Consists primarily of the issue and correspondence files of the independent literary journal of the same name that was founded in 1943 by Warren Carrier, and co-edited and published from 1944-1999 by the husband and wife team of poet and former Princeton professor Theodore (Ted) and editor and author Renée Weiss. Also present in the collection are manuscripts of, and associated material from, eleven of Theodore Weiss's thirteen published books of poetry.

Mary Mapes Dodge was an author and editor of St. Nicholas magazine. This collection contains manuscripts, correspondence, financial records, and photographs of Mary Mapes Dodge, as well as an unfinished biography of her by Spencer Mapes.

Donald Worner Griffin was a member of the Princeton class of 1923. Griffin was recognized frequently by University administration as being instrumental in revitalizing alumni ties in the years after World War II, as well as helping shape the modern state of Princeton alumni relations. Consists of the personal correspondence and clippings of Donald Worner Griffin.

The Performing Arts Serials Collection consists of serial printed material concerning the performing arts, including circus, dance, film, opera, radio, speech, television, theater, and vaudeville. For the most part, publications are represented by a sample or two issues.

Consists of playbills of New York City theaters from the late 19th century to the present day.

The Theater Photographs Collection contains still photographs of American actors and actresses as well as scenes from plays and includes clippings and printed matter.

The collection integrates numerous accessions of English artist and caricaturist George Cruikshank material, including large amounts of correspondence as well as original drawings and sketches.

The Papers of Edward Mead Earle (1894-1954) document the career of Earle, a specialist in the role of the military in foreign relations. He was a university lecturer, author, and consultant to various departments of the U.S. government. The papers reflect Earle's work as a professor at the School of Economics and Politics at the Institute for Advanced Study, Princeton, New Jersey. The collection emphasizes Earle's major work of establishing a seminar designed to research issues associated with military and foreign policies of the United States during World War II. It also highlights a number of other professional activities during his time at the Institute.

Taos Pueblo lost thousands of acres of land as well as Taos Lake, a sacred Pueblo shrine, when Carson National Forest was created in 1906. After a sixty-four year fight, the government returned the land to the Pueblo. This collection brings together four discrete collections: the papers of Barbara Greene Kilberg, a White House Presidential Fellow at the time of the dispute; the papers of Corinne Locker, secretary to Association on American Indian Affairs (AAIA) president Oliver LaFarge (1901-1963) and later AAIA Southwest Field Secretary; the papers of Rufus G. Poole, regional attorney for the AAIA in New Mexico, and the papers of William G. Schaab, an Albuquerque attorney who became involved in the fight in 1967.

Peyton Houston (Princeton Class of 1932) worked with the New York investment company Equity Corporation for forty years, while pursuing a career in poetry and freelance writing on the side. His papers include some of his poetry notebooks and drafts and manuscripts of his published works. The collection also contains his correspondence with family and friends, writers and publishers, and photocopied correspondence with Peter Yates. Some drafts of Yates' work and some personal memorabilia of Houston's complete the collection.

Consists of the extant papers of James Ramsey Ullman (Princeton Class of 1929), American novelist, theatrical producer, world traveler, and mountain climber. Included are manuscripts of most of his major works, many shorter works, correspondence, and subject files.

The Dance Subject Files consist of dance-related subject files from early 20th century through 1980s. Among the material are clippings, photos, programs, promotional materials, and dance school brochures.

Form was an international magazine focused on concrete poetry and kinetic art. Three Cambridge-educated academics, Philip Steadman, Mike Weaver, and Stephen Bann, edited the magazine and produced ten issues from 1966 to 1969. The collection includes extensive correspondence between editors, subscribers, and contributors, along with editorial, financial, and administrative files spanning the entire existence of the magazine.

This collection consists of correspondence of the New York City literary agency Harold Ober Associates, Inc. and its three London affiliates. Established by Harold Ober (1881-1959) in the 1920s, the agency quickly grew in size and reputation, and has been considered one of the leading representatives for American and British writers in the world. The correspondence includes letters between the agency or affiliates and clients, editors, publishers, and other agents. Also included are other organizational files, such as date books and financial ledgers.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

Consists of selected papers of several members of the Dayton family of Elizabeth, N.J., including Jonathan Dayton (Princeton Class of 1776) and his father, Elias Dayton.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

The Office of the Registrar is the administrative office of Princeton University responsible for the collection and maintenance of the academic records of the student body, as well as the establishment of course and examination schedules and the collection of fees related to matriculation and registration. The records contain the academic records of individual students, subject files on topics related to admissions and matriculation, statistical reports, and other official documents issued by the Office of the Registrar.

Consists of files (clippings, programs, books, caricatures, etc.) on people involved in theater, from the mid-19th century through the late 1980s, including actors, dramatists, directors, scholars, and designers.

Consists of correspondence and business papers of the Derrydale Press, from its foundation in 1926 by Eugene V. Connett III (Princeton Class of 1912) through its liquidation in 1942. There is also a great deal of correspondence by Connett and his staff concerning the acquisition and editing of manuscripts, sales, and distribution, and promotion of the books.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

The Reinaldo Arenas Papers consists of typescripts and manuscripts of novels and novellas, short stories, plays and screenplays, poetry, nonfiction, correspondence, and miscellaneous and printed material.

This artificial collection consists of one thousand original drawings, including a significant number by Charles Lewis Bartholomew, Otho Cushing, Homer C. Davenport, John Tinney McCutcheon, and Frank Arthur Nankivell.

Louis Adamic was an author deeply concerned with American immigrants and their experiences in the "melting pot." This collection consists of papers of Adamic, including manuscripts of his books, short stories, articles, and lectures, as well as sketches, paste-ups, and proofs of Adamic's own journal T & T. Also included are correspondence, subject files, and works of other writers.

Consists of selected papers of Chilean novelist Mauricio Wacquez.

Bernardo Canal Jeijóo was a lawyer and poet in Argentina during the twentieth century. His correspondence consists of letters with other writers and artists about both the arts and everyday life.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

Consists of extensive writings -- novels, plays, short stories, articles, film scenarios, radio scripts -- and correspondence of "The Gentleman from Indiana" Booth Tarkington, noted American author and winner of the Pulitzer Prize.

The David Lloyd Agency Records on Pearl S. Buck Collection consists of correspondence, publication and translation rights, financial records, and other publishing-related material collected by the David Lloyd Agency regarding their client, the American novelist Pearl S. Buck.

The Historical Photograph Collection: Individuals series consists of photographs of faculty, administration, trustees, staff, students, and notable visitors to Princeton University.

The F. Wallis Armstrong Collection of Christopher Morley consists of writings and assorted miscellanea of the American poet, essayist, and novelist Christopher Morley (1890-1957) collected by the American engineer Francis Wallis Armstrong (1907-1956).

The collection consists of editorial correspondence and some business material of the American publisher.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

Princeton University's Dean of the Faculty is the senior administrator responsible for the quality and well-being of the faculty and professional staff of the university. The collection consists of personnel files for nearly every individual at one time employed as a member of Princeton University's faculty or professional staff.

Consists of approximately 500 miscellaneous letters relating to the Alexander family of Princeton, N.J., including autograph letters collected by them.

This collection consists of correspondence of editor and essayist Laurence Hutton, reflecting a wide acquaintance among artistic, literary, and theatrical celebrities of the last quarter of the 19th century. In addition, the collection contains occasional manuscripts of some of the correspondents, miscellaneous autographs and clippings, and printed material.

This collection contains broadside playbills from the United States, England, and Europe.

The Geographical Playbills Collection consists chiefly of playbills from the United States, but Great Britain, Canada, Bermuda, France, Germany, and Japan are also represented. Although this is a collection of playbills, there are also some letters, documents, printed matter, newspaper clippings, and miscellaneous material.

Marc Gaede (1946- ) is an American photographer, environmental activist, and teacher based in California. The collection consists of Gaede's black-and-white photographs of the American West and Southwest, correspondence, contracts, and other working files primarily related to his books on photography, archaeology, and conservation, and a large group of working files, which include audiovisual and digital materials, for a biography project Gaede collaborated on with Hunkpapa Lakota Sioux activist Robert Sundance (1927-1993).

The Laurence Hutton Photograph Albums consists of several hundred photographs and numerous portraits of prominent 19th-century artists and literary, political, and historical figures, compiled by editor and essayist Laurence Hutton.

consists of scrapbooks of publicity photographs of American motion-picture actors and actresses, mainly of the 1930s and 1940s, collected by Mrs. A. M. Yeandle.

The Abbott Family Collection consists of correspondence, poetry, documents, and miscellanea of the Abbott family of New Jersey.

Contains writings and correspondence of and relating to Samuel Miller, a nineteenth-century American Presbyterian clergyman and author.

This collection consists of offprints of articles written by Princeton alumni and faculty; however, in some instances the articles are written about an individual alumni or faculty member. The offprints generally consist of journals, published articles, speeches, lectures, sermons, memorials, and articles from scientific journals and magazines.

The Sara Enright Papers consists of papers relating to Enright's role as theatrical agent to performers, many of whom were and are well-known, as well as to aspiring actors and actresses. The collection includes legal contracts (originals and carbons), correspondence of Enright, miscellaneous material containing commission receipts, and playbills.

Max Gordon (1892-1978) was an American theatrical producer. His collection contains personal correspondence with theater and film notables spanning the years 1942-1971. Also included are production materials, such as correspondence, contracts, summaries of earnings, financial sheets, and miscellaneous notes of plays Gordon produced, including Born Yesterday, The Solid Gold Cadillac, My Sister Eileen, and the film, Abe Lincoln in Illinois, as well as letters and script reports relating to Columbia Pictures.

The collection consists of letters addressed to McKenzie, a Boston clergyman, and his son Kenneth (1870-1949), an educator, from a variety of prominent persons in the late 1800s and early 1900s.