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Box 8, Folder 13
Consists of typed drafts of "The Cross in the Nimbus of Christ," "Scholarship in the Arts: Past and Future," "Medieval Culture: Ecclesiastical or Secular," "A Mediaevalist looks at Modern Art," "The Maid-Servant in the Annunciation and in the Visitation," "Maplewood Lectures: I II," "Early Christian Art," "The Reliquary of St. Adrian."
Díaz Quiñones, Arcadio
The Arcadio Díaz Quiñones Papers consists chiefly of manuscripts and correspondence of the Puerto Rican professor of Spanish and Portuguese Languages and Cultures at Princeton University, Arcadio Díaz Quiñones (1940-), as well as a selection of manuscripts by others. The collection focuses on Puerto Rican and Cuban literature, but also provides insight into the literature and politics of other parts of Latin America.
Box 68, Folder 2-4
Includes typescript drafts of Anagnōstakēs' poems from the book Target: Selected Poems translated into English by Friar; one complete typed manuscript of the above book with autograph corrections by Friar; typescript drafts of the introduction of the book written by Friar; biographic information on Anagnōstakēs; business correspondence with Friar regarding the English translation of the poems.
Box 122, Folder 4
Includes typescripts of miscellaneous poems in English, some of them signed and dated by the poets or dedicated to Friar; among them the autograph poem "Poem" dedicated to Friar by Theodoros Stamos; there are also typescripts of an election of poems from "Dark Love" by Matsē Chatzēlazarou dated 1979.
Folder 1
Manzanar Cooperative Enterprises, Inc.
Consists of a large panoramic photograph of the Manzanar War Relocation Center, a concentration camp in Manzanar, California, where the United States government incarcerated Japanese Americans during World War II. The image was taken from a tower along the fence line of the camp, likely by an outside photographer, as incarcerated people were not allowed to have cameras. The photograph is copyrighted by Manzanar Cooperative Enterprises, Inc., an organization owned, operated, and managed by the Japanese Americans incarcerated in the concentration camp, per an agreement with the War Relocation Authority dated March 1, 1943. It was likely commissioned by the cooperative and printed by a Japanese American photographic developer, probably Tōyō Miyatake.