The Seeley G. Mudd Manuscript Library will be closed to the public the week of June 2-6 to conduct scheduled work within the building. For all other holidays and closures, please visit the Library Hours page.
Photographs from the middle period of P. L. Travers' life. Subjects include: photographs of Gallup, New Mexico and the Southwestern US; Camillus with a Native American family; Biddy Moriarty; Sri Madhava Ashish; an unidentified female child; Pound Cottage; P. L. Travers with a dog; Madge Burnand; a bulldog.
Photographs of P. L. Travers and her son, Camillus. Most are from his early childhood in New York, and some are labeled with specific locations in New York City as well as dates. Subjects include: Camillus in a sailor outfit; Camillus with a fireman and dalmation; Camillus sailing a toy boat; Camillus with "Sue"; Camillus at the beach; Camillus with a cat. Two are phtographs of Camillus with the nephew of Travers' housemaid and captioned "My mother bore me in the southern wild..." [Blake].
Includes photocopies of non-email correspondence as well as newspaper clippings, articles, brochures, and other printed resources, partly found among materials held at the Seeley G. Mudd Manuscript Library.
Hadley Cantril was a psychologist who studied propaganda and public opinion research. The collection includes bound Hadley Cantril Diaries, poll results and reports on Polls During World War II, correspondence, and other reports.
Esta serie consiste mayormente de fotografías relacionadas con la vida personal y profesional de Alma Concepción, incluyendo numeroras imágenes digitales. También incluye algunas diapositas, cuatro afiches y un diploma concedido a Alma Concepción de la Universidad Autonoma de Madrid.
The collection contains edited typescripts and copies of Cuban writer Severo Sarduy's poems, essays, and translations, along with writings about Sarduy, interviews, notes, clippings, photographs, and other printed materials. Correspondence includes a group of postcards sent to Severo Sarduy and his partner François Wahl in the 1960s and 1970s from various European and Latin American writers and philosophers, including Roland Barthes, Alain Badiou, Reinaldo Arenas, Octavio Paz, and Jacques Lacan, and additional correspondence of French editor and structuralist François Wahl.
Patrick Kelleher was director of the Princeton University Art Museum from 1960 to 1972. His papers consist of articles, notes, photographs, and printed matter from Kelleher about the Holy Crown of Hungary. There is a smaller selection of correspondence with artists and colleagues about the direction of the Art Museum.