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File
Box 7, Folder 30
Photographs from the middle period of P. L. Travers' life. Subjects include: photographs of Gallup, New Mexico and the Southwestern US; Camillus with a Native American family; Biddy Moriarty; Sri Madhava Ashish; an unidentified female child; Pound Cottage; P. L. Travers with a dog; Madge Burnand; a bulldog.
File

P. L. Travers photographs: Camillus, circa 1940s 1 folder

HAS ONLINE CONTENT
Box 7, Folder 31
Photographs of P. L. Travers and her son, Camillus. Most are from his early childhood in New York, and some are labeled with specific locations in New York City as well as dates. Subjects include: Camillus in a sailor outfit; Camillus with a fireman and dalmation; Camillus sailing a toy boat; Camillus with "Sue"; Camillus at the beach; Camillus with a cat. Two are phtographs of Camillus with the nephew of Travers' housemaid and captioned "My mother bore me in the southern wild..." [Blake].
Collection
Cantril, Hadley, 1906-1969
Hadley Cantril was a psychologist who studied propaganda and public opinion research. The collection includes bound Hadley Cantril Diaries, poll results and reports on Polls During World War II, correspondence, and other reports.
Collection

François Wahl Collection on Severo Sarduy, circa 1939-2013
C1470
20 boxes 8.5 linear feet

SOME ONLINE CONTENT
Wahl, François, 1925-2014
The collection contains edited typescripts and copies of Cuban writer Severo Sarduy's poems, essays, and translations, along with writings about Sarduy, interviews, notes, clippings, photographs, and other printed materials. Correspondence includes a group of postcards sent to Severo Sarduy and his partner François Wahl in the 1960s and 1970s from various European and Latin American writers and philosophers, including Roland Barthes, Alain Badiou, Reinaldo Arenas, Octavio Paz, and Jacques Lacan, and additional correspondence of French editor and structuralist François Wahl.
Collection
Kelleher, Patrick J. (Patrick Joseph), 1917-
Patrick Kelleher was director of the Princeton University Art Museum from 1960 to 1972. His papers consist of articles, notes, photographs, and printed matter from Kelleher about the Holy Crown of Hungary. There is a smaller selection of correspondence with artists and colleagues about the direction of the Art Museum.