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File
Consists of some manuscripts by Irving, including a setting copy of Contemporary American-Jewish Literature: Critical Essays, and print versions of book reviews by Irving as well as reviews about Irving's publications. There are also some publisher files that primarily include financial and legal documents as well as some correspondence. A smattering of research materials is also included.
Folder
Consists of drafts of writings by others that John Ennis accumulated throughout his career. These include drafts of the work of known poets such as Eavan Boland, Thomas Kinsella, and Medbh McGuckian, mostly collected through Ennis's involvement in the selection of poetry collections for Poetry Ireland's book club, Poetry Ireland Choice (PIC); as well as writings by poets and authors, such as Chris Agee and Stephanie McKenzie, whom Ennis mentored informally or through his work as a creative writing workshop facilitator. In addition, there are some book-length drafts of poetry collections and longer works submitted for Ennis's Irish-Canadian anthologies. Drafts are occasionally annotated or accompanied by related letters, clippings, and other printed materials.
Folder
Box b-001828, Folder 1
This series of materials consists primarily of drafts of Mills' poetry and prose, as well as essay drafts, autobiographical pieces, short stories, reflections, a radio play script, fragments, notes, lists, and numerous drafts of correspondence. Some of these draft letters were addressed to Peter Quartermaine, Robin Crozier, Alan Halsey, Adrian Mitchell, Marjorie Perlof, Jonathan Williams, and Pia Simig, among several others. A small portion of the notes and fragments pertain to novel ideas that Mills was developing and researching. The essays pertain to the works of poets and artists (e.g. Ian Hamilton Finlay, Roy Fisher, David Prentice, and Peter Berry), as well as broader topics, such as the "world of little magazines." Additional materials pertaining to Mills' writing include mockups and layouts of works such as poetry booklets and maquettes, but most significantly the board mockups of "30 Signatures to Silver Catches" by Ian Hamilton Finlay, Margot Sandeman, and Stuart Mills, which Tarasque Press printed in 1971 and also likely put on exhibition. To a lesser extent, the series also contains drawings, paintings, and collages; a small amount of teaching notes; and material related to to Tarasque, Aggie Weston's, and Poet's Poems. Mills' drawing of the Tarasque bird that became the magazine's front cover design is in this series. Some of these publications-related materials include catalogue lists, a note to subscribers, and planning notes.
File
Box 20, Folder 8-12
Poetry by Efraín Morciego and Pedro Lázaro, a dedication by Antonio José Ponte, and an screen adaptation of "Un Buick en La Habana" by Roberto Scheuer and José Luis García. Also includes the following writing on Rodríguez: " Para un cordero blanco: Captación de lo cotidiano fauna y movimiento" by José Angel Avadi, an introduction to a lecture by Rodolfo Häsler, "En el barrio de Reina María" by José Prats Sariol, "'Las islas son mundos aparentes' (Sobre la obra poética de Reina María Rodríguez)" by Ángeles Pérez López, and "Palabras de presentación de la poetista Reina María Rodríguez" by Pablo Vargas. Contains a clipping on Rodríguez and the Casa de las Américas Prize (1984)