JPC069. Two French press photos of Emperor Hirohito during the visit of President Mitterand to Japan. Described on back.

Photograph of Saer as a young man in Santa Fe, Argentina removed to Series 2: Photographs, Box 13, Folder 9.

Consists of letters from Edward M. Kennedy; the Office of the Representative of the Turkish Federated State of Cyprus; the Hellenic Foundation for European and Foreign Policy signed by Thanos Veremis; a letter to the Secretary General of the United Nations signed by Metropolitan Paulos of Kyrenia; and a copy of a letter signed by the Bishop of the Morphou Diocese. There is also a press release regarding Senator Edward Kennedy's call for new action on Cyprus.

This series of materials contains notebooks that Stuart Mills kept through his career, beginning in the 1950s as an art student at Birmingham College of Art. Dating through to the 2000s, the notebooks also include a scrapbook with clippings of the Hertford Exhibition where Mills was an exhibiting artist, and a scrapbook of ephemera related to Trent Book Shop, Tarasque, and the Bux Gallery. The bulk of the materials are from the 1960s, when Mills' first began experimenting with poetry.

This series of materials consists primarily of drafts of Mills' poetry and prose, as well as essay drafts, autobiographical pieces, short stories, reflections, a radio play script, fragments, notes, lists, and numerous drafts of correspondence. Some of these draft letters were addressed to Peter Quartermaine, Robin Crozier, Alan Halsey, Adrian Mitchell, Marjorie Perlof, Jonathan Williams, and Pia Simig, among several others. A small portion of the notes and fragments pertain to novel ideas that Mills was developing and researching. The essays pertain to the works of poets and artists (e.g. Ian Hamilton Finlay, Roy Fisher, David Prentice, and Peter Berry), as well as broader topics, such as the "world of little magazines." Additional materials pertaining to Mills' writing include mockups and layouts of works such as poetry booklets and maquettes, but most significantly the board mockups of "30 Signatures to Silver Catches" by Ian Hamilton Finlay, Margot Sandeman, and Stuart Mills, which Tarasque Press printed in 1971 and also likely put on exhibition. To a lesser extent, the series also contains drawings, paintings, and collages; a small amount of teaching notes; and material related to to Tarasque, Aggie Weston's, and Poet's Poems. Mills' drawing of the Tarasque bird that became the magazine's front cover design is in this series. Some of these publications-related materials include catalogue lists, a note to subscribers, and planning notes.

Contiene varios recortes con textos de y sobre Salvador Novo.

Esta serie consiste en recortes con textos de y sobre Salvador Novo, un par de separatas, un folleto, tarjetas, invitaciones y tres fotografías de Novo y Carlos I. Guajardo.

La colección consiste principalmente en correspondencia sostenida entre Salvador Novo y Carlos I. Guajardo. También se incluyen poemas, guiones teatrales, conferencias, recortes, separatas, tarjetas, invitaciones y algunas fotografías.

Consists of letters from American poet Galway Kinnell (1927-2014) to English artist Anne Buchanan Crosby (b.1929), together with several annotated poetry typescripts and manuscripts authored by Kinnell.

Consists of William Addison Price's prints, contact sheets, and negatives of U. S. Route 40 and related ephemera.