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Collection

Admission Office Records, 1854-2017 (mostly 1922-1998)

AC152 42 boxes 2 items 1 websites
SOME ONLINE CONTENT
Princeton University. Undergraduate Admission Office.
The Admission Office has determined who should be allowed to enroll as undergraduates at Princeton University since 1922. The actual composition and the desired composition of each class have been contentious campus issues since the introduction of selective admission. The debates over the value of recruiting and admitting alumni sons, war veterans, athletes, disadvantaged students (especially racial minorities), and women are reflected in the records of the Admission Office. This collection includes a number of reports and minutes, some of which are restricted, news clippings and releases about Princeton admission, historical materials, and a series of Admission Office publications.
Folder
Consists of administrative and business records documenting the operations of Blue Wind Press and George Mattingly Design. Files include correspondence, contracts, and other documents pertaining to subsidiary rights, book contracts, book orders and sales, advertising, grants, and financial matters. There are also some clippings of reviews and publicity for Blue Wind Press books.
Collection

¡Adelante Tigres! Latino Alumni Conference Collection, 1970-2010

AC455 1 box 52 digital files
SOME ONLINE CONTENT
Princeton University. Alumni Association.
The Alumni Association of Princeton University organized the conference ¡Adelante Tigres! Celebrating Latino Alumni at Princeton University in the spring of 2017. The conference brought more than 750 alumni and guests to campus to reflect on and engage with not only the memories of Latino alumni but also the current experiences of Latino students at Princeton. The ¡Adelante Tigres! Collection consists of photographs and other records that Princeton alumni created and maintained during their time as Princeton students. Documented in the collection are a range of student activities, including cultural performances (dance and music), activism, reunions, and graduation. These materials were collected as part of the conference of the same name organized by the Alumni Association.
File
Box b-001579
Consists of additional writings and correspondence that were gifted by the author in 2018, including a significant group of additional letters to Peter Pitzele, dated 1995-2002. Pitzele is the creator of Bibliodrama, a technique for interpreting the Bible through performance, now widely used in Germany and elsewhere in Europe and the United States, and the author of Our Fathers' Wells: A Personal Encounter with the Myths of Genesis (Harper 1995; rpt 2018), and Scripture Windows: Toward a Practice of Bibliodrama (Torah Aura 1998). There are also two copies of drafts of Waiting for the Light (University of Pittsburgh Press 2017), dated May 2016, one with a list of journals in which the poems appeared, one with comments by Judith Vollmer; letters from poet-critics Fran Adler, Marilyn Hacker, Donald Hall, Tony Hoagland, Harold Schweizer; and a group photograph from a 2013 Boston University conference "What is a Jewish Poem."
File
Box b-001580, Box b-001581
Consists of additional papers, including drafts of reviews, essays, and other writings. Contents include: Review for Women's R of Books; "Millennial Prayer" for Tikkun; Draft of "Eros and Metaphor" Zoom lecture for Dominican Univ.; Draft of "Muriel Rukeyser: Learning to Breathe Under Water" for Rukeyser conference; Draft of "Celan, TS Eliot, Goethe, The Song of Songs: Celan's Deathfugue and the Eternal Feminine," with photo of prisoners' band at Auschwitz; Multiple drafts of "Renascence: EdnaSt Vincent Millay Today" for American Poets, plus correspondence on Millay Today Celebration; Multiple drafts of review of Adrienne Rich essays for Tikkun; Multiple drafts of "The Return of the Repressed: women Poets and the Sacred," for 2019 AWP panel; Multiple drafts of "The Soul Selects: Dickinson and Me" for Dickinson conference and ED journal; Multiple drafts of "Does Poetry Make Nothing Happen?"; Multiple drafts of "Poetry and the City" for various occasions; Introduction for Wendy Barker poems; Miscellaneous short prose pieces; Photographs for chapbook: Ideas of Order and Disorder; Draft of "Eros and Metaphor" Zoom lecture for Dominican Univ.; Letter to Don Hall; Manuscript of The Volcano and After, with occasional comments by Peter Pitzele and Wendy Barker; Earlier Manuscript of "Selected and New Poems" with various suggested titles and occasional comments by Peer and Wendy; Manuscript of "new" section of The Volcano and After, with full comments by Toi Derricotte; Drafts of Book of Seventy and Other Poems with comments by Toi Derricotte; Manuscript of The Old Woman, the Tulip and the Dog, with working drafts of French translation by Jean Migrenne; Envelope containing Alicia Ostriker undergraduate reviews of Robert Frost and J.V. Cunningham in Brandeis student paper, 1958-59; Envelope containing photographs of poets at Dodge Poetry Festival, NJ 1998, and Berkeley, CA 2000, by J.P. Ostriker.
File
Box 40, Box 41, Box 42
Includes administrative and financial files of the Modern Greek Studies Association, including materials related to symposia and the association's official publication, the Journal of Modern Greek Studies. Specifically, files include reports for the journal with financial information and membership lists; general minutes and reports (2011-2013); hard-copy correspondence (2011-2013); symposium-related surveys and files (1993, 1995, 1997, 1999); corporate resolutions; taxes and other miscellaneous financial items; and publicity materials such as brochures.
Folder

Additional Papers, 1958-2021

4 boxes 18,032 digital files
This series includes additional papers, primarily drafts of writings, correspondence, photographs, and born-digital files acquired from Alicia Ostriker after 2016. Materials are minimally processed and remain in their original order.
Folder
The Additional Papers (1945-2012) are comprised of drafts of writings by Fuentes, including novels, articles, essays, reviews, and speeches; subject files relating to academic and cultural institutions, publishers, forums, embassies, editors, colleagues, artists, cultural and political figures, friends, and many others; speeches and talks given at conferences, convocations, awards ceremonies, lectures, and symposia; printed materials, including event invitations, programs, posters, book covers, publication proofs, photographs, published speeches, press kits, and essays by and about Fuentes; a large number of newspapers and press clippings containing articles by and about Fuentes, including reviews of his works; a few digital files; and other materials. Also included are 14 letters from Carlos Fuentes to Carolyn Pfeiffer written between 1969 and 1971, covering topics of film, including Fuentes' collaboration with Luis Buñuel, theater, literature, and personal matters.