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Start Over You searched for: Date range 1995 Remove constraint Date range: <span class="single" data-blrl-single="1995">1995</span>
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Collection
American civil liberties union
The Project Files series contains the records of twelve of the ACLU's projects, which each addressed an area of civil liberties violations. Project records typically consist of case files, research files, and project publicity and correspondence. The best documented projects are the Children's Rights Project and Women's Rights Project, and to a lesser extent the Arts Censorship Project, Capital Punishment Project, and Reproductive Freedom Project.
Folder

Series 2: Project Files, 1877-2000

571 boxes 2 items
SOME ONLINE CONTENT
The Project Files series contains the records of twelve of the ACLU's projects, which each addressed an area of civil liberties violations. Project records typically consist of case files, research files, and project publicity and correspondence. The best documented projects are the Children's Rights Project and Women's Rights Project, and to a lesser extent the Arts Censorship Project, Capital Punishment Project, and Reproductive Freedom Project. Please see the subseries descriptions for additional information about the contents of each subseries.
Collection

Daily Princetonian General records, 1876-2023

AC285 6 boxes 6 items 594 digital files 6 websites
SOME ONLINE CONTENT
Daily Princetonian
The Daily Princetonian is the newspaper of Princeton University. The records consist of subject files from the editorial offices of The Prince covering topics such as awards, events, journalism seminars, and by-laws of the paper, as well as booklets published by the Daily Princetonian corporation.
Collection
Princeton University. Library. Department of Rare Books and Special Collections
Concerts and recitals by Princeton University's many musical clubs and organizations, as well as performers from outside the University have been standard fare on capus since the 19th century. The collection consists of reports, concert programs, posters, articles, schedules, flyers, correspondence, and photographs pertaining to performances of music on the Princeton University campus and performances elsewhere by University-affiliated groups.
Folder
Consists of 46 postcard-size, black and white photographs of 33 people, including two self-portraits, taken and printed by Van Vechten primarily during the 1930s to 1940s. His subjects in this collection cover a wide range of celebrities in the theatrical and literary world, including ballet dancers, actors and actresses of stage and screen (some in costume), singers, musicians, authors, and poets--for example, Marian Anderson, Pearl Bailey, Sir John Gielgud, Hugh Laing, Sinclair Lewis, Norman Mailer, Clifford Odets, Jerome Robbins, Artur Rubinstein, Gertrude Stein, Alice B. Toklas, and Lin Yutang. Also present are two photographs (1923, 1930) of Van Vechten taken by the New York photographer Nickolas Muray.
Collection

Eating Clubs Records, 1874-2010

AC019 53 boxes 1 folder 2 items
SOME ONLINE CONTENT
Princeton University. Library. Special Collections
The Eating Club Records consist of manuscript and printed material from almost all the clubs. The records of individual eating clubs have been combined with material on Eating Clubs in general. This material includes correspondence, reports, minutes, financial statements, constitutions, and miscellaneous records. Printed material in the records consist of newspaper and magazine clippings, club membership books, and club histories.
Folder
Series 1: 2003 Accession of Princton Rowing Materials, 1874-2003 consists of photographs and records that appear to have been organized, used and possibly collected by Willis M. Rivinus in the preparation of Rowing at Princeton: celebrating 4500 Princetonians who have strained and gained from their rowing experience for 130 years, which was published in 2002.
Folder
Sylvia Beach's Circle and Collections consists of items collected by Sylvia Beach, documenting two overlapping collecting activities: Sylvia Beach's incidental files on artists in her circle (not directly relating to her publication activities, which are documented in the Shakespeare Company series), and her more formal literary and art collections. The boundary between the two collection activities is fluid, and there are several documented cases in which Beach later formalized collections that were originally created out of personal interest or for reference or business purposes (most notably, her collection of Joyce material, which she largely sold to the University of Buffalo, and her collection of Whitman manuscripts, originally keepsakes she inherited from her aunt and which she later exhibited and offered for sale). The series further contains information on exhibitions of Beach's collections and on the sale of collection items to various cultural institutions.