Drawings:

The Philip James Bailey Collection consists of correspondence, clippings, and miscellanea of the English poet Philip James Bailey (1816-1902).

A typescript of an unpublished book, Randolph Edmond's "definitive history of the Negro in the theatre." In the brief Acknowledgements section, Edmonds references a grant-in-aid by a Research Committee at Florida A College where he was teaching. A Forward was to have been written by Allardyce Nicoll, then a Professor of the History of Drama at the University of Birmingham in England. Some of the chapters include, "White Playwrights and Negro Characters," "White Actors in Blackface," "The Negroes Own Efforts," "Negro Stereotypes," "Negro Bands and Jazz," "The Negro Little Theatre Movement," and other chapters on radio, motion pictures, and music and dance in theatre.

Consists of 32 silver prints of Haitians just after the Haitian Revolution of 1946 and into the 1950s. The photographs include images of agricultural and artisanal work, marketplaces, and the streets of Port-au-Prince during the Mardi Gras Carnival. Many of the photographs include captions that document the subject matter and location of the image.

4 TLsS, 3 Cs (in German) to Robert A. Koch., 24 August 1946 - January 1953. AM 19153

Ski trip to the Swiss Alps with Paul Scherrer and family, and unknown female companion.

Contains notes and photocopies of clippings.

Includes photocopies of non-email correspondence as well as newspaper clippings, articles, brochures, and other printed resources, partly found among materials held at the Seeley G. Mudd Manuscript Library.

Brooke R. Stoddard, Class of 2005 is a member of the University Press Club (UPC), who wrote a senior thesis about the history of the UPC in 2005. The collection contains correspondence and interviews with Princeton UPC alumni that Stoddard used for his research, as well as copies of clippings and printed materials.

The Personal Files series includes biographical and autobiographical information about Cleveland, bibliographies of his writings, correspondence he received on his 70th birthday from colleagues which highlight his importance to his fields, and photographs from throughout his career.

Notes by P. L. Travers on fairy tales, myth, and other subjects.

Photographs from the middle period of P. L. Travers' life. Subjects include: photographs of Gallup, New Mexico and the Southwestern US; Camillus with a Native American family; Biddy Moriarty; Sri Madhava Ashish; an unidentified female child; Pound Cottage; P. L. Travers with a dog; Madge Burnand; a bulldog.

Includes a printed copy of Dekavalles' "Three Poems to the Master-Builder"; biographic data on Dekavalles; reviews on Dekavalles' book Okeanides by Modern Greek poets; clippings of Greek and English newspapers; a printed copy of an interview given by Dekavalles to M. Keyishian "Joints, Ships, Ransoms" adopted from an interview that originally appeared in The Literary Review.

Includes typescript drafts of Doukarēs' poems translated into English by Friar with his autograph corrections; typescripts of the Greek versions of the poems; typescript of "Credo" both in English and in Greek; an holograph note by Doukarēs relating to his exile in the island of Makronēsos, Greece; photocopies of printed articles on Doukarēs' poetry published in several Greek literary magazines.

This series is primarily composed of drafts, research files, and other materials pertaining to Hughes's published and unpublished works. To a lesser extent, it documents Hughes's work as a political advisor and speechwriter for Governor Nelson Rockefeller's 1968 presidential bid.

This collection consists of works, lecture note cards, correspondence, an audio tape, and printed matter of American journalist and publicist Glen C. H. Perry (Princeton Class of 1926).

Consists of the personal and business correspondence, writings and drafts, promotional material, newspaper clippings, photographs, and sketches of the artist, Hedi Bak.

Autograph manuscript. Together with typescript copy and 1 ALS from Skues to Kienbusch.

Miscellaneous material concerning fishing. Contains typescript (16 pp.), 1 galley; 1 folder with approximately 30 letters to Kienbusch, all dated 1946; 5 printed pamphlets entitled Fresh-water fishing: fifty books and other material tracing its development: an exhibition in the Treasure Room of the Princeton University Library, May-June 1946.

Miscellaneous papers in slipcase. Includes "Biographical details," autograph manuscript by Skues (30 leaves); "Ernest Locks Method of Tying up Winged Duns," signed autograph manuscript by Skues (5 pp.); typescript copies; letters; poems; notes; clippings, etc. Also includes hand-stitched coat-of-arms on cloth with phrase "Manners makyth man".

Autograph manuscript draft for the first act of the play, in Irish, 15 pages.

Autograph manuscript draft, [Mountjoy], in Irish, 31 pages; stapled with two letters in Irish to Ernest Blythe, the Managing Director of the Abbey Theatre, one dated Mountjoy, May 18, 1946, the other Cell 8, the Curragh [Camp], June 6, 1946, 2 pages each.

Dehumanizing and harmful descriptions using racist, colonialist, and sexist language were used to describe many of the items in this collection. In some cases, descriptions were creator-supplied or generated from transcriptions of captions on the photographs. In other cases, in which photographs lacked any identifying information, descriptions were created by an archivist. These items are identified in the description with the note, "Cataloger supplied title." However, the collection is a candidate for ongoing reparative description work. We hope that researchers will engage in a dialogue with staff about issues in the collection and changes that could help.

Dehumanizing and harmful descriptions using racist, colonialist, and sexist language were used to describe many of the items in this collection. In some cases, descriptions were creator-supplied or generated from transcriptions of captions on the photographs. In other cases, in which photographs lacked any identifying information, descriptions were created by an archivist. These items are identified in the description with the note, "Cataloger supplied title." However, the collection is a candidate for ongoing reparative description work. We hope that researchers will engage in a dialogue with staff about issues in the collection and changes that could help.

Dehumanizing and harmful descriptions using racist, colonialist, and sexist language were used to describe many of the items in this collection. In some cases, descriptions were creator-supplied or generated from transcriptions of captions on the photographs. In other cases, in which photographs lacked any identifying information, descriptions were created by an archivist. These items are identified in the description with the note, "Cataloger supplied title." However, the collection is a candidate for ongoing reparative description work. We hope that researchers will engage in a dialogue with staff about issues in the collection and changes that could help.

This series is a collection of articles, essays, catalog texts, papers, dissertations, and book drafts written either by Segal (usually on the work of others) or on Segal by noted critics, art historians or people otherwise interested in his work.

Meyer Shapiro, Phyllis Tuchman, Sophía Imber, Michael Brenson.

Organized by genre and suggested age range, with a variety of full-color and black and white illustrations. Advertising many books about animals, including "Lassie Come-Home" by Eric Knight and a full page on the "famous dog stories" of Jack O'Brien.

Advertising materials from a variety of retailers that feature products for children.

Advertising material, mostly catalogs, from publishers and sellers of children's books, toys and educational products.

White and round with orange rim; with "Alumni P-Rade 1946" in brown.

Penn mascot standing on tiger.

From November 2, 1946 Princeton-Penn game.

Image number: 4045. Folder or item number: 11.

Image number: 6056. Folder or item number: 12.

Image number: 6055. Folder or item number: 11.

This folder contains an undated photograph and an architectural rendering of the Herbert Lowell Dillon Gymnasium.

This folder contains photoraphs and photography contact sheets of the Forrestal Campus before and after its 1951 dedication. Included are photographs of the Rockefeller Medical Center grounds on which the Forrestal Campus was built, buildings in which Project Matterhorn experiments were conducted, the construction of the Forrestal Campus, the dedication of the Forrestal Campus, the Plasma Physics Laboratory, the external proton beam building, the Princeton-Penn Accelerator, the chemical kinetics section, and an architectural rendering of the Tokamak Fusion Test Reactor (TFTR). Also included are photographs of the Cyclotron running schedule in Jadwin Hall and the Biochemical Sciences Laboratory (Hoyt). Photographs of the following individuals are included: Queen Elizabeth II (?), a bust of Secretary of Defense James Forrestal, Secretary of Defense Robert Lovett, Lewis Strauss, Peter Forrestal, Michael Forrestal, Dodds, Governor Alfred Driscoll, Assistant Secretary of Energy Robert D. Thorne, and Tokamak Fusion Test Reactor Project Manarger Paul J. Reardon.

The photographs in this folder focus mainly on Einstein at the Institute of Advanced Studies in Princeton, as well as other physicists at IAS. Included are photographs of the grounds of IAS, mainly Fuld Hall. The images of Einstein range from his youth to the age of 72. There are photographs of Einstein's daily life and a photograph of his desk (Einstein's Desk) and Einstein on a bicycle. Also included are the image of Einstein and David Ben-Gurion on the Einsteins' lawn in Princeton, as well as a photograph of Einstein on a bike in front of his home in Santa Barbara. Other physicists in these photographs include: David Ben Gurian,Arnold Toynbee, Gerald Clemence, Eugene Wigner, Kurt Godel, Rudolf Ladenberg, Niels Bohr, J. Robert Oppenheimer, Freeman Dyson, and Nobel Laureates Tsung Dao Lee and Chen Ning Yang.

The Association of Hiroshima University for Sending Atomic-bombed Roof Tiles distributes the tiles in an effort to perpetuate awareness of the bombings of Hiroshima and Nagasaki and to oppose the use and proliferation of nuclear weapons. The collection includes seven atomic-bombed roof tiles; photographs of the location where the roof tiles were recovered; booklets and pamphlets on the bombings of Hiroshima and Nagasaki; and information and correspondence from Hiroshima University.

This folder contains photographs of victims of the atomic bomb.

These folders contain undated letters that were later identified and given approximate dates. Folder 1 contains the following groupings: seventeen letters, circa 1945-1949 (all letters beginning with "Chère Violette Leduc"); twenty-three "rendez-vous" Letters, circa 1949-1971 (beginning "Chère Violette" and "Ma chère Violette"), which are short letters making appointments to meet at cafes or at Beauvoir's home; and two undated letters. Folder 2 contains a letter from Gary, Indiana (circa August 11th, 1950) discussing Nelson Algren's new house in Michigan; a letter from Norway (circa July 1951); two letters about Ravages (May 1954); a letter from England (circa 1959) mentioning "Coriolan;" a letter and prière d'insérer (circa 1960) related to Leduc's Tresors à Prendre; a letter from Cuba (circa March 4, 1960); four letters (circa 1964) about La Batarde ; one letter (circa 1965) with a title suggestion for La Femme au (petit) renard; thirteen letters from Italy (circa 1952-1963); and thirteen letters to Faucon (circa 1961-1972).

Most correspondence is undated, but in many cases, dates can be found on envelopes.

Consists of nearly 300 letters from Simone de Beauvoir to Violette Leduc documenting their literary friendship spanning four decades, along with 23 notebooks containing manuscript drafts of Leduc's autobiography, La Bâtarde (1964).

Includes obituaries, memorials, newspaper clippings, issue of the Princeton Alumni Weekly, vol. XXIII. no. 24 (1923), and four copies of Erwin Panofksy's printed biography.

Includes official department portraits and photographs of Morey using the Index of Christian Art and at art gallery shows. Also includes photographs of Charles Rufus Morey at cultural events and meetings in Rome, Italy, including at the American Embassy in Rome.

Contains miscellaneous photographic material including negatives and prints, some mounted, most reproduced from publications or assemblages of original shots, most unlabeled but encompassing trips to the Middle East, Syria, Turkey, Jordan and objects in European museum collections.