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Folder
This series consists of Fierro's and Vitale's correspondence with writers, critics, publishers, artists, educational and artistic institutions, and friends. There are Ms and TMs letters and e-mail printouts. Some writings, newspaper clippings, photos, and printed materials have been kept with their related correspondence. For writings by Fierro and Vitale see Series 2, for writings by other authors see Series 3. Major correspondents include Claribel Alegría, Reinaldo Arenas, Italo Calvino, Rosario Castellanos, Julio Cortázar, Eliseo Diego, José Donoso, Jorge Guillén, Clarice Lispector, Dulce María Loynaz, Augusto Monterroso, Alvaro Mutis, Nicanor Parra, Octavio Paz, Nélida Piñón, Gonzalo Rojas, Ernesto Sábato, and María Elena Walsh.
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Series 2: Fine Photography, 1966-2010

21.0 linear feet 31 boxes
This series contains prints, negatives, slides and transparencies of Segal's fine photography spanning thirty years, with the bulk of the series dating to a period of focused activity from 1984 to 1999. The series can be considered the result of two distinct periods in Segal's creative life: a long-time interest in fine photography without a disciplined or specific approach, from 1966 to 1983; and an active and informed pursuit of the subject, from 1984 to 2000.
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This subseries contains over one hundred exhibition catalogs, including some in Korean and Japanese, dating from 1960s-2000s. These catalogs are often for Segal's annual shows at The Sidney Janis Gallery in New York City, but also from major shows across the United States and abroad (mainly Europe and Asia).
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This series contains exhibition catalogs and posters related to over forty years of exhibitions in a number of countries and in a variety of languages, including Japanese and Korean. Despite a prolific history of exhibition – Segal and his work were featured in over one hundred one-man exhibitions and over three hundred group exhibitions in the course of his life and beyond – there are relatively few catalogs and posters present in the collection.
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Box 1, Folder 1-4
7 x A5 hardback notebooks, 6 x A4 hardback notebooks, 2 x wire spiral bound notebooks. All used as workbooks, manuscript drafts mostly for short stories, research, ideas for future writings and some loose notes. Some notebooks are specific to the writing of one short story or collection, others contain a mix of writings. Short Story Collections include My Head is Opening (1987); Taking Scarlet as a Real Colour (1993); telling (2000); Moving About the Place (2021).
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Box 1, Folder 6
For My Head is Opening (1987), Taking Scarlet as a Real Colour (1993), Telling (2000). Manuscripts and typescripts, some heavily edited, A Little Remote, also two for On The Inside of Cars, A Night Out, Taking Scarlet as a Real Colour (a reverse "Tidying UP play by Conlon); The Boy from Dingwall, Lad's Truth, Moving About the Place, The Meaning of Missing; The Birth Certificate; with several other drafts, most untitled. Also includes sample book covers.
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Box 5, Folder 4
A4 hardback workbook; Research material from Australia. 'Kilmallock Workhouse, The Story of an Institution' by Michael O'Donnell, ring bound, photocopy, 26pp. Studies, Winter 1968. Clann an Ghorta, 5 volumes 2000-2001; Tinteán, The Australian Irish Heritage Network, No. 12, June 2010, 2 copies, with essay by Evelyn Conlon.
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Box 6, Folder 7-8
Festivals, conferences, and programs; Receptions and media coverage, with reviews, articles and commentary, Ireland and international. Includes posters, programs, and descriptions of events attended. Also general media coverage of events attended. Records of payments received for speeches, books, articles, etc. Some text in French, Hebrew, and German.
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Box 7, Folder 1
Festivals, conferences, and programs; Receptions and media coverage, with reviews, articles and commentary, Ireland and international. Includes posters, programs, and descriptions of events attended. Also general media coverage of events attended. Records of payments received for speeches, books, articles, etc. Some text in French, Hebrew, German.
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Box 7, Folder 8
Field Day correspondence folder, specifically concerning the omission of women writers from the original Field Day Anthology of Irish Writing. Includes autograph letter signed and typed letter signed from Seamus Heaney, Seamus Deane, Tom Kilroy and Marie Heaney. Also manuscript and typed letters Evelyn Conlon to Heaney and Deane. Also with annotated outline for new edition of the Anthology. With newspaper cuttings.
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Section 2: Non-governmental Publications, represents a wider variety of sources. There are a fairly small number of items from each organization in this section, with the exception of the larger groups of documents from the Centro Boliviano de Investigación y Acción Educativas (CEBIAE), the Foro Educativo Espacio de Diálogo y Proposición, Programa de Formación en Educación Intercultural Bilingüe para los Países Andinos (PROEIB Andes), and the Universidad Técnica del Beni "Mariscal José Ballivián".