Notes by P. L. Travers on fairy tales, myth, and other subjects.

Photographs from the middle period of P. L. Travers' life. Subjects include: photographs of Gallup, New Mexico and the Southwestern US; Camillus with a Native American family; Biddy Moriarty; Sri Madhava Ashish; an unidentified female child; Pound Cottage; P. L. Travers with a dog; Madge Burnand; a bulldog.

Photographs of P. L. Travers and her son, Camillus. Most are from his early childhood in New York, and some are labeled with specific locations in New York City as well as dates. Subjects include: Camillus in a sailor outfit; Camillus with a fireman and dalmation; Camillus sailing a toy boat; Camillus with "Sue"; Camillus at the beach; Camillus with a cat. Two are phtographs of Camillus with the nephew of Travers' housemaid and captioned "My mother bore me in the southern wild..." [Blake].

This collection consists of works, lecture note cards, correspondence, an audio tape, and printed matter of American journalist and publicist Glen C. H. Perry (Princeton Class of 1926).

Consists of 32 silver prints of Haitians just after the Haitian Revolution of 1946 and into the 1950s. The photographs include images of agricultural and artisanal work, marketplaces, and the streets of Port-au-Prince during the Mardi Gras Carnival. Many of the photographs include captions that document the subject matter and location of the image.

15 TLsS and 1 ACS to Professor Robert Alan Koch, 1949-1968. AM 85-90

ALS from Helene Schweitzer to Ann Clark, 13 March 1950; printed invitation to Clark, 17 July 1949; TLS (carbon) from Emery Ross to Helene Schweitzer with handwritten lines, 21 August 1950; ALS to Mr. and Mrs. Clark, thanking them, 28 June 1955. AM 80-92

Consists of the personal and business correspondence, writings and drafts, promotional material, newspaper clippings, photographs, and sketches of the artist, Hedi Bak.

The Association of Hiroshima University for Sending Atomic-bombed Roof Tiles distributes the tiles in an effort to perpetuate awareness of the bombings of Hiroshima and Nagasaki and to oppose the use and proliferation of nuclear weapons. The collection includes seven atomic-bombed roof tiles; photographs of the location where the roof tiles were recovered; booklets and pamphlets on the bombings of Hiroshima and Nagasaki; and information and correspondence from Hiroshima University.

This folder contains photographs of victims of the atomic bomb.

These folders contain undated letters that were later identified and given approximate dates. Folder 1 contains the following groupings: seventeen letters, circa 1945-1949 (all letters beginning with "Chère Violette Leduc"); twenty-three "rendez-vous" Letters, circa 1949-1971 (beginning "Chère Violette" and "Ma chère Violette"), which are short letters making appointments to meet at cafes or at Beauvoir's home; and two undated letters. Folder 2 contains a letter from Gary, Indiana (circa August 11th, 1950) discussing Nelson Algren's new house in Michigan; a letter from Norway (circa July 1951); two letters about Ravages (May 1954); a letter from England (circa 1959) mentioning "Coriolan;" a letter and prière d'insérer (circa 1960) related to Leduc's Tresors à Prendre; a letter from Cuba (circa March 4, 1960); four letters (circa 1964) about La Batarde ; one letter (circa 1965) with a title suggestion for La Femme au (petit) renard; thirteen letters from Italy (circa 1952-1963); and thirteen letters to Faucon (circa 1961-1972).

Most correspondence is undated, but in many cases, dates can be found on envelopes.

Consists of nearly 300 letters from Simone de Beauvoir to Violette Leduc documenting their literary friendship spanning four decades, along with 23 notebooks containing manuscript drafts of Leduc's autobiography, La Bâtarde (1964).

Includes obituaries, memorials, newspaper clippings, issue of the Princeton Alumni Weekly, vol. XXIII. no. 24 (1923), and four copies of Erwin Panofksy's printed biography.

Contour drawing in ink of Charles Rufus Morey, date and artist unknown. Signed by American ambassador James Clement Dunn "Rome, 1949."

Includes official department portraits and photographs of Morey using the Index of Christian Art and at art gallery shows. Also includes photographs of Charles Rufus Morey at cultural events and meetings in Rome, Italy, including at the American Embassy in Rome.