11 ALsS and 4 photocopies of ALsS

4 TLsS

80 ALsS, 2 TLsS, and 2 faxes containing drawings by Jorge Camacho

25 ALsS, 5 ANsS

Consists of printed matter, clippings, and additional papers.

Includes Hoving's notebooks from 1982 trip to China with I. M. Pei (Fragrant Hill Hotel, Beijing, China) and 1993 Connoisseur article, Rome, Wyeth interview, articles for various travel magazines, etc.

The material in this subseries primarily consists of Hoving's magazine articles, including for Connoisseur, Town Country, Travel Leisure, Travel Holiday, Art Auction, and more (photocopies as well as some original tear sheets). The earliest is his 1965 Parks white paper (Hoving is uncredited on title page). Other articles and writings by Hoving can be found elsewhere in the collection.

Consists of data, notes, graphs, photographs, and inventories related to the experiments of Walker Bleakney.

See: Zama, Patricia.

Correspondence, press, events, and subtitle texts about Cozarinsky's 1982 film.

Consists of the writings, correspondence, photographs, and scrapbooks of Louise Selina Bonynge Maxwell.

Includes calculation tables and sketches.

Includes 6 original small pencil sketches on tracing paper, along with several photocopies of sketches, computer-generated designs, and landscape drawings for the restaurant. Also contains one newspaper clipping that was originally stored with these materials.

Consists of author files from 1927-1999 on authors such as F. Scott Fitzgerald, Sherwood Anderson, Pearl S. Buck, Agatha Christie, William Faulkner, and Dylan Thomas, as well as others.

Includes correspondence from S.J. Perelman.

Letters and cards from T. A. Barron and family to John W. Stewig, along with some enclosed family photographs and printed materials regarding Barron that Stewig collected.

Xeroxes from the Princeton University Library Chronicles, 7 pp., n.d.; 2 TLsS, correspondence with Don Skemer, 1995. AM 1995-88

Contains masters of Edward T. Cone's published compositions, most done in pen on vellum, and working copies used for performance, revision, or correction.

Includes:

Contains twelve binders of musical sketches, charts, and early manuscripts. Many items in the sketchbooks are bound upside-down, Cone's method for keeping different pieces separate.

Consists of papers about Thomas Wolfe by individuals such as Brooks Atkinson, F. Scott Fitzgerald, Ted Malone, Andrew Turnbull, Edmund Wilson, and R. Dietz Wolfe, as well as others.

Consists of papers by and about Thomas Wolfe, including writings, correspondence, documents, drawings, photographs, and papers of others regarding Wolfe's work.

One poem is dated 1991 January, calendar is dated 1990.

Also contains bibliography "Libros 1996."

Consists primarily of biographical information about Virgilio Piñera, Humberto Rodríguez Tomeu, Witold and Rita Gombrowicz, and Graciela Peyrou.

Consiste en aproximadamente un centenar de fotografías originales de Elena Garro, su familia, amigos, colegas y de algunos lugares.

Includes two sets of candid photographs of Elena Garro, Elena Garro's friend, Helena Paz, and Gabriela Mora taken in 1974 at Gabriela Mora's home in New York City and in Spain in 1979. Additionally, it includes about one hundred original photographs of Elena Garro, family, friends, colleagues, and some sites.

Correspondence from Cabrera Infante to Bensoussan relating to translations of his work. Later correspondence includes letters on more personal topics.

Collected clippings related to Cabrera Infante.

Includes articles written by Bensoussan about Cabrera Infante; articles by Cabrera Infante; and news pieces about Cabrera Infante's death in 2005.

Consists of various catalogs from 1987-1996.

The correspondence prominently features members of Arenas's publication team and includes material relating to the "Colchie affair," a 1993 conflict between Arenas's agent, Thomas Colchie, and the Camachos. Also featured are letters written by Dolores Koch to Julian Schnabel, suggesting changes to the script for his 1999 movie Before Night Falls. Correspondents include Dolores Koch, Roberto Valero, Thomas Colchie, and Jorge and Margarita Camacho.

Consists of Tumin's correspondence with literary authors and colleagues. Also included is correspondence from researchers concerning access to Tumin's papers, some of it addressed to his wife Sylvia Yarost Tumin after his death.

Melvin Tumin was a professor of sociology and anthropology at Princeton University. Consists of correspondence, articles, papers, and book reviews by Melvin Tumin, including his dissertation research on the ladino and Pokomám Maya population of San Luis Jilotepeque in Eastern Guatemala. The collection is especially notable for Tumin's correspondence with writers Saul Bellow, Iris Murdoch, and Philip Roth.

Includes typed manuscripts of interviews Lianis gave to Athens News Agency as Minister of Research and Technology in Greece and to an unspecified source; and a telephone interview with Andreas and Margaret Papandreou by Lianis which was recorded with permission. There are also clippings of several newspapers, such as: Express, Hēmera Patrōn, Aurianē, Ta Nea, Nautemporikē, Electronics Weekly, Computer Weekly, Crash, Status, Eurōpaikē Koinotēta, no. 134 (Nov.- Dec. 1983); and a copy of a short article "A High Technology Oasis in Crete" by Fotis Kafatos regarding Lianis's several activities and important steps to hasten Greece's membership in the technological revolution at that time. Also present is a posthumous award from the Ereunētiko Institouto Chēmikēs Mēchanikēs kai Chēmikōn Diergasiōn Hypsēlēs Thermokrasias (ΕΙΧΗΜΥΘ) [The Institute of Chemical Engineering and High Temperature Chemical Processes (ICE-HT)] at Rio-Patrai (Greece); a printed article about ICE-HT; and typescripts of Lianis's official trips abroad as Minister of Research and Technology, as well as a color photocopy of a photograph of one of his trips in China. Included also is a guide book of Berchtesgaden (a municipality in the German Bavarian Alps).

This series consists of writings by George Lianis including, autograph and typed manuscripts, reports or retrospective notes written later to sum up past events regarding the Panhellenic Liberation Movement (P.A.K.) and the military coup period in Greece (1967-1974), as well as subjects regarding the establishment of Patrai University as a model for higher education reform in Greece.

Contains black-and-white and color photographs, as well as color photocopies of photogrpahs of George Lianis's personal and professional life both in the United States and in Greece, including images with Andreas Papandreou in his exile in Canada and after his freedom in Chicago; Papandreou lecturing at the University of Ohio; visiting the University of Purdue (Lafayette, Indiana); visiting Germany; with Felipe Gonzales; with Mario Soares; and Juan Boschand; and with Inga Landgré in Sweden. There is also a Compact Disk icluding six Power Points of color photographs entitled: a) Early memories with Andreas Papandreou, 1965-1966; b) Early memories with Andreas Papandreou, 1968-1980; c) PASOK, 1981-1982; d) PASOK, 1983; e) PASOK, 1984; and f) PASOK, 1985. Also included are color slides and color clippings of Greek magazines of Andreas Papandreou and George Lianis with family members, friends and members of the Panhellenic Liberation Movement (P.A.K.) in Greece, Italy, Germany, Austria, Sweden, and the United States dated from 1964 to 1972.

The series consists of letters (and several manuscripts) received by Torres Fierro from various Latin American writers.

Consists of selected correspondence of the Uruguayan writer and editor Danubio Torres Fierro.

Letters from Caro are copies.

Correspondence, dating from 2000 to 2011, between the art historian Charles W. Millard and British sculptor Sir Anthony Caro (1924-2013). In their letters, the two men philosophize about and critique art on a broad scale: sculpture, painting, opera, the theater, European vs. American art, etc. They also discuss Caro's current work and exhibitions; their cultural and social activities; and philosophize about life in general, specifically aging.

Folder contains original artwork from John Gibson.

Racist, colonialist, and sexist language were used to describe many of the items in this collection. In some cases, descriptions were creator-supplied or generated from transcriptions of captions on the photographs. In other cases, in which photographs lacked any identifying information, descriptions were created by an archivist. These items are identified in the description with the note, "Cataloger supplied title." However, the collection is a candidate for ongoing reparative description work. We hope that researchers will engage in a dialogue with staff about issues in the collection and changes that could help.

Racist, colonialist, and sexist language were used to describe many of the items in this collection. In some cases, descriptions were creator-supplied or generated from transcriptions of captions on the photographs. In other cases, in which photographs lacked any identifying information, descriptions were created by an archivist. These items are identified in the description with the note, "Cataloger supplied title." However, the collection is a candidate for ongoing reparative description work. We hope that researchers will engage in a dialogue with staff about issues in the collection and changes that could help.

Racist, colonialist, and sexist language were used to describe many of the items in this collection. In some cases, descriptions were creator-supplied or generated from transcriptions of captions on the photographs. In other cases, in which photographs lacked any identifying information, descriptions were created by an archivist. These items are identified in the description with the note, "Cataloger supplied title." However, the collection is a candidate for ongoing reparative description work. We hope that researchers will engage in a dialogue with staff about issues in the collection and changes that could help.

Consists of the almost complete files (1943-1999) of manuscripts submitted to the QRL for publication with the exception of a few issues from 1944, 1945, 1974-1977, and 1981 (see the Box/Folder listing for Boxes 1-26 for the specific issues not present in the collection). The majority of the issue files (Volumes I-XXXVIII) contain original typescripts for the poetry, short stories, articles, and reviews that were published. Only some of the typescripts are signed or include autograph corrections by the author, while others include editorial corrections. Some files also contain galley proofs in various forms. The box housing the David Schubert issue files (Volume XXIV, 1983) contains correspondence from Schubert, his friends, wife, and others who contributed material to the publication of this special volume. The box containing the QRL's 50 th Anniversary issue manuscripts (Volume XXXII-III, 1993; specifically Folder 4 in Box 22) includes cover letters from the contributing authors. In addition, a small amount of author correspondence associated with the submitted manuscripts remains in the issue files. However, the bulk of the QRL correspondence is contained in Series 2. Please refer to the Author?Issue Index for an alphabetical listing of all the authors published in the QRL from 1943-1999, and the volumes in which they appeared. Photocopies of the table of contents page for each QRL issue (Volumes I to XXXVIII), as well as photocopies of indexes (where found) for Volumes I-XXII, are available in the Department's collection files for public reference.

This series consists of unprocessed additional, including binders of notes relating to a myriad of topics (such as math, navigation, population, and social physics) (1931-1971), correspondence (1920-1972), and miscellaneous files covering Stewarts eclectic fields of interest. This series is roughly organized by material type (binders, reprints, correspondence, and other materials).

Includes bound and loose page personal journals Piglia kept throughout most of his life. Folder titles are derived from the following sources when available: cover titles, first entry date, and notebook brand in parenthesis.

Inset materials dated from 2013.

Contains a corrected typescript of "Que dura es la vida" (with the original binder with handwritten inscription "1959 / Que dura es la vida / R.A.F.") and drafts with holograph corrections of Arturo, la estrella más brillante, El asalto, El color del verano o nuevo jardín de las delicias, La loma del angel, Lazarillo [de Tormes] (adaptation), Otra vez el mar, El palacio de las blanquísimas mofetas, Viaje a La Habana (Novela en tres viajes). Included are drafts, and galley and page proofs with notes and corrections by the translators and, occasionally, by the author of Singing from the Well [English translation of Cantando en el pozo by Andrew Hurley], Farewell to the Sea [English translation of Otra vez el mar by Andrew Hurley], The Doorman [English translation of El portero by Dolores M. Koch. There is also a photocopy of the published but unauthorized French version of Otra vez el mar, translated by Gérard Pina as Encore une fois la mer, with notes and holograph corrections by Arenas.

This subseries consists of Fagles's translation files for his early works, primarily his drafts, revisions, correspondence, and notes for translations of the Complete Poems of Bacchylides, published by Yale University Press in 1961, and Pindar's Olympian Odes, published in installments in the literary journal Arion in 1964 and 1965. Also present toward the end of the subseries are a few files regarding Fagles's other early contributions to various anthologies and literary journals, including his work on the Twickenham Edition of Alexander Pope's translations of Homer, which he co-edited with Maynard Mack and others, Homer: A Collection of Critical Essays, which he co-edited with George Steiner, as well as a review of Howard Baker's book Persephone's Cave that appeared in The Southern Review. These latter files largely consist of correspondence and royalty statements.

This subseries contains contact sheets and black-and-white negatives, with interspersed 8x10" prints, portraying prominent Princeton residents and visitors. Correspondence pertaining to later use of prints, Xerox copies of prints and contact sheets, and CD-ROMs are also occasionally present.

This series consists primarily of contact sheets, approximately 3600 black-and-white negatives, and photographic prints in various sizes, portraying notable Princeton professors, visiting scholars, politicians, scientists, artists, and musicians, mostly during the late 1950s through the early 1970s, though some were taken later. While some photographs pertain to assignments for the Princeton Packet, where Steltzer worked, many were shot independently in her studio on Tulane Street, often for passport photos. Steltzer's subjects include such diverse characters as J. Robert Oppenheimer and his family, Adlai Stevenson, Igor Stravinsky, George McGovern, Bob Dylan, Roger Sessions, Richard Rorty, Arthur Schlesinger, Jr., Benny Goodman, Paul Dirac, and David Lilienthal. Correspondence pertaining to later usage of prints, Xerox copies of prints and contact sheets, and CD-ROMs are also occasionally included with photographic materials. Though 8x10" prints are frequently interleaved with matching contact sheets and negatives, a group of oversize mounted prints, 16x20" and smaller, is also present in this series.

Includes a 2007 letter pertaining to publication of photographs in a school textbook.