Louise Dorothee (Dollie) Dyte Chareau (1880-1967) was the wife of the architect Pierre Chareau (1883-1950), who is best known for the Maison de Verre, which was built from 1927 to 1932 in Paris. This collection consists mainly of correspondence between Harold Rubinstein (1891-1975) and Dollie Chareau, and between Michael Rubenstein (1920-2001) and Pierre Chareau scholars, including Marc Vellay, Margaret Antalopoulos, and Margaret Tallet.

The Alumni Council was formed in 1909 as the Graduate Council to provide leadership for alumni activity. Consists of recordings -- mostly audiocassettes, compact discs and VHS tapes -- of lecture courses from the Class of 1942 seminars and other Alumni Studies courses, as well as a small amount of printed material to supplement the lectures.

The Princeton Nassoons are a close-harmony, all male, student a cappella group that formed in the late 1930s. The collection consists primarily of the Princeton Nassoons' original musical arrangements and correspondence.

Contact sheets, negatives, prints, notebooks, research files, manuscripts, and correspondence of Ulli Steltzer, a German-born photographer residing in the United States and Canada since 1953. Materials relate to a number of published and unpublished photography projects spanning Steltzer's career from 1957 until 2008, including her portraits of prominent Princeton intellectuals and her wide-ranging documentary work, featuring American Indian artists of the Pacific Northwest, black communities in the American South, social conditions for migrant laborers and immigrants throughout the United States, and many other rural and tribal communities throughout the Americas and Asia.

Gillett Good Griffin, a curator of Pre-Columbian collections at the Princeton University Art Museum from 1967 to 2005, spurred dynamic growth in the museum's collections of art of the ancient Americas. The Gillett G. Griffin Papers reflect Griffin's personal life and relationships as well as his professional work and his donation of objects to the Princeton University Art Museum.

Consists of the correspondence of Russian poet, translator, and writer Anatoly Naiman (1936-2022) along with some writings, photographs, personal documents, and clippings. Other individuals represented in the collection include Anna Ahkamatova, Joseph Brodsky, Sergei Dovlatov, Lidia Chukovskaya, Evgenii Rein, and Dmitrii Bobyshev.

The Project on Ethnic Relations (PER) was a not-for-profit organization based in Princeton, NJ concerned with the course of interethnic conflicts during the post-communist transitions in Central and Eastern Europe, Russia and former Soviet Union, and the Balkans following 1989 and extending into the 21st century. The collection consists of paper and digital reports and records of consultations, meetings, roundtables (and discussions and preparations for roundtables), and correspondence with leaders of political parties and representatives of governments and international organizations.

Eugene Bird (1925-) is a retired Foreign Service Officer who served primarily in the Middle East. During Eugene Bird's tenure with the State Department, he and his family lived in Jerusalem, Beirut, Cairo, Bombay, New Delhi, and the Saudi Arabian cities of Jeddah and Dhahran. His wife, Jerine "Jerri" Bird (1926-2012), was an activist who started the nonprofit organization Partners for Peace, which sponsored speaking tours by Israeli and Palestinian women throughout the United States. The collection contains Eugene and Jerine Bird's personal and professional correspondence, subject files on the Middle East, and writings, especially pertaining to Jerine Bird's unpublished manuscript on Saudi Arabian women.

Ricardo Piglia was an Argentine author and professor emeritus of the Department of Spanish and Portuguese Languages and Cultures at Princeton University. His papers contain handwritten and typewritten drafts of his writings, diaries and journals, notebooks, loose handwritten research notes, teaching files, correspondence, personal photographs, and born-digital materials.

Correspondence, personal and business files, publicity materials, drafts, photography props, teaching materials, appointment books, and memorabilia of Ruth Bernhard (1905-2006), a German-born American photographer and teacher, active in the United States from the late 1920s through the early 2000s, best known for her complex black-and-white still lifes and classical photographs of the female nude. The papers contain professional correspondence and files, personal correspondence with friends and students, a small amount of photographic work and writings, some drafts and proofs for publications, publicity folios, exhibition catalogs and announcements, posters, props used for still life photography and teaching, planners, and a large collection of memorabilia, including snapshots of Bernhard, collected fine art photographs and artwork by others, photograph albums, gifts, personal effects, awards, and some audio and visual materials.