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File
This file consists primarily of the working office files for the Afro-American Studies Collection, including annual reports, email correspondence (printed), collection development policies, and bibliographies. The records provide insight into the development of the AAS Collection (now defunct) as well as the (now) Department of African American Studies.
File
Box 460
This folder includes general materials assembled and made available to students. It contains, among other items, event program and flyers (Princeton Freedom Center), student organization documents (The Imhotep Society), and reports to the administration pertaining to race relations, diversity and affirmative action.
File

A-F, 1991-2009

1 folder
Box b-000762, Folder 5
Includes "6 puntos con Juan Gelman" by Mabel Moraña; "A propósito de Juan Gelman" by Eduardo Hurtado; "Abrazos tendidos hacia el mundo"; "Algo sobre los exilios de Juan Gelman" by Eduardo Hurtado (2004); "As línguas do amor em Juan Gelman" by Andityas Soares de Moura (2003); "Como tirar contra la muerte: Elogio de la cucharita de Juan Gelman" by Lida Aronne-Amestoy; "Comentarios iluminados: Juan Gelman sobre Teresa de Jesús" by María Negroni; "Cornisa de la poesía-memoria" by Rodolfo Braceli; "D'un rivage à l'autre: Carta abierta (1980) de Juan Gelman" by Philippe Friolet (2006); "De atrásalante en su porfía" by Luis García Montero (2009); "El Juan tiene ojos en la nuca" by Jorge Sánchez Aguilar (1991); "El temblor de la palabra: Diálogo con Valer la pena de Juan Gelman" by Guillermo Montero Melis (2005-2006); "En edición de lujo salió en México, "Pesar todo", nueva antología de Juan Gelman"; "Fragmentos de la ausencia" by Mohsen Emadi, and "Fiebre de fábrica: Juan Gelman en 1975" by Edgar O'Hara (2006).