Search Results
Consists of the personal correspondence of Max Gordon, including Woody Allen, Hugh Beaumont, George Burns, and Alfred Putnam, as well as others.
Consists of business correspondence, Actor's Fund minutes, and Columbia Pictures contracts and reports.
Consists of production materials for works such as "Abe Lincoln in Illinois," "Born Yesterday," and "The Farmer Takes A Wife," as well as others.
Series 8: Press Books, 1945-1949 2 boxes
Consists of press books for "Born Yesterday," "Park Avenue," and "Years Ago."
Box 2, Folder 1
Consists of articles, poems, speeches, and bibliographies of Jaime Torres Bodet.
Consists of obituaries and other printed matter related to Jaime Torres Bodet.
Consists of the correspondence, works, photographs, and printed matter of Jaime Torres Bodet.
Box 3, Folder 1
Consists of the correspondence of Guillermo Valencia, primarily with Karsen.
photographs of the bust of Valencia and of portraits of various family members, 1940s-1950s 1 folder
Box 3, Folder 4
Consists of photographs of Guillermo Valencia, a bust, and his home.
Consists of reviews of works on Guillermo Valencia and articles about him.
Consists of the correspondence, photographs, works, printed matter, and recordings of Guillermo Valencia.
Correspondence, etc., 1929-1956 1 folder
Box 1, Folder 8
Correspondence with Franklin Gary. Announcement of Scrutiny, a quarterly review. Signed Christmas Card.
Letters, 1935-1962 1 folder
Box 1, Folder 14
23 TLsS by Eliot to Luigi Berti. 1 TL (copy) by Eliot to Berti. 1 TLS by Eliot to Renato Poggioli. 2 TLs (signed by Eliot's secretary) to Berti. 1 TLs by Valentino Bompiani to Berti. 1 L (printed copy) for Kenneth Patcher Fund.
Consists of correspondence with individuals such as Robert Fletcher, James Montgomery, and James Tunstall, as well as others.
Consists of additional correspondence and manuscripts.
Series 2: Photographs, 1948-1974 2 boxes
This series consists of a photograph album and several black-and-white photographs of Edwards and his family, everyday life in Yugoslavia, Byzantine monuments in Serbia, Ohrid, Prespa, and Fyrom, historical sites, portraits, and art works.
This series consists of a few documents, a typed manuscript draft of a poem, and a handwritten draft of a genealogical tree in Serbian.
These include Gibran's studio on West 10th street in New York, his desk at the studio; photos of his grave, the Cedars of Lebanon; and photos of pages from the manuscript The Prophet. Also includes a copy of photograph of Gibran, his bedroom as a child in Lebanon, and a copy of a photograph of Gibran's bedroom which was transported from his New York City Studio apartment to the Museum in Bsharri, Lebanon. Many of the photographs are inscribed on the verso by Shehadi.
Includes cards and postcards, copies of artwork, postage stamps, pamphlets, envelopes and folders, newspaper clippings, posters, and a copy of William Shehadi's book about Gibran's work.
Box 1, Folder 2
Includes letters by Gaston Baquero, Eugenio Florit, Ramón Gómez de la Serna, Jorge Guillén, José Lezama Lima, Dulce María Loynaz, Julián and Tangui Orbón, Alphonso Reyes, José María Valverde,
Box 1, Folder 3
56 letters.
Other Writings, circa 1947-2010 2 boxes
Box b-001548, Box b-001854
Includes correspondence and some manuscript materials relating to "The Lyrical Novel" (1961), "Divided" (1947), Rue the Day (2009), The Discovery of Slowness (1987), and "Paul Valéry: Protean Critic," from Modern French Criticism (1972).
The Gothic, circa 1947-1960 2 boxes
Box 11, Box 12
Drafts (corrected typescripts) of text in German (1052 pages).
Consists of the writings of Paul Frankl, including The Gothic, Gothic Architecture, and Weltregierung, as well as others.
Box 1, Folder 10
Box 4
Includes binders containing research notes on iconography, along with small drawings of border ornaments, notes on "Stuttgart Psalter", Friend's 1946 contribution to the Dumbarton Oaks Symposium on "Mosaics of Basil I in Hagia Sophia," along with a program and summaries of papers for various symposia from 1948 to 1951, teaching and lecture notes and a syllabus for a course on Modern Painting (Spring 1943 ART 312), lectures in Modern Painting February-May 1934 Vol. III, Dumbarton Oaks Lectures, Rabula Gospels and the Church of Sion, Mosaics of Basil I in Hagia Sophia I and II (1945 April 2-4 and 1946 May 3), along with files of writings on "Basis on Style," "Ancient Ornament (Archit. 509)," "Northern Renaissance," "Dürer and Hercules Borghese," "Rubens and the Antique," "Baroque," "Romantic and Realistic Spirit in Art," "Fact and Interpretation (Short form) D.P.H. 1944 (Aug 9, 1944)," "Art - [?] and meaning, Sept 1 1943," "Style," "Ancient Portraiture," and "Lecture (Bryn Mawr College Feb 21, 1950, 8:30 pm) The Holy Apostles Church, Restoration of Mosaics."
Box 5
Includes various notes, writings, drawings, and lectures, including files labeled, "Holy Apostles Church Restoration of the Mosaics, A. M. Friend, Jr., Bryn Mawr Lecture, Feb. 21, 1950 (Feast of Orthodoxy, Feb. 26, 1950), St. Tarasius," a brown notebook labeled "Notes, Greek, MSS Paris, GR 70," notecards on various topics, mostly greek philosophers and writers, and notebooks labeled "Evangelists, Standing Type, Alexandria, Greek, Syriac, Antioch, Armenian, Slavonic, Russian," "Evangelists, Seated, Type, Greek, Ephesus," Greek, Ephesus", "Evangelists, Old Latin, Irish", "Evangelists, Cassiodorus, Alcuin," "Ancient, PTG., 1917," and "Ital. Paint., A M Friend Jr, 3A Campbell."
Box 6
Includes a report from Friend to Professor Paul J. Sachs, Chairman of the Administrative Committee, Dumbarton Oaks, November 2, 1946, along with files on materials on "Byzantine Studies at Dumbarton Oaks, A.M. Friend Jr., Saturday, April 26, 1947," "Iconography: Anastasis," "The Iconography of the Crucifixion, Part I., Evolution of the Byzantine Type, April 1916, A.M. Friend Jr., Princeton University," "Iconography: Metamorphosis (Sinai)," "Pskov – Mirozhsky Ch of Transfiguration," "Sion Church, Apse," "Constant Rhodes," "Mesarites," "Dumbarton Oaks Symposium of Iconoclasm (1951 April 26-28)," "Symposium 1946, Dumbarton Oaks," "Summaries of Symposium Papers for 1951 Symposium on Iconoclasm," which primarily contain handwritten notes along with some photographs.
Box 7
Includes correspondence from the 1930s through 1950s, along with files labeled "American Academy in Rome," "Bicentennial Arrangements," "Religion and the Plastic Arts," "American School at Athens (Alex Robinson)," "Byzantine Exhibition Baltimore," "A. G. Cotton, Leofric's Landevennec Gospels," "Notes: Cotton," "Cotton, Leofric Gospels," "Florovsky," "McCormick," "Mommsen," "Schwarzenberg," "Rome, Vatican, Museo profano, Ivory disc of poet," "G. A. Canini, Iconografia Tav 28 Sophocles-inscribed Pindaros," "Gerasa: Trans-Jordan, Nymphaeum," "Antioch Great Theater Restoration," "Ephesos Theater," along with many folders of photographs and text relating to ancient philosophers and poets and theaters.
