Robert R. Bowie was a foreign policy expert and legal scholar who served four U.S. administrations as policy planner, counselor, and deputy CIA director, while teaching at Harvard Law School and founding Harvard's Center for International Affairs. The Robert R. Bowie Papers reflect his government service under four administrations, as well as his position at Harvard University, his Army service and work in the postwar military government of Germany, research for books he wrote, and his later activities as a member of national and international policy and strategy organizations.

The Robertson Foundation was established in 1961 to expand and support the graduate program of the Woodrow Wilson School of Public and International Affairs. Consists of materials from files of the Secretary of the Robertson Foundation, including Robertson Foundation Board of Trustees meeting minutes (1961-2009), Robertson Foundation chronological files (1959-2002), and miscellaneous Robertson Foundation Investment Committee materials (1961-1992).

This collection consists of correspondence, writings (poetry and prose), notebooks, photographs, and printed materials.

Incorporated as The Melody Company by Abraham Meyers in 1911, the firm was purchased in 1967 by Princeton alumnus Charles H. Rose (Class of 1950) and his wife. By offering comic strips--the plates for printing them--to small newspapers, the firm was able to secure advertising space, which it sold to national advertisers seeking wider, more regional coverage. Advertisers knew the firm as The Meyers List; newspapers knew it as International Cartoons Limited. The company was dissolved on 20 March 1997, and its printing plates were distributed to various museums and repositories, including Princeton University. Consists of assorted records of the American Melody Company and its corporate aliases (Meyers List Inc. and International Cartoons Limited), including minute and stock books, corporate seals, scrapbooks of cartoon strips, copies of contracts with advertisers, trademark registrations, and dissolution documents.

The Alejandro Rossi Papers consist of personal notebooks, manuscripts, correspondence with writers, academics, editors and artists, and printed material of the writer.

Robert Ross is an economist specializing in developing Countries. This collection contains reports on the U.S.S.R.; investment proposals; government reports; internal documentation from the Adela Investment Company; documents on the Latin American Agribusiness Development Corporation and the Société Internationale Financière pour les Investissements et le Développement en Afrique; and Richard Boyle's correspondence with Eugene Gonzalez and Ernst Keller.

Charles Ruas is an American author, interviewer, editor, literary and art critic, and French translator, who served as the Director of the Drama and Literature Department for New York's Pacifica radio station WBAI-FM in the late 1970s and interviewed writers for radio broadcast and print, including Toni Morrison, Michel Foucault, Carlos Fuentes, Eudora Welty, Susan Sontag, Truman Capote, Buckminster Fuller, Andy Warhol, Mario Vargas Llosa, and others. Included are photographs and documents on Allen Ginsberg and William Burroughs, the St. Marks poetry project, and avant-garde artists and performers. The papers include transcripts and audiocassette tapes of Ruas's interviews with authors and artists, as well as typescripts and galleys of work by writers Ruas edited, including Marguerite Young, and some related photographs, notes, recordings, and correspondence. There are also some translations and other writings by Charles Ruas, as well as a collection of family photographs and papers documenting the history of his family in Tianjin, China, from the 1860s through the mid-20th century.

Norman B. Ryder (1923-2010) was a demographer and sociologist who specialized in fertility studies and established the cohort approach to demographic study. The Ryder papers contain his working research notes, drafts, and publications, as well as correspondence and administrative papers from Ryder's teaching career.

Juan José Saer was an Argentine novelist, poet, and literary scholar. This collection contains his notebooks, notes, and drafts of essays, interviews, novels, poetry, and short stories. Also includes photographs of Saer and the city of Santa Fe, Argentina.

Consists of drafts, manuscripts, research files, correspondence, artwork, and other related materials of American musician, poet, writer, artist, and activist Ed Sanders.

Consists of various literature, ephemera, correspondence of, and a video interview with, Princeton alumni and anti-war activist David Schankler '71 concerning the antiwar movement of the period 1967-1971 broadly as well as related events and activities at Princeton University while he was a student.

The material in this collection pertains not only to an individual, Richard Schechner, but also to TDR, The Drama Review, a scholarly journal concerned with the broad range of performance in society and in the arts. Schechner, a renowned scholar, director, writer, and educator, edited The Drama Review from 1962-1969 and again from 1986 to the present date. Particularly in the 1960s, and again in the 1990s, both Schechner and TDR challenged traditional, prevailing ideas about theater-what it is, how it should be presented, and the ritual and ideals behind it. Schechner argued for thinking of "performance" as an all-encompassing genre with "theater" as one of its sub-categories. He is widely recognized as the founder of "performance studies" as an academic discipline. In the process of working out what performance studies is, Schechner and his colleagues at New York University created new ideas and new ways of thinking that still affect today's world of performance, theater, dance, and the social sciences. As "the journal of performance studies," TDR did much to shape the new discipline.

Business files, correspondence, photographs, artwork, writings, and clippings of George Segal (1924-2000), 20th-century American sculptor, artist, and photographer active from the late 1950s until 1999. The papers contain photographs taken by and of the artist, correspondence and all business files relating to exhibitions, records of the production of public commissions, writings by and about Segal, audio and visual media, and exhibition catalogs.

The collection contains the manuscripts of composer and educator Roger Sessions. It includes compositions reflecting his use of the 12-tone system of composition and ranging from exercises and studies to concertos, sonatas, operas ("Lancelot and Elaine" and "Montezuma"), and symphonies (1 through 9). Also included are miscellaneous musical works such as divertimenti, nocturnes, chorale studies, quintets, and cantatas along with the manuscripts for two prose works.

A collection of correspondence, sketches, proofs, notes, personal writing, photographs, and legal documents related to the life and careers of P. L. Travers (1899-1996) and Mary Shepard (1909-2000).

Consists of correspondence between Charles Shipman and various artists and institutions, most notably George deForest Brush and Elliott Dangerfield.

Dr. Margaret Snyder was actively involved in women's economic and development issues in various regions of the world for more than three decades. She served as advisor to Kenya and East African Women's Seminars, Regional Advisor of the United Nations Economic Commission for Africa, Vice President of the Sirleaf Market Women's Fund, co-founded the African Training and Research Center for Women, and was the Founding Director of the United Nations Development Fund for Women. The papers document Dr. Snyder's career, the organizations she worked for, and the projects conducted to help women across the globe.

Consists of papers relating to post-World War II Greek history and politics, 1940s-1970s, collected by Norma Spector in her role as the public relations liaison of the Federation of Greek Maritime Unions (FGMU) in New York City.

Princeton professor of astronomy (1947-1982), chairman of the Dept. of Astrophysical Sciences, and director of the Princeton University Observatory, Lyman Spitzer was also primarily responsible for founding the University's Plasma Physics Laboratory. His papers include design studies, technical plans and programs, various reports, correspondence, notes, and observations relating to his involvement in the development of the study of space astronomy at Princeton.

Consists of personal papers of Nikos Stangos, a prolific Modern Greek poet and one of the most influential figures in British art publishing. For more than 30 years he was responsible for some of the most important art books of the late 20th century. As a result, in his modest way, he helped shape the discipline of art history in Britain and the United States.

Consists of records of the Siamese Banana Press assembled by its publisher, Johnny Stanton, which document the role of the press in the history of poetry, underground comics, and mimeograph publishing in New York City in the 1970s, as well as Joe Brainard's work as a book artist.

Contact sheets, negatives, prints, notebooks, research files, manuscripts, and correspondence of Ulli Steltzer, a German-born photographer residing in the United States and Canada since 1953. Materials relate to a number of published and unpublished photography projects spanning Steltzer's career from 1957 until 2008, including her portraits of prominent Princeton intellectuals and her wide-ranging documentary work, featuring American Indian artists of the Pacific Northwest, black communities in the American South, social conditions for migrant laborers and immigrants throughout the United States, and many other rural and tribal communities throughout the Americas and Asia.