Series 1 contains Granville Austin's research and writings on India since its independence from Britain—specifically, on the framing of its Constitution and on the workings of the Constitution as it neared its fiftieth anniversary.

Series 3 includes professional and personal correspondence. Austin's professional correspondence includes letters from his two separate tenures at the State Department (dates), reflecting his focus on Israel and the Middle East, as well as human rights policies and arms sales. Other professional correspondence includes material relating to Austin's job searches, copies of his resume and State Department evaluation forms and qualification statements.

This series consists of photogrraphs of Susanna Moore and her family as well as photographs of Frank Conroy, Deborah Eisenberg, Michael Laughlin, Mike Nichols, Jack Nicholson, Michelle Phillips, Roman Polanski, Wallace Shawn, and Richard Sylbert. Also includes images of Moore as a model.

The Track Field and Cross Country Materials series contains rosters, meet schedules, programs, score cards, results, clippings and press releases related to Princeton Men's and Women's Track Field and Cross Country.

The Publications Series contains meet program magazines from various track field and cross country events, including the Heptagonal Track Field Championship and the Intercollegiate Association of Amateur Athletes (IC4A) Competition, as well as other published materials.

Incluye cuadernos y una agenda que Vilariño utilizó para realizar anotaciones sobre diversos temas como el tango, la crítica literaria, Octavio Paz, Roland Barthes, Arthur Schopenhauer, entre otros. La mayoría de los cuadernos incluyen las transcripciones de Vilariño de su poesía con índices.

Incluye correspondencia entre Vilariño y sus hermanos/as, invitaciones a eventos y cartas de su tiempo como profesora de literatura en la Universidad de la República Uruguay.

Incluye fotografías familiares, algunos recibos y una cartilla médica que resume el historial médico de Vilariño.

Contiene material impreso acerca de Vilariño.

Los archivos adicionales incluyen libros de la biblioteca personal de Vilariño, principalmente libros anotados escritos por otros autores como Narciso Pizarro, Octavio Paz, Pablo Rocca, José Santos Gónzalez Vera, Ernesto Sábato, Daniel Vidart, Mario Benedetti y Rubén Dário. También incluye libros anotados por y sobre la autora; dos poemas escritos a mano firmados por Vilariño; una carta de la hermana de Vilariño, Poema; y un cuaderno de poemas inéditos escritos por Jorge Liberati. La descripción se basa principalmente en la descripción del comerciante.

This series features Cozarinsky's feature-length and short films, fiction and "essays," as well as television and documentary work. It includes scripts, shooting schedules, press, stills, subtitle translation texts, general reference and accounting files. More short films, fiction and "essays" projects can be found in Series 2: Theater and Other Projects.

This series includes iterative drafts of Cozarinsky's novels, articles, essays, and other writings. Found here are handwritten, typewritten, printout drafts, research files, related press, and correspondence relating to the production of his works.

Contains mostly printed materials of various interviews, reviews, articles, about Cozarinsky. Other materials include ephemeral film festival badges and buttons. This series also contains Cozarinsky's newspaper and print research collection.

This series consists of Ibargüengoitia's correspondence with family, friends, literary agencies, publishers, and editors as well as the correspondence of Luz Antillón and Joy Laville.

The personal papers of Jorge Ibargüengoitia and the personal papers of Luz Antillón and Joy Laville.

Contains writings on Ibargüengoitia and adaptations and translations of his works.

Contains photographs of Jorge Ibargüengoitia, his family and friends, and the 1975 Mexican production of El atentado.

The correspondence series consists of correspondence received by Louis Kronenberger. Occasional outgoing letters are interfiled. The series is especially noteworthy for including correspondence with major literary figures, including W. H. Auden, Saul Bellow, John Cheever, Malcolm Cowley, E. M. Forster, Graham Greene, Joseph Heller, Lillian Hellman, Irving Howe, Alfred Kazin, Bernard Malamud, Marianne Moore, V. S. Pritchett, Stephen Spender, Eudora Welty, and Edmund Wilson.

In the name index which follows, abbreviations to connote the type of manuscript material represented have been used, in general, to conform with those used in American Literary Manuscripts; thus, L indicates letters written by the figure indexed, C represents letters to or about the figure, Ms represents a manuscript by the author, and D indicates documents. In each instance, dates of the material have been provided where possible, although in some instances dates have either been bracketed to indicate probable dates or the appreviation undated has been used to indicate the date is not readily available.

Consists of approximately 500 letters from contemporaries of Gollancz, as well as family correspondence.

Consists of Hinks's diaries (and typed transcriptions of them), drafts of John Goldsmith's edited version of them which was published as The Gymnasium of the Mind, and several folders of notes on "Sacred and Profane Love," "The Antique," and miscellaneous other topics. The diaries are arranged chronologically and numbered consecutively, though there are some missing numbers: 1 (except a note), 24, 25, 42-46.

Contains over 40 small notebooks, dating from 1932 to 1963. The contents of some have been crossed out with pencil marks. Many of the later ones are more like daily calendars of engagements rather than commentary. Placed at the end are a copy of The Arts (number two, 1946), containing Hinks's article "Mannerism", and a small amount of miscellaneous printed material.

This series contains materials related to Félix Candela's professional work as an architect, structural engineer, and master builder, both for his own company and as a technical advisor for other firms. Included are many black-and-white and color photographs, slides, negatives, and transparencies showing Candela's finished structures and works under construction, along with some architectural drawings, sketches, and designs, and a smaller quantity of maps, calculations, and project files pertaining to specific buildings. Rather than serving as traditional architectural project files, the materials in this series document the design, construction, and completed forms of many of Candela's buildings, primarily through photographs, and secondarily, through Candela's architectural drawings and specifications, which provide insight into his design process. This series includes an original run of conceptual files on specific buildings, arranged by architectural feature or theme, that contain both photographic materials and architectural drawings. Also present is a group of slides and negatives of Candela's work, along with microfilms of technical articles related to his projects, that he organized separately by medium, and additionally, a group of Candela's photographic materials, which were later arranged based on their use for research and publication in a book by Maria Garlock and David Billington, Félix Candela: Engineer, Builder, Structural Artist (Princeton University Art Museum, 2008). These divisions were preserved in order to maintain contextual evidence regarding use and original organization. Researchers looking for photographs of a specific building should note that relevant materials may therefore be present in all three subseries.

This series includes drafts, typescripts, handwritten notes, and clippings of Candela's lectures and published papers, itineraries, receipts, and correspondence related to his international travels and participation in conferences worldwide, along with drafts and clippings of his published articles and translations. These materials, which Candela filed together, pertain broadly to his role as a leader in the field of architecture and as an advocate for innovative methods of thin-shell concrete design. Beginning in the 1950s, Candela became an outspoken proponent of a new type of structural analysis that de-emphasized overly complex mathematical calculations in favor of a more thorough theoretical understanding of forms based on principles of geometry. His public lectures and writings promoted an economy of design that was not divorced from aesthetic concerns, made strong arguments against classical structural analysis, and at the same time, attracted attention and publicity to his firm, Cubiertas Ala. Materials in this series reflect Candela's regular participation in international professional conferences, meetings, and publications related to architecture and structural design, and the viewpoints he promoted. Some writings and typescripts of Candela's lectures regarding topics tangential to architecture, such as politics and urban planning, are also included.

This series contains materials primarily related to Candela's personal life and activities, including appointment books, financial ledgers, address books, student notebooks, drawing portfolios, study guides, autobiographical writings with related clippings and documents, personal photographs of Candela traveling with his family, and various awards and honorary certificates he received throughout his career. Contents range from school work and black-and-white photographs from Candela's early education and athletic career in Spain to contemporary color photographs of Candela in his later years traveling in Europe and South America alongside his wife, Dorothy Candela. A complete run of appointment books spanning from 1968 until 1997 is also present, containing a great deal of information about his daily activities and interactions.