The 2015 accession comprises an additional 12.4 linear feet of research, draft, and publishing materials related to Bell's works, The Year of Silence, Behind the Moon, Devil's Dream, The Color of Night, Soldier's Joy, Charm City, Red Stick, Zig Zag Wanderer, Lavoisier in the Year One, Soul in a Bottle, and Toussaint Before the Spirits, as well as additional correspondence from 2002 to 2011 and subject files from 1995 to 2014.
These files consist of materials pertaining to Yurkievich's scholarly investigations, which he organized by subject. Subjects include authors, artists, and large projects. A single file may include any number of items, such as drafts of manuscripts, notes, photocopies, conference programs, correspondence, and ephemera.
Consists of incoming correspondence. There are also handwritten poems by Korphēs, a typescript titled "Karaiskou 54. Dōdeka vinietes apo hena erēmo spiti", a short biographical note, and a printed title page of the book Hē hōraia Sachrazat inscribed by the author K. Trikoglidēs to Lapathiōtes dated 1921, and photocopies of newspaper clippings.
This subseries consists of collected essays, articles, and fragmentary manuscripts. Folders are arranged in their original order. They include handwritten or typed notes or drafts bearing titles that correspond to chapter or section headings in some of Velikovsky's books.
This subseries is primarily arranged in alphabetical order by last name; however, in a few instances, the folders are arranged by subject. Some folders also include photographs, clippings and printed material.
Consists of correspondence, printed material and proposals between Velikovsky and several radio and television stations. Material is arranged, primarily, in alphabetical order by the name of the radio or television station, and in a few instances by an individual's last name.
This series includes over 200 photographs and negatives. Some were taken by NASA from different space missions, others were of Ancient Egyptian tombs and murals, all used by Velikovsky to reinforce his findings.
This series consists of additional manuscripts and correspondence of Velikovsky, in addition to condolence letters to his wife on the occasion of his death in 1979. Languages include Hebrew, German, and English.
Consists primarily of correspondence from family, friends, and colleagues of Millard during his academic and professional career. Also includes personal letters, exhibition invitations, and purchase inquiries documenting his relationships with artists like Anthony Caro, Helen Frankenthaler, Carl Chiarenza, Jules Olitski, Kenneth Noland and others. Additional correspondents include Princeton University Professor of American Art and Architecture Donald D. Egbert; Lawrence Morton, former music curator for the Los Angeles County Museum of Art and artistic director of the Ojai Festival; and writer Allan Gurganus.
This series consists of correspondence and manuscripts. This series is organized alphabetically by author; Box 6 contains correspondence and printed catalogues about the collection, with much of the material concerning the book collection.
This series consists of correspondence received by Bianco. The major correspondents are Mexican writers Elena Garro and Octavio Paz, and Argentine writers Silvina Ocampo and Victoria Ocampo. Other correspondents include Julio Cortázar, Juan Gustavo Cobo Borda, César Fernández Moreno, Juan García Ponce, Jorge Guillén, Eduardo Mallea, Ezequiel Martínez Estrada, Adrienne Monnier, Daniel Moyano, Maurice Saillet, Alejandro Rossi, Ernesto Sábato, Eduardo Schiaffino, Virgilio Piñera, and Gabriel Zaid. There is also one letter by André Gide to Guillermo de Torre. This series is organized first by major and minor correspondents, with the letters of Garro, the Ocampo sisters, and Paz housed in individual folders arranged alphabetically. The remaining correspondents are grouped in collective folders and arranged alphabetically by correspondent, with the exception of the Gide letter to de Torre which is housed in an individual folder at the end of the series. See also series V. Additional Correspondence for further letters.
This series consists of additional correspondence by Josefina Atucha de Llavallol ["Tota"], Joseph Lanza del Vasto, Virgilio Piñera, and Eduardo Schiaffino. There are also two letters by Bianco to Juan José Hernández. This series is organized alphabetically by correspondent. See also series II. Correspondence for the bulk of the letters.