Consists of approximately 110 letters by Louis O. Coxe (Princeton Class of 1940) to his former classmate, fellow poet, and friend William Meredith, primarily during the 1940s and 1970s.

Consists primarily of letters by British novelist and poet Walter De la Mare to Olive C. Jones, his secretary during the 1930s and, later, editor of Methuen's children's books.

Consists of 42 letters by novelist Booth Tarkington to Mildred and Madeleine Burrage, friends that he and his wife made in Kennebunkport, Maine.

Consists of an open collection of photographs depicting Greek antiquities, portraits, and landscapes by Karl Eller.

Consists of photographs (ca. 1944-1946) of Greece and Greek partisans taken by classical scholar Moses Hadas.

Consists of correspondence and miscellaneous materials related to Walter Kauzmann's work on the Manhattan Project and his career as a professor of chemistry at Princeton University.

Consists of selected correspondence of Douglas Goldring, English writer and journalist.

Consists of selected letters by M. F. K. Fisher, a prolific writer of books dealing with food and the culture of cuisine.

Consists, primarily, of a life-long series of correspondence between Carter Godwin Woodson, founder of the Association for the Study of Negro Life and History, and Charles H. Wesley, African-American historian and college president.

Consists of selected files from the offices of Farrar & Rinehart, Inc., New York City publishers.

The collection consists of letters by American educator and playwright Louis Ellsworth Laflin (Princeton Class of 1924) to George R. Kernodle (a friend from Yale Drama School), written over thirty-three years. Also included are Laflin's notes and papers on Asian/Indian, Egyptian, and Greek drama, copies of six plays written by him, and copies of two essays on the founding and history of Princeton's Theatre Intime.

Julia Marlowe (1866-1950), who was also known as Sarah Frances Frost, was an American actress and Shakespearean performer. Her collection consists chiefly of letters to Ida Rissland Perscheid. Also included are photographs of both Marlowe and her husband, E. H. Sothern, articles by and about them, memorabilia, and scrapbooks of newspaper clippings.

Consists of correspondence, photographs, scrapbooks, memorabilia, and newspaper clippings of set designer John Koenig's life.

The Office of Communications is Princeton University's administrative department with oversight of media relations and publicity, official publications, web site design and development, and photographic services. The Office of Communications Records consist of subject files and photographs created by the office, some going back to the 1920s, when the first Director of Public Relations was appointed.

The material in this collection pertains not only to an individual, Richard Schechner, but also to TDR, The Drama Review, a scholarly journal concerned with the broad range of performance in society and in the arts. Schechner, a renowned scholar, director, writer, and educator, edited The Drama Review from 1962-1969 and again from 1986 to the present date. Particularly in the 1960s, and again in the 1990s, both Schechner and TDR challenged traditional, prevailing ideas about theater-what it is, how it should be presented, and the ritual and ideals behind it. Schechner argued for thinking of "performance" as an all-encompassing genre with "theater" as one of its sub-categories. He is widely recognized as the founder of "performance studies" as an academic discipline. In the process of working out what performance studies is, Schechner and his colleagues at New York University created new ideas and new ways of thinking that still affect today's world of performance, theater, dance, and the social sciences. As "the journal of performance studies," TDR did much to shape the new discipline.

The collection consists of documents, correspondence, photographs, and other papers of William Courtenay (1832-1901), an English settler, veteran of the American Civil War, and frontier businessman who held positions in the United States Department of the Interior as postmaster, clerk, and Indian Agent at Fort Berthold, Dakota Territory, from 1874 to 1882. These materials document conditions at the Fort Berthold Indian Reservation and are of particular interest for their documentation of frontier transactions, corruption and mismanagement within the reservation system, and the relationships between the people of the Three Affiliated Tribes (Mandan, Hidatsa, and Arikara), the Sioux people, and white settlers.

Consists of some undergraduate and graduate papers of James Creese (Princeton Class of 1918), as well as papers from his tenures as successive presidents of the Stevens and Drexel Institutues of Technology.

Eugene O'Neill, the celebrated American playwright, was a director of the Provincetown Players and a founder of the Theatre Guild. He won the Pulitzer Prize for Strange Interlude (1928) and, posthumously, for Long Day's Journey Into Night (1956). The collection consists of fifteen manuscripts of O'Neill, most of which are first drafts of plays and include preliminary notes.

Consists of works, correspondence, a diary (1851), financial papers, biographical material, a bibliography, and printed matter of American Presbyterian clergyman and Confederate chaplain John Miller (Princeton Class of 1836).

The collection consists of twenty-four audiocassette recorded interviews conducted by Thomas Colchie (Princeton University alumnus, Class of 1964) of or about Brazilian writer Jorge Amado. Recordings include interviews with Jorge Amado and other writers and artists speaking about Amado. Also includes photocopy documents about Amado's political involvement as an elected representative in Brazil's National Constituent Assembly from 1945-1947, and photocopy documents of Brazil's National Intelligence Service (SNI) file on Amado.