papers of Albert Schweitzer, including documents, scrapbooks, and audio visual materials.

Consists primarily of papers collected by Miriam Rogers concerning Albert Schweitzer (1875-1965) as medical missionary and physician at his hospital (founded in 1913) in Lambarene, French Equatorial Africa, after World War II. Rogers shared Albert Schweitzer's interest in music (as a pianist) and medicine, leading her to become chairman (1950-1971) of the""Friends of Albert Schweitzer" in Boston. She made several trips to Africa, France, and Germany to visit Schweitzer.

The personal correspondence is minimal but includes nine items from E. M. Forster, the British novelist, one of which deals at length with Merrick's earliest work, The Strumpet Wind. A Christmas card, undated, includes a picture of Forster in his study. There is also a note from composer Leonard Cohen who knew Merrick from having spent much time in the Greek islands.

The business and financial correspondence (1967-1990) includes contracts, royalty statements, and check stubs for royalty payments, as well as incoming letters from agents and editors. Although Merrick came from a wealthy family, he seems to have lived to a large extent on royalties, as his correspondence demonstrates. There is an interesting turn in the correspondence when one of his agents Bernard Geis goes bankrupt and Merrick has to sue for back payment of royalties. There are some letters by Merrick, attached to the replies they received, because they are mostly undated. The last dated folder in the series (1989-1990) contains correspondence relating to Merrick's estate.

The Gordon Merrick Papers consist primarily of drafts of the manuscripts of Merrick's novels, written over a thirty-nine year period, from the late 1940s ( The Strumpet Wind, 1947) to the mid-1980s ( Measure of Madness, 1986). Also present is his business and financial correspondence with agents, publishers, and banks over a twenty-one year period, from 1967 until his death in 1988. In addition there is a clipping file which dates back to Merrick's first experiences as an actor in the 1930s, as well as photographs taken for publicity as well as for Merrick's personal collection.

This sub-series consists of correspondence between various family members other than Mujica Láinez. There are also several original envelopes, a few assorted clippings, a few letters to family members by non-family members, seven mass cards, two manuscripts, and a chronology of family homes. This sub-series is arranged chronologically by year and then by correspondent. A large portion of this correspondence is between the following individuals: Lucía and Manuel Mujica Farías [father], Lucía, Justa, Ana María Láinez ["Anamama," "Viuda"] [aunt], Josefina Láinez ["Pepa," "Pepita," "Mamachica"] [aunt], Justita Láinez ["Tita," "Tina," "Vinagera"] [aunt], and Martha Láinez ["Nenatony"] [aunt].

This sub-series consists of correspondence between Mujica Láinez and various family members. Also included are several original envelopes, 10 clippings about his marriage to Ana de Alvear de Mujica Láinez ["Anita"], two invitations to their wedding, a telegram sent by Mujica Láinez, two manuscripts by Mujica Láinez (one written in Justa's hand), three manuscripts by others, an echocardiogram of Anita, and one miscellaneous letter. This sub-series is arranged alphabetically by correspondent and then chronologically by year. The primary correspondents are his wife Anita, Lucía Láinez de Mujica Farías ["Chía"] [mother], Ana Mujica [daughter], and Justa Varela de Láinez ["Lala"] [grandmother].

Consists of family correspondence, divided into those of general family members and those of Manuel Mujica Láinez.

Consists of books, articles, and book reviews.

Founded in the summer of 1964 to assist the civil rights movement, the Lawyers Constitutional Defense Committee (LCDC) solicited lawyers to provide volunteer legal representation for worthy or significant cases. Typically, a volunteer lawyer would travel to a small town in the South and spend one month working on cases in coordination with one of the LCDC's regional offices. While these regional offices handled case work locally, the headquarters in New York handled lawyer solicitation, fundraising, publicity, and other general activities. In December 1967, the LCDC was merged into the Roger Baldwin Foundation (the tax-exempt arm of the ACLU) becoming the LCDC project of the Foundation. As the civil rights movement grew in popularity, the LCDC's practical and ideological goals were met by other organizations, most notably the United States Justice Department.

Contains family correspondence with Gwinn's mother, Matilda Bowie Gwinn, her husband's parents, Mahalia Riley and Alfred James Hodder, and other relatives, as well as correspondence with friends and acquaintances, especially M. Cary Thomas, with whom she corresponded writing under many different pet names, Katharine Fullerton and Gordon Hall Gerould, and including correspondence with Gwinn's special Baltimore friends, Bessie King, Mary E. Garrett, Julia Rogers, and Nancy Howard. The correspondence is full of references to Jessie Donaldson Hodder's presence in the lives of the Hodders, as well as references to M. Carey Thomas' reaction to the Gwinn and Hodder relationship.

Consists of the papers of Mary Mackall Gwinn Hodder, including writings, correspondence, photographs, documents, financial materials, memorabilia, and printed matter.

This subseries consists of negatives, contact sheets, color transparencies (slides), manuscripts, research, interviews, correspondence and a few prints for Douglas Kent Hall's unpublished photography projects. The material spans Hall's entire career and most of the projects are thematically related to other concurrent projects or publications located through the rest of the collection. When known, those relationships are listed at the project level.

This series consists of photographic and manuscript material spanning Hall's entire career, from when he started experimenting with photography in 1965 until his death. Manuscripts, research, interviews, correspondence, working drafts, audio and visual materials in magnetic and optical formats, and reviews are also included with the project to which they correspond.

The Board of Governors subseries is composed of the minutes of the Board of Governors meetings as well as reports submitted to the Board of Governors by the Tower Club undergraduate officers. Also included are correspondence and related material on the Club which deals with the role of the Princeton Prospect Foundation, tax exemption, and general Club obligations, as well as address and telephone lists of the Board of Governors.

The General subseries consists of correspondence between the Princeton Prospect Foundation and the Princeton Prospect Foundation Board of Trustees, members and interested people, and Princeton University faculty and administration in regards to the role of the Foundation and its acceptance by the University. Also included are general memoranda and mailings by the Foundation inquiring about assistance for their cause. There are also reports completed by the Foundation in an effort to show the positive impact it has had on the Eating Clubs and the University. Also incorporated in this subseries are the minutes of the meetings of the Foundation Board of Trustees (including address and telephone lists of the trustees), and the bylaws and certificate of incorporation for the Foundation.

Series 4: Graduate Inter-Club Council, 1940-1988, consists of correspondence and related material concerning James Newman, who was chairman of the Graduate Inter-Club Council, and the role of the Eating Clubs in general. Also included are the minutes of the Graduate Inter-Club Council meetings, along with address and telephone lists of the members of the Graduate Inter-Club Council.

Consists of manuscripts for novels such as The Scottish Queen, The Brave General, and The Breast of the Dove, as well as others.

Consists of the manuscripts for works of Herbert S. Gorman, including novels, plays, poetry, and miscellaneous prose.

Consists of miscellaneous letters of Herbert S. Gorman from 1931-1960.

This subseries consists of photocopies of all the Kazantzakis letters that Peter Bien collected, dated, and arranged chronologically.

Consists of papers of the Circus Fans Association, including its Constitution, membership rosters, photographs, reports, and materials related to meetings.

Consists of headbills, photographs, and articles for Renton Circus.

Consists of papers related to performers such as Clyde Beatty, Ernestine Clark, and Ned Nelson, as well as others. Also includes papers related to various circuses.

The Subject Files subseries documents Kirkpatrick's active years at the CIA between 1947 and 1965 and is the largest of the three subseries. It includes approximately 0.5 linear feet of material related to the Bay of Pigs Invasion and Kirkpatrick's role in the compilation of the Inspector General's report on the incident. The report was released in 1998, after being classified for thirty-six years, following a Freedom of Information Act request by the National Security Archive at George Washington University. Copies of the two volumes of records released by the CIA, titled "Inspector General's Survey of the Cuban Operation and Associated Documents," are included in the subseries. Other material related to the Bay of Pigs includes two 1958 State Department reports on Cuba, a folder of correspondence between Kirkpatrick and Cuban lawyer Mario Lazo, and transcripts of a lecture and an interview, both given by Kirkpatrick after he left the CIA.

Consists of reviews of works such as Act of Darkness and American Harvest, as well as others.

Consists of correspondence with individuals such as Sherwood Anderson, e. e. Cummings, William Faulkner, F. Scott Fitzgerald, Ernest Hemingway, Marianne Moore, Katherine Anne Porter, and Edmund Wilson, as well as others.

Consists of the novels, short stories, poetry, articles, notes, photographs, post cards, clippings, recipes, maps, architectural plans and more related to John Peale Bishop.

Consists of Curriculum Vitae, lists of bookstores, translations, drawings, and clippings.

Consists of essays and criticisms such as "Destino de la cultura," "Muerte de cielo azul," and "Sombra y luz de Ramón López Velarde," as well as others.

This series contains clippings from magazines and newspapers, scrapbooks with clippings, and miscellaneous issues of Circle, Letras de México, El libro y el pueblo, Papel de poesía, and Universidad de México. The clippings cover poetry and prose by Ortiz de Montellano and many other writers. There is one folder of newspaper clippings on the Antología de la poesía mexicana moderna edited by Jorge Cuesta and published by Ediciones de Contemporáneos in 1928. There are two small books, Cauce (1931) by Alfonso Gutiérrez Hermosillo and El Pajareador (1939) by Francisco Rojas González. There are also two folders of business cards and invitations, and a small amount of printed material related to Contemporáneos.

A bibliography (1941-1980) of Dr. Thomas's scientific publications is provided at the beginning of this section. Reprints of the papers, if present, follow the chronological order of the bibliography; where they are lacking, a full citation is given. Later (post-1980) papers continue the chronological order. At the end have been foldered miscellaneous material, including electron microscope photographs and requests for reprints of Dr. Thomas's papers.

The series has been subdivided by grouping together original and related material for each of the genres in which Dr. Thomas published: books; columns in the New England Journal of Medicine ("Notes of a Biology Watcher") and Discover magazine; general works—articles, reviews, forewords, etc.; and scientific papers. Files covering Dr. Thomas's relationship with the media (TV, radio, and film) conclude the series.

The Lewis Thomas papers consist primarily of files from the years (1973-1983) that Thomas (Princeton Class of 1933) spent as president and, later, chancellor, of Memorial Sloan-Kettering Cancer Center in New York City. These contain general correspondence with doctors, drafts and reprints of his essays and books, files of lectures, presentations, and awards, and files of scientific organizations with which he was involved. There are also drafts and reprints of early scientific papers (which pre-date his years at MSKCC).

Consists of letters from Herbert Cecil Potter to his daughter.

Cheltenham, England

Potter was a lifelong British military officer who attained the rank of brigadier-general. He served in Ireland (1898), South Africa (1901-1902), Egypt and Sudan (1903-1913), and World War I (1914-1918); he retired in 1927. Consists primarily of Potter's lengthy correspondence with his mother and future wife while stationed abroad, often during significant British military operations, including censor-stamped envelopes.

Consists of manuscripts for articles such as "The General Subject of Conversation," "How to Waste Material: A Note on My Generation," and "Sleeping and Waking," as well as others.

Consists of tear sheets for works such as "An Alcoholic Case," "The Count of Darkness," and "How to Live on Practically Nothing a Year," as well as others.

Consists of manuscripts for novels such as Afternoon of an Author, The Great Gatsby, and This Side of Paradise, as well as others.

This subseries consists of lecture notes from two courses that Cortázar taught, one on French literature at Universidad de Cuyo, Mendoza, Argentina (1945), and the other on contemporary Latin American narrative and Cortázar's work at University of California, Berkeley (1980).

This subseries consists of both fiction and non-fiction prose manuscripts. The majority of the manuscripts are unpublished, but the collection includes the following published works (complete unless otherwise indicated): Adiós, Robinson y otras piezas breves (1995) [two short plays], Los autonautas de la cosmopista: O, un viaje atemporal París-Marsella (1983), Diario de Andrés Fava (1995), El examen (1986), Rayuela (1963) [notes and short manuscript excerpts] and Teoría del túnel (1947). Many of the items, some with titles or otherwise identifiable as individual manuscripts, have been separated from a large miscellaneous folder. For items filed together in one folder, see the reference to the alternate folder. Furthermore, there is a small selection of quotations that Cortázar collected from the works of others, as well as miscellanea that include writing notes.

This series consists of poetry manuscripts, including a notebook of poems written by Cortázar when he was 12 years old (1927). Almost all of the manuscripts are unpublished, but the collection includes several poems listed individually or included in a poetry collection that have been published in Pameos y meopas (1971). Many of the items, some with titles or otherwise identifiable as individual manuscripts, have been separated from a large miscellaneous folder. For items filed together in one folder, see the reference to the alternate folder. Furthermore, there is a small selection of miscellanea that includes poetry fragments and writing notes.

Consists primarily of articles in Ta Nea, such as "Eikastikes Technes" and "Zētēmata Technēs," as well as others.

Consists of the poetry of Helenē Vakalo, including "Anamnēseis apo mia Ephialtikē Politeia," "Genealogia," and "Topeio Louomenōn," as well as others.

This series consists of photographs of Helenē Vakalo through the years including her photograph portrtaits, photographs with her friends, colleagues, artists, actors and actresses, academics, art critics, and politicians.

This subseries comprises mostly incoming correspondence from leading poets and writers of the 20th century mainly of Greece and Eastern Europe.

This series consists of photocopies of clippings mainly of Greek newspapers concerning Nikos Pappas's and Rita Boumē Papa's published works.

This series consists of several legal and financial papers of Pappas couple.

Consists of correspondence with his wife, Louise Selina Bonynge Maxwell, as well as with the Brazilian Embassy, Edward VII, King of Great Britain, George V, King of Great Britain, several Earls and Barons, and others.

Consists of bound volumes (versebook from 1824, gift of John Pascoe Grenfell to Algernon Grenfell; Arabic prayer book, 1894-1895), documents, and unidentified papers.

Consists of the writings, correspondence, photographs, and scrapbooks of Louise Selina Bonynge Maxwell.

Consists of manuscripts and notes for works such as "American Adventures" and "Table Topics."

Correspondence with M.S. post 1947

Consists of correspondence with individuals such as the Marquis de Angerville, Willa Cather, F. Scott Fitzgerald, Sinclair Lewis, Franklin and Eleanor Roosevelt, and Theodore Roosevelt.

Consists of correspondence of the Orchestra of America, including city and state officials, supporters of the orchestra, and the New York College of Music, as well as others.

Consists of papers of the Orchestra of America, including correspondence, legal documents, photographs, and printed material.

Richard K. Korn was a clarinetist, conductor, and founder of the Orchestra of America. He was also involved in the American Council for Judaism. His papers include correspondence with composers, photographs, and correspondence with other members of the American Council for Judaism.

Subseries 1A: 1992 Accession of Helen Doherty Lassen Fellowship Materials, 1947-1976 contains files on applicants and recipients, press releases, correspondence of the selection committee, and information about the origins of the Henry L. and Grace Doherty Charitable Foundation.

Series 1: Program in Latin American Studies Records, 1947-2009 consists of publications, event promotional materials, and other information about the Program in Latin American Studies (PLAS) and the Helen Doherty Lassen Fellowship.

Consists of the papers of family members, including Archibald Alexander Hodge, Mary Blanchard Hodge, and Sarah Bache Hodge.

Consists of the papers of family members, including Archibald Alexander Hodge, Mary Blanchard Hodge, and Sarah Bache Hodge, as well as the papers of some non-family members.

Consiste en una serie de sobres y una pequeña cantidad de correspondencia de otros individuos, incluyendo la correspondencia de Octavio Paz con su madre (Josefina Lozano) y otros.

Consiste en la correspondencia entre Helena Paz Garro y miembros de su familia, incluyendo a su madre.

Incluye amplia correspondencia de Elena Garro con sus hermanas Deva, Estrella y Alba, y con su antigua suegra, Josefina "Pepa" Lozano de Paz.

Some captions and descriptions may include harmful language, including language that is racist or sexist. Some photographs depict scenes of graphic violence.

Some captions and descriptions may include harmful language, including language that is racist or sexist. Some photographs depict scenes of graphic violence.

Some captions and descriptions may include harmful language, including language that is racist or sexist. Some photographs depict scenes of graphic violence.

This file group includes materials related to Bunnell's work in organizations such as the George Eastman House, Museum of Modern Art (MoMA), Princeton University Art Museum (PUAM), among others; his teaching at Princeton and guest lectures; his publications and exchanges with publishers; his research on photographers and photography; his time as a student at Yale University and Ohio University; and his appraisal work. The bulk of the materials are exhibition brochures, press releases, and postcards; newspaper and magazine clippings; and photocopies of journal, newspaper, and magazine articles. Other types of materials include handwritten notes regarding research material or classes; student dissertations; typewritten notes about phone calls, conversations, interviews, or exhibitions attended; correspondence regarding projects, publications, and student advisements; copy prints and negatives of photographs sent to Bunnell for collection consideration; and photographs and negatives of exhibitions.

This collection consists of the papers of photography historian, professor, author, and curator Peter C. Bunnell, spanning his student and professional career from the 1950s to 2018. Materials include subject files, correspondence, photographs, publications and drafts of publications, among other items.

Preservation Copies and Originals

Consists of selected files from the offices of Farrar & Rinehart, Inc., New York City publishers.

Black-and-white, 4x5"-8x10."

Black-and-white, 4x5"-8x10."

Includes correspondence from the 1930s through 1950s, along with files labeled "American Academy in Rome," "Bicentennial Arrangements," "Religion and the Plastic Arts," "American School at Athens (Alex Robinson)," "Byzantine Exhibition Baltimore," "A. G. Cotton, Leofric's Landevennec Gospels," "Notes: Cotton," "Cotton, Leofric Gospels," "Florovsky," "McCormick," "Mommsen," "Schwarzenberg," "Rome, Vatican, Museo profano, Ivory disc of poet," "G. A. Canini, Iconografia Tav 28 Sophocles-inscribed Pindaros," "Gerasa: Trans-Jordan, Nymphaeum," "Antioch Great Theater Restoration," "Ephesos Theater," along with many folders of photographs and text relating to ancient philosophers and poets and theaters.

Originally established in 1912 as the Self-Help Bureau, the Office of Career Services is an organizational unit of the Office of the Vice President for Campus Life that provides career resources and programming for both undergraduate and graduate students. The records include three bound volumes of annual reports from the Princeton University Office of Career Services spanning the years 1943 to 1977. Topics covered include alumni appointments, work-study, study services and academic support.

Consists of photographs of Maurice Kelley (while acting University Librarian in 1951 or 1952), the War Service Bureau Staff (1943), a reception for the Princeton University Library (1953), and a photograph of the front of Firestone Library at Princeton University.

Contains correspondence, photographs, memorabilia, and printed matter of American educator and librarian, Maurice Kelley (Princeton Class of 1934).

Series 2: Council Records contains administrative records of the committees and programs of the Council of the Humanities, as well as the Council itself.

Series 1: Student Academic Records comprises cards containing complete academic records and photographs of students from the classes of 1941 through 1964 who participated in the Special Program in the Humanities.

Consists of the personal and business correspondence, writings and drafts, promotional material, newspaper clippings, photographs, and sketches of the artist, Hedi Bak.

This collection consists of essays, notes on readings, laboratory notebooks, drawings and similar academic work products created by Princeton students.

Series 1: Student Academic Work Collection, 1862-1985 consists of essays, notes on readings, laboratory notebooks, drawings and similar academic work products created by Princeton students.

Features John Bronte McElderry, William McElderry, and Margaret K. McElderry.

Consists of a collection compiled by American clergyman Stewart M. Robinson (Princeton Class of 1915), including photostats of sermons, letters, pamphlets, and communications to newspapers by clergymen in colonial America, which he used as research material for a proposed book entitled "The Political Thought of the Colonial Clergy."

A collection containing original manuscripts, letters, documents, photographs, association copies of books, and other printed material, chiefly by or pertaining to Adrienne Monnier (1892-1955) and Sylvia Beach (1887-1962), and their respective bookshops in Paris: La Maison des Amis des Livres and Shakespeare & Company.

Miscellaneous printed or published items.

Miscellaneous original materials.

Steve M. Slaby, professor of engineering at Princeton, 1953-1991, served as the second (and final) chair of the Graphics and Engineering Drawing Department, 1962-1968. Slaby was also one of the University's few political activists, opposing U.S. involvement in Vietnam and University investment in South Africa, and promoting student and faculty liberties.

Series 3: Departmental Records, 1942-1988, includes the records of various committees and programs (such as a two week program to introduce local middle school boys to engineering through a surveying project of Jadwin Gym, field trips to construction sites and similar activities), studies on the status of engineering at Princeton, annual reports, minutes from Advisory Council, Executive Committee and faculty meetings, and seminar and conference records (proposals, agendas, published and unpublished papers, etc.), arranged in that order. Slaby's rank and salary appeal documents are temporarily restricted.

Series 2: Course Materials, 1903-1970, documents the 1950s and 1960s especially well but includes some materials dated before Slaby's tenure (including one student drawing project from 1903). The series is comprised of course proposals and descriptions, lecture notes, problem sets, student projects, tests, and exams, arranged in that order. Most of the papers are from Slaby's courses, but other professors such as Heacock and Lindgren have material preserved in the series. The courses best represented are engineering graphics, descriptive geometry and engineering drawing. Two oversized graphics projects from the early 1900s, inscribed "Crosby" and "L. Sullenberger," are housed separately in the Oversize Collection.

Consists primarily of manuscripts of Stephen French Whitman (Princeton Class of 1901), as well as correspondence and documents concerning their publication and the career of the author.

A program for a Class of 1901 35th Reunion Memorial Service, as well as a booklet with photographs of busts.

This series consists of correspondence and manuscripts. This series is organized alphabetically by author; Box 6 contains correspondence and printed catalogues about the collection, with much of the material concerning the book collection.

The Correspondence series is composed of letters between Rovensky and other bankers and economists. Most of the correspondence discusses the economic policies that Rovensky's associations touted.

This series documents Rovensky's participation in the Economists' National Committee on Monetary Policy, the National Monetary Association, and the Stable Money Association, including his tenure as president of the Stable Money Association in 1927. The papers include discussions of logistics and operations, policies, and recruitment. Rovensky's participation ranges from merely paying dues and commenting on publications to active research, writing, and meeting attendance. The Stable Money Association papers also include discussions of the formation of the group and its mission statement, literature, and meeting minutes and agenda.

Consists of an open collections of Spyros Meletzēs photographs.

The sprint football program at Princeton (sometimes known as lightweight football) has operated since 1933. The collection consists of 196 videotapes (VHS format) of Sprint Football games and one video transfer of a 1947 varsity football game film.

Series 1: 2004 Accession of VHS Tapes, 1947, 1989-2003 consists of videotapes (VHS format) of Sprint Football games, mostly from 1989-2003, and one transfer of a varsity football game film from 1947. Each tape is labeled with the date of the game, the opponent, and in some instances the final score.

Series 1: Honorary Degree Recipient Files, 1749-1991 consists of files containing biographical information, information about the degree type and the year it was awarded, and, in the case of more recent recipients, some correspondence and photographs.

This collection consists of works, lecture note cards, correspondence, an audio tape, and printed matter of American journalist and publicist Glen C. H. Perry (Princeton Class of 1926).

Translated speeches (handwritten and typed), delivered in honour of Mr. and Mrs. G. B. Stewart on his retirement as Treasurer, 1949-1950, and other occasions. 6 pieces.

Arabic and French newspaper clippings regarding G. B. Stewart.

Consists of photograph albums, diaries, engagement calendars, and documents of George Black Stewart (Princeton Class of 1906) who was treasurer (1906-1950) of the American University of Beirut.

Typescripts of speeches given by Creese, many in the capacity of president of Drexel I.T.

Speeches from Democratic Conventions 1924-1932; college speeches as President of Stevens and Drexel I.T., and as member of Princeton Alumni Council. Includes newspaper clippings, typescripts, programs, menus, memorabilia, etc.

1. Report on the First Conference of Women Engineers Sponsored by the Drexel Institute of Technology, Society of Women Engineers, in Philadelphia, Spring 1949. 2. Drexel Institute of Technology Sixty-Second Commencement program, 1950.

Consists of personal and business correspondence as well as memoranda, meeting minutes, photographs, news articles and clippings, documenting Thornhill's involvement in a variety of activities and organizations both inside and outside of the publishing industry.

Consists of photographs of Little, Brown authors taken at various book publication parties, as well as personal photographs and a few specially inscribed by authors.

Series 1: Daily Princetonian records, 1876-1989 consists of subject files from the editorial offices of the Daily Princetonian covering topics such as award banquets, journalism seminars, managerial records and by-laws of the paper. Also included are some financial records and stock certificates, and several special issues and fund-raising books published by the paper. The bulk of the materials are from the 1950s through 1970s, representing only one portion of the newspaper's long history

Consists of Spanish legal and military documents relating to the administration of Cuba in the 19th century.

Series 4: Graded Examinations, 1935-1956 contains graded examinations from Princeton students.

Series 3: Bound Volumes of Examinations, 1844-1967 consists of Princeton undergraduate examinations that have been bound together in volumes. Each volume generally contains examinations in a variety of subjects. Some were represent the examinations taken by a single student, while others are of unknown origin.

This series contains harmful and offensive descriptions of people that may include racist, colonialist, ableist, and dehumanizing language. Some of the description is original to the donor and/or the creator, and in these instances of creator- and donor-supplied titles, description may be retained to convey contextual/historical information of the materials. Otherwise, descriptions derive from a typewritten inventory of the collection that may have been provided by the donor, or may have been created by an archivist.

This series contains harmful and offensive descriptions of people that may include racist, colonialist, ableist, and dehumanizing language. Some of the description is original to the donor and/or the creator, and in these instances of creator- and donor-supplied titles, description may be retained to convey contextual/historical information of the materials. Otherwise, descriptions derive from a typewritten inventory of the collection that may have been provided by the donor, or may have been created by an archivist.

Some of the scrapbooks contain photographic prints which have been described with racist, colonialist, ableist, and dehumanizing language. In cases where scrapbook photographs are not captioned, descriptions in the finding aid derive from a typewritten inventory of the collection that may have been provided by the donor, or may have been created by an archivist.

The American Ballet Theatre is an American ballet company founded by Oliver Smith and Lucia Chase in 1940. The collection consists of programs of performances of the Ballet Theatre dance company from its first performance in 1940 until 1979.

Consists of typed notes summarizing the expedition, a clipping containing a group photograph, and archives correspondence.