Notes by P. L. Travers. Subjects include: autobiographical, myths, fairy tales.

Pencil sketches on tracing paper for Mary Poppins books.

Two typewritten drafts of "Admit One," which became a chapter in "What the Bee Knows," (1989) a collection of essays by P. L. Travers. Most of the pieces in "What the Bee Knows" had been previously published in Parabola, although this essay was not. The first draft is heavily corrected and annotated in ink in the hand of P. L. Travers, and in a second hand in pencil. The second draft is unmarked.

Two drafts of "The Celestial Root," P. L. Travers essay published in Parabola 14:3 (Fall 1989). The first is a handwritten draft in blue ink in the hand of P. L. Travers. The second is a typewritten draft with corrections in black ink in the hand of P. L. Travers. Accompanied by a note.

Three drafts of "The Endless Story," which was published in Parabola in 1988, and became a chapter in "What the Bee Knows" (1989). All three drafts are typewritten, and all are annotated and corrected in blue ink in the hand of P. L. Travers.

Two drafts of "The Interviewer," which was published in Parabola in 1988, and became a chapter in "What the Bee Knows" (1989). The first draft is handwritten in blue ink in the hand of P. L. Travers. The second draft is typewritten, with corrections in blue ink in the hand of P. L. Travers.

Draft of "Lively Oracles," which was published in Parabola in 1986, and became a chapter in "What the Bee Knows" (1989). The draft is typewritten, with corrections in blue ink in the hand of P. L. Travers.

Two drafts of "Monte Perdido," which was published in Parabola in 1988, and became a chapter in "What the Bee Knows" (1989). The draft is typewritten, with corrections in blue ink in the hand of P. L. Travers.

Two drafts of an essay titled "Making" or "The Makers." The first draft is written in blue ink in the hand of P. L. Travers. The second draft is typewritten on blue paper, with deletions in white-out.

Draft of a lecture or talk beginning "The Lore of the Fairy Tale?" Typewritten draft with numbered pages and annotations in blue ink in the hand of P. L. Travers.