Series 1: Robert L. Geddes, 1966-1989 contains the files of Robert L. Geddes during most of his tenture as Dean of the School of Architecture and Urban Planning. The files do not contain any records from the last few years of Geddes' term, 1979-1982.

Series 1 documents the activities of the Office. Materials include files for the tenure of Dean Robert Russell Wicks (1928-1947), Assistant Deans of the Chapel Laurence Fenninger (1930-1946), Burton MacLean (1946-1948), H. Keith Beebe (1949-1954), Wiley Crites (1954-1959), material for Richard Stillwell's history, "The Chapel of Princeton University" (Princeton University Press, 1971), minutes of the Chapel Congregation and Chapel Council (1938-1951), files relating to the Chapel organ reconstruction (1975-1992), historical subject files, and marriage, birth, baptism, and death registers beginning in 1952.

Series 3 consists of programs of concerts and services held at the Chapel or sponsored by the Chapel. In 2009, the Office of Religious Life began to transfer these programs to the archives on an annual basis at the end of the academic year. The series includes programs for the annual summer carillon concerts.

Series 1: Undergraduate Student Government Records consists of the records and publications of the Undergraduate Student Government from 1982-1997. Campaign and publicity records from the Princeton University Democrats are also included.

The Princeton Undergraduate Student Government public websites provides information on the activities of the university's undergraduate student government.

Series 1: Interviews and Articles includes transcripts from recorded interviews, articles, and notes.

This series contains the administrative docuemntation such as grant information, annual reports, and surveys.

Consists of typescript drafts, editorial copies, galleys, dust jacket proofs, and notes by other writers with whom Charles Ruas collaborated, including materials he received as gifts from authors, as well as materials directly related to books he edited. Writers represented include Marguerite Young, Susan Howe, Helen Adam, Djuna Barnes, and Susan Sontag. Most prominent are several works by American writer Marguerite Young, including materials regarding her epic biography Harp Song for a Radical: The Life and Times of Eugene Victor Debs. Ruas edited the unfinished manuscript after Young fell ill and could no longer continue writing the third part. The biography was posthumously published by Alfred A. Knopf in 1999. Several draft versions are present, including a copy of Young's 1742-page original draft, Ruas's working editorial draft, and his edited typescript of Part I with a group of unedited cut pages following it. A spiral notebook, containing Young's manuscript draft of a section of the book on Allan Pinkerton, along with some handwritten notes Young made on diner checks, are also included. In the last few years of her life, when she was very sick, Marguerite Young abandoned nonfiction and returned to writing poetry. Present here are Ruas's set of photocopied typescript and manuscript drafts of Young's last poems, most of which remain unpublished, Young's guide sheet for an unrealized dramatization of her earlier book Angel in the Forest, and a carbon copy of the original typescript of the first two chapters of Miss MacIntosh, My Darling, with handwritten corrections by Young, that the author inscribed and gifted to Ruas. Also of note is a typescript of an early book of collected poems by Susan Howe, Ruas's friend and poetry co-host at WBAI-FM. There are also several commercially available CDs of music and poetry recordings that Ruas collected.

Consists of transcripts, audiocassettes, and CD-ROMs, and related materials documenting Charles Ruas's interviews with a variety of authors and cultural icons mainly throughout the 1970s and 1980s, although some recordings date to the mid 2000s. Ruas conducted interviews for broadcast on WBAI-FM radio, as well as for his 1985 book Conversations with American Writers. The transcripts of Ruas's interviews with Carlos Fuentes and Marguerite Young for The Paris Review are also here. Other authors represented within Ruas's interview materials include Toni Morrison, Buckminster Fuller, Michel Foucault, Eudora Welty, Truman Capote, Tennessee Williams, Norman Mailer, Mario Vargas Llosa, E. L. Doctorow, Susan Sontag, James Laughlin, William S. Burroughs, Donald Barthelme, and Joseph Heller, and others. In addition to interviews, some of the recordings document theatrical performances and readings, such as Anaïs Nin's reading of her introduction to Marguerite Young's Angel in the Forest. Interview transcripts often include multiple drafts and usually contain extensive corrections and editing, done in colored pencil, as well as Ruas's notes regarding his initial impressions of writers and their surroundings, which he often incorporated into the introductions of his published interviews. A group of CD-ROMs contain audio files from Ruas's interviews with artists for WPS1 Art Radio in the mid 2000s. Later additions include annotated program descriptions for Ruas's radio series, as well as a proposal for "Arts in New York: A Television Program" and recordings containing its trial program on artist Dan Flavin.

Consists of photographic prints, contact sheets, and negatives, primarily in black-and-white, including shots taken in the WBAI studio in New York City, as well as promotional photographs and portraits gifted to Ruas by authors and artists with whom he worked. Most of the photographs taken in the WBAI studio are by Joan Schwartz, including images of various authors reading from Marguerite Young's Miss MacIntosh, My Darling, as well as a number of photographs of poets reading at a New Year's Eve poetry reading at St. Mark's Church in-the-Bowery in 1975. In addition to containing photographs of many of the writers and artists reflected elsewhere throughout this collection, musicians and composers like Patti Smith, Lou Reed, and Phillip Glass are also represented in this group of photographs. Also of note is a group of portraits and photographs of performances by Babette Mangolte. While most photographic materials in the collection are described here, some, which were originally kept with manuscript materials and ephemera, are described with the general Author and Artist Files.

This series contains notebooks, manuscript drafts, correspondence, and clippings associated with Moore's books, as well as clippings of her articles for magazines and newspapers.