Consists of the fairly complete working business files of the original Story and other related publishing ventures of owner-editors Martha Foley and Whit and Hallie Burnett, and the new Story author files of Richard and Lois Rosenthal. Included are editorial and personal correspondence, business and financial records, and artwork.

This collection consists of essays, notes on readings, laboratory notebooks, drawings and similar academic work products created by Princeton students.

Thomas Burnside Morris graduated from New York University in 1861 with a degree in civil engineering. He was a chief engineer of the Long Island Railroad, 1863; a division chief of the Panama Railroad, 1864-1865; a division chief of the Union Pacific Railroad, 1867-1869; and a division chief of the Northern Pacific Railroad, 1870-1874. He died in Oakland, California, on November 8, 1885. The collection consists primarily of material relating to Morris's role in the construction of the Union Pacific Railroad and the Northern Pacific Railroad.

Consists of individual academic files of former undergraduate students of Princeton University, containing grades, transcripts, and other information relating to the subject's academic career. To search for a student by name, please use the finding aids listed as "Other Finding Aids" under "Access and Use." The finding aids are divided by decade, beginning with 1921.

The collection documents the career of Richard Rush (Princeton Class of 1797) as lawyer, statesman, and diplomat, emphasizing diplomatic negotiations between the United States and Great Britain while he was minister to Great Britain (1817-1825) and between the United States and France when he was minister to France (1847-1849), as well as his successful efforts (1836-1838) in securing the Smithsonian bequest, which was used to establish the Smithsonian Institution. The papers of Richard Rush constitute the larger part of the collection; letters of his father, Benjamin Rush, M.D. (Princeton Class of 1760), and papers of his son, Benjamin Rush (Princeton Class of 1829, constitute the other major groups of papers in this family archive.

Papaioannou was born in Lamia and grew up in Athens (Greece). She began working as a photographer during the 1930s, concentrating at first on studies of landscapes, monuments and archaeological exhibits. The outbreak of war in 1940 marked a turning point in her career, as she was intensely affected by the suffering of the civilian population of Athens. Realizing the power of her camera to arouse people's conscience, she documented the troops departing for the front, the preparations for the war effort, and the care received by the first casualties. When the capital was in the grip of starvation, she revealed the horrors of war in her moving photographs of emaciated children. After the liberation, as a member of the photographic unit of UNRRA (United Nations Relief and Rehabilitation Administration), she toured the ravaged Greek countryside recording the difficult living conditions faced by its inhabitants. She often exceeded her brief, immortalizing the faces and personal stories of ordinary people in photographs that stressed dignity rather than suffering. During the 1950s Papaioannou's work expressed the optimism that prevailed in the aftermath of the war with respect to both the future of mankind and the restoration of traditional values. Nevertheless, her photographs of the historic Greek landscape are not in the least romantic, but instead portray it as harsh, barren, drenched in light, and its inhabitants proud and independent, despite their poverty. Voula Papaioannou's work represents the trend towards "humanitarian photography" that resulted from the abuse of human rights during the war. Her camera captured her compatriots' struggle for survival with respect, clarity, and a degree of personal involvement that transcends national boundaries and reinforces one's faith in the strength of the common man and the intrinsic value of human life. (http://www.benaki.gr/index.asp?id=1020103&lang=en) Consists of an open collection of Papaiōannou photographs.

These records document the struggle to establish a women's golf program at Princeton University in the 1970s and its development since that time. Records include correspondence, memoranda, notes and clippings pertaining to Women's Golf at Princeton and Betty Whelan Donovan's tenure as creator and coach of the organization.