Consists of an open collection of photographs by Geralēs.

The Giōrgos Vakalo Papers consists primarily of papers by and relating to the Greek painter and stage designer George Vakalo (1902-1991). Included are autograph and typed manuscripts of Vakalo's notes, talks, articles, interviews, TV or radio productions, artwork, as well as his correspondence, notebooks, photographs, and printed matter, such as exhibition art catalogs, magazines, and clippings. Of particular importance are the hundreds pieces of his artwork in a variety of media (ink, pencil, watercolor, conté crayon, engravings) and on a variety of supports (paper, carton, and canvas).

Consists of an open collection of photographs by Angelos Prokopiou.

A collection of correspondence, sketches, proofs, notes, personal writing, photographs, and legal documents related to the life and careers of P. L. Travers (1899-1996) and Mary Shepard (1909-2000).

Consists of drafts of speeches, articles, and other writings; correspondence; obituaries and tributes; photographs; and interviews of Robert H. Taylor, a collector of books and manuscripts of English and American literature.

Albert O. Hirschman (1915- ) was a leading scholar in the field of economic development whose work focused on Latin America but encompassed the globe. He was a professor at Yale, Columbia, Harvard, and the Institute for Advanced Study in Princeton, New Jersey. Hirschman's papers document his scholarship on economic development and his academic career and include his correspondence written while he was at the Institute for Advanced Study, his writings, and his research notes and materials, especially related to his work in Latin America and for the World Bank.

The Stanley Kunitz Papers consists of the literary and personal papers of Stanley Kunitz (1905-2006). A prominent American poet, Kunitz was also a known editor, translator, essayist, and educator. Kunitz's diverse interests are evident in the collection, which includes manuscripts of his writings, extensive correspondence, special-interest files, teaching materials, travel files, documents, photographs, memorabilia, artwork, calendars, annotated books, audiocassettes, papers of others, and printed material.

Kostas Zēmerēs was born in 1886 in Katēchōri Pelion. He studied at the Commercial School of Volos, where he took his first lessons from the painter Iōannēs Poulakas. In 1904 he went to the United States where he worked in photo labs collaborating with painters and photographers. There he had the opportunity to study at the Art Institute of Saint Louis. He returned to Greece in 1912 where he was recruited during the Balkan Wars. Later, after the World War I, he remained in Athens working with great photographers, such as George Bouka and Nelly's. Finally he returned to Volos where he worked as a professional photographer and painter. He participated in many exhibitions in Greece and abroad, such as in Calais (France) in 1925 and Liverpoool (England) in 1926. He received the gold medal at the International Exhibition of Thessalonikē (Greece) in 1932 and 1936. Zēmerēs gave us the unique photographs of the painter Theophilos Chatzēmichaēl. He died at the age of 96. Consists of an open collection of silver prints depicting Greek landscapes by Kōstas Zēmerēs.

Consists of an open collections of Spyros Meletzēs photographs.

Papaioannou was born in Lamia and grew up in Athens (Greece). She began working as a photographer during the 1930s, concentrating at first on studies of landscapes, monuments and archaeological exhibits. The outbreak of war in 1940 marked a turning point in her career, as she was intensely affected by the suffering of the civilian population of Athens. Realizing the power of her camera to arouse people's conscience, she documented the troops departing for the front, the preparations for the war effort, and the care received by the first casualties. When the capital was in the grip of starvation, she revealed the horrors of war in her moving photographs of emaciated children. After the liberation, as a member of the photographic unit of UNRRA (United Nations Relief and Rehabilitation Administration), she toured the ravaged Greek countryside recording the difficult living conditions faced by its inhabitants. She often exceeded her brief, immortalizing the faces and personal stories of ordinary people in photographs that stressed dignity rather than suffering. During the 1950s Papaioannou's work expressed the optimism that prevailed in the aftermath of the war with respect to both the future of mankind and the restoration of traditional values. Nevertheless, her photographs of the historic Greek landscape are not in the least romantic, but instead portray it as harsh, barren, drenched in light, and its inhabitants proud and independent, despite their poverty. Voula Papaioannou's work represents the trend towards "humanitarian photography" that resulted from the abuse of human rights during the war. Her camera captured her compatriots' struggle for survival with respect, clarity, and a degree of personal involvement that transcends national boundaries and reinforces one's faith in the strength of the common man and the intrinsic value of human life. (http://www.benaki.gr/index.asp?id=1020103&lang=en) Consists of an open collection of Papaiōannou photographs.

This collection contains broadside playbills from the United States, England, and Europe.

Consists of writings, diaries, correspondence, organizational records, clippings, and other personal papers of Irish poet Thomas McCarthy, including drafts of poetry, fiction, and nonfiction works from the 1970s through the 2010s; extensive diaries and notebooks on personal and literary topics; files related to his work with Cork 2005, the Triskel Arts Centre, and other cultural and arts organizations in Ireland; transcriptions and recordings of interviews and events; and teaching materials.

This collection contains ephemera concerning religious issues and events in Brazil, published between 1899 and 2002.

Consists of book prospectuses, invitations, greeting cards, and other items printed by private and small presses in the United States, and various countries throughout the world.

Anne Martindell was one of the first three women to serve in the New Jersey State Senate. After her four-year term ended in 1977, she served as director of the Office for Foreign Disaster Assistance, and was ambassador to New Zealand and Western Samoa for a two-year term. The papers document her career in politics and civil service, and also contain her unpublished memoirs and personal papers.

Consists of personal papers of Kaiē Tsitselē, Greek author and translator, who contributed to the dissemination of the Modern Greek literature outside Greece. The collection consists of manuscripts of some of Tsitselē's novels, short stories, radio scripts, and book reviews along with her English translations of Greek works. Correspondence with her friends and colleagues completes the collection.