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Harold R. Medina papers, 1905-1987

MC174 332 boxes 1 folder 2 items
Harold Raymond Medina (1888-1990) was a noted jurist, Princeton alumnus, and creator of a New York State Bar preparation course. This collection includes legal records, personal and professional correspondence, photographs, audio recordings, and teaching materials; in aggregate, they offer a substantial record of Medina's life and work.
2 results
File

The 1906 Courtship of Harold Medina and Ethel Hillyer, 1906-1995

This group of materials includes Ethel Forde Hillyer's 1906 diaries, Harold Medina's 1906 diary, and a transcript of each by their granddaughter, Meredith Hillyer Medina Murray in 1995. These diaries document their daily lives and their courtship while Medina was a second-year Princeton student.

Sir Israel Gollancz Correspondence, 1890-1948 (mostly 1915-1929)

C1079 3 boxes 1.2 linear feet
SOME ONLINE CONTENT
Consists primarily of letters (approximately 500) from contemporaries of English editor and publisher Sir Israel Gollancz.

H. R. Hays Correspondence with Latin American Writers, 1922-1981 (mostly 1940-1955)

C0847 1 box 0.2 linear feet
H. R. Hays was a writer, anthropologist, and educator. The collection contains his correspondence with ten Latin American writers and poets, primarily about literary and research issues. Also included are typescripts of an article about Jorge Carrera Andrade's poetry and Antenor Orrego's prologue to Trilce (1922).

Vivian Burnett Collection of Frances Hodgson Burnett, 1844-2003 (mostly 1885-1937)

C1304 22 boxes 17.6 linear feet
SOME ONLINE CONTENT
Consists of material relating to the British-born, American author Frances Hodgson Burnett (FHB), collected by her younger son, Vivian Burnett (VB), including manuscripts, correspondence, photographs, and artwork.
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Dillon Gym Library Collection, 1891-2003 (mostly 1930-1991)

AC446 8 boxes
SOME ONLINE CONTENT
The Dillon Gym Library was housed in Dillon Gym, which opened in 1947. Dillon Gym is now mainly used as the headquarters for the Campus Recreation program, and includes various administrative and varsity athletic coaches' offices. The majority of the collection is made up of published material such as athletic handbooks, rule guides and technique charts; athletic organization convention and conference reports; and university publications (sports schedules and programs, admissions material, faculty, staff, and alumni guides and fundraising publications). The collection contains several areas of focus—notably, material on women's sports at Princeton.
2 results
Folder

Athletic Rulebooks, Handbooks and Publications, 1902-2003

General athletic files contain published rulebooks and guidebooks for individual sports, especially from the mid-twentieth century and the 1970s, many printed by the NCAA, as well as copies of periodicals such as Modern Gymnast and football programs from Princeton and elsewhere. There are also printed NCAA championship booklets, convention bulletins, manuals, rules and regulations. Much of the material is not specific to Princeton, but some Princeton programs and press releases are included in the football, basketball, hockey, soccer, track, and wrestling files.
Collection

Dillon Gym Library Collection, 1891-2003 (mostly 1930-1991)

SOME ONLINE CONTENT
The Dillon Gym Library was housed in Dillon Gym, which opened in 1947. Dillon Gym is now mainly used as the headquarters for the Campus Recreation program, and includes various administrative and varsity athletic coaches' offices. The majority of the collection is made up of published material such as athletic handbooks, rule guides and technique charts; athletic organization convention and conference reports; and university publications (sports schedules and programs, admissions material, faculty, staff, and alumni guides and fundraising publications). The collection contains several areas of focus—notably, material on women's sports at Princeton.

Angelos Prokopiou Photographs Collection, 1901-1999

C1344 1 box 1 linear foot
Consists of an open collection of photographs by Angelos Prokopiou.
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Panos Geralēs Photographs Collection, 1901-1999

C1341 1 box 1 linear feet
Consists of an open collection of photographs by Geralēs.
3 results

Princeton University Library Collection of Kōstas Zēmerēs Photographs, 1900-1999

C1342 1 box 1.7 linear feet
Kostas Zēmerēs was born in 1886 in Katēchōri Pelion. He studied at the Commercial School of Volos, where he took his first lessons from the painter Iōannēs Poulakas. In 1904 he went to the United States where he worked in photo labs collaborating with painters and photographers. There he had the opportunity to study at the Art Institute of Saint Louis. He returned to Greece in 1912 where he was recruited during the Balkan Wars. Later, after the World War I, he remained in Athens working with great photographers, such as George Bouka and Nelly's. Finally he returned to Volos where he worked as a professional photographer and painter. He participated in many exhibitions in Greece and abroad, such as in Calais (France) in 1925 and Liverpoool (England) in 1926. He received the gold medal at the International Exhibition of Thessalonikē (Greece) in 1932 and 1936. Zēmerēs gave us the unique photographs of the painter Theophilos Chatzēmichaēl. He died at the age of 96. Consists of an open collection of silver prints depicting Greek landscapes by Kōstas Zēmerēs.
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Voula Papaiōannou photographs collection, 1900-1999

C1445 1 box 1 linear foot
Papaioannou was born in Lamia and grew up in Athens (Greece). She began working as a photographer during the 1930s, concentrating at first on studies of landscapes, monuments and archaeological exhibits. The outbreak of war in 1940 marked a turning point in her career, as she was intensely affected by the suffering of the civilian population of Athens. Realizing the power of her camera to arouse people's conscience, she documented the troops departing for the front, the preparations for the war effort, and the care received by the first casualties. When the capital was in the grip of starvation, she revealed the horrors of war in her moving photographs of emaciated children. After the liberation, as a member of the photographic unit of UNRRA (United Nations Relief and Rehabilitation Administration), she toured the ravaged Greek countryside recording the difficult living conditions faced by its inhabitants. She often exceeded her brief, immortalizing the faces and personal stories of ordinary people in photographs that stressed dignity rather than suffering. During the 1950s Papaioannou's work expressed the optimism that prevailed in the aftermath of the war with respect to both the future of mankind and the restoration of traditional values. Nevertheless, her photographs of the historic Greek landscape are not in the least romantic, but instead portray it as harsh, barren, drenched in light, and its inhabitants proud and independent, despite their poverty. Voula Papaioannou's work represents the trend towards "humanitarian photography" that resulted from the abuse of human rights during the war. Her camera captured her compatriots' struggle for survival with respect, clarity, and a degree of personal involvement that transcends national boundaries and reinforces one's faith in the strength of the common man and the intrinsic value of human life. (http://www.benaki.gr/index.asp?id=1020103&lang=en) Consists of an open collection of Papaiōannou photographs.
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Collection

Voula Papaiōannou photographs collection, 1900-1999

Papaioannou was born in Lamia and grew up in Athens (Greece). She began working as a photographer during the 1930s, concentrating at first on studies of landscapes, monuments and archaeological exhibits. The outbreak of war in 1940 marked a turning point in her career, as she was intensely affected by the suffering of the civilian population of Athens. Realizing the power of her camera to arouse people's conscience, she documented the troops departing for the front, the preparations for the war effort, and the care received by the first casualties. When the capital was in the grip of starvation, she revealed the horrors of war in her moving photographs of emaciated children. After the liberation, as a member of the photographic unit of UNRRA (United Nations Relief and Rehabilitation Administration), she toured the ravaged Greek countryside recording the difficult living conditions faced by its inhabitants. She often exceeded her brief, immortalizing the faces and personal stories of ordinary people in photographs that stressed dignity rather than suffering. During the 1950s Papaioannou's work expressed the optimism that prevailed in the aftermath of the war with respect to both the future of mankind and the restoration of traditional values. Nevertheless, her photographs of the historic Greek landscape are not in the least romantic, but instead portray it as harsh, barren, drenched in light, and its inhabitants proud and independent, despite their poverty. Voula Papaioannou's work represents the trend towards "humanitarian photography" that resulted from the abuse of human rights during the war. Her camera captured her compatriots' struggle for survival with respect, clarity, and a degree of personal involvement that transcends national boundaries and reinforces one's faith in the strength of the common man and the intrinsic value of human life. (http://www.benaki.gr/index.asp?id=1020103&lang=en) Consists of an open collection of Papaiōannou photographs.

Princeton University Library Collection of Spyros Meletzēs Photographs, 1900-1999

C1389 1 box 1 linear foot
Consists of an open collections of Spyros Meletzēs photographs.