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Box 15, Folder 1
Sale and publication of stories and novel; requests for more stories.
Box 15, Folder 2
later known as Beechhurst Press, Inc.
This series consists of letters to Wendell Wilcox from friends, family and colleagues, such as Alice B. Toklas, Gertrude Stein, and his wife, Esther Willson Wilcox.
Box 17, Folder 2
This issue dedicated to Wendell Wilcox
Directions, 1947 June 1 folder
Box 17, Folder 3
Everything is Quite All Right, literary criticism by Don Roscher. Also a drawing by Gertrude Abercombie
This series contains clippings of short stories printed in magazines such as Harper's Bazaar, Mid-Western Review and The New Yorker, as well as some poetry books and short pieces written on other authors.
1946: Elegy for Violin & Piano, 1946 3 folders
Box 3, Folder 8-10
SketchesViolin part, vellum copyScore, vellum copy
Box 3, Folder 11-14
Text from poems by Henry Thoreau. Printed pamphlet is signed, "To Ed from Mathilde, 1/13/56."
Box 4, Folder 1
Text is from the Old Testament book of Ecclesiastes. Score, vellum copy.
1946: "The Lotos-Eaters", 1946 2 boxes
Box 2, Box 22
Text from Alfred, Lord Tennyson poem. Includes original 1939 version and later reworking of piece, begun in 1940.
1947: "A Memory", 1947 1 folder
Box 4, Folder 2
Text from William Allingham poem. Score, vellum copy.
Box 5, Folder 1-6
Text from R. P. Blackmur poems.
Box 5, Folder 7-10
Uses text of Psalms 90 and 91.
1948: Violin and Piano Sonata #2, 1948 2 folders
Box 5, Folder 11-12
Violin part, vellum copyScore, vellum copy
1949: String Quartet #2, 1949 7 folders
Box 5, Folder 13-19
Working scoreCorrecting copyFirst violin part, vellum copySecond violin part, vellum copyViola part, vellum copyCello part, vellum copyScore, vellum copy
Series 1: Completed Works, 1939-1996 24 boxes
Contains masters of Edward T. Cone's published compositions, most done in pen on vellum, and working copies used for performance, revision, or correction.
Contains twelve binders of musical sketches, charts, and early manuscripts. Many items in the sketchbooks are bound upside-down, Cone's method for keeping different pieces separate.
Correspondence: B General, 1949-1988 1 folder
Box 30, Folder 2
Babbitt, Milton: ANS (1949)Berlin, Isaiah: 1 TLS, 1 TL (1988)Berryman, John: TLS with autograph postscript (undated)Bryan, Mckenty, Mrs.: ALS (undated)Burke, Kenneth: 3 TLsS, 1 ALS (1962, 1966, 1984)
Box 30, Folder 5
Fussell, Paul: ANS (1975)Gish, Lillian: TLS (1986)Gordon, Caroline: TLS (undated)Huber, Ted: TLS (1946)Locke, Ralph P.: ALS (1988)Palmer, George and Phoebe: 3 ANsS (Christmas cards, 1972 and undated)Rounds, F. W., Jr.: ANS (1942)
Box 30, Folder 8
Welch, Sylvia: ALS (1951)Wilbur, Charlee and Richard: ANS (1956)Williams, R. Vaughan: TLS with attached ALS from "Lettice" (1952)Wurzburg, Francis L.: ALS (1939)
Box 30, Folder 11
Fitzgerald, Robert: pamphlet containing poem (1956)Fried, Michael: TMs (undated)Garrett, George: TMsS (1978)Loomis, Chalres Battell: TMs (undated)Wesel, Andy: TMsS (undated)2 TMss by unknown writers (undated)TMsS with illegible signature (1949)
Miscellaneous, 1924-1993 1 folder
Box 30, Folder 17
Cone's membership card for Veterans of Future Wars, signed by John C. TurnerEnvelope labeled "N. B.: Important papers!"Princeton Small Animal Rescue cardClipping of "A Hindu Fable"Photocopied portrait of Allen TateProgram: "Florence Hunt's Piano Class" (1924)Pamphlet: "The Baltimore Museum of Art: A Resolution" (1949)Dinner menu (1954)Pamphlet: "A Letter"Pamphlet: "Contemporary Composers Catalogue" (1955)Pamphlet: "Cone Mills Corporation 75th Anniversary" (1970)TMs: history of the Cone family namePamphlet: "Lost Counties" by William Howard Adams, inscribed to Cone
Contains personal correspondence; material from the 1939 Princeton University commencement, at which Cone was salutatorian; poetry, including an unpublished poem written for Cone by John Berryman; two short plays by unknown writers; and clippings.
This series consists of the correspondence received by Mujica Láinez, as well as a few manuscripts by him, and several manuscripts by others. The series is arranged alphabetically. Included at the front of the series is a chronology of his career and life, written by his daughter (Ana Mujica) and daughter-in-law (Susana Rodríguez de Mujica Láinez). There is substantial correspondence from both Silvina and Victoria Ocampo; his close friend, and novelist Marta Lynch; his friend, and later, biographer, Oscar Hermes Villordo; as well as his Argentinian-Spanish friend Marcos Ricardo Barnatán, and his Spanish friends Guillermo Carnero and Luis Antonio de Villena. There is an undated, four-page letter to Mujica Láinez from Chilean poet Gabriela Mistral, written while she was staying in Buenos Aires. The series is notable for the range of dates which the correspondence spans, 1927 to 1984, and for its varied documents which portray the Argentinian literary scene, primarily in the decades of the 1940s-1970s.
See also 2 ACsS by MML to "Señoritas de Láinez" under Láinez, Ana María ["Anamama," "Viuda"] [aunt].
See also 2 ACsS by MML to "Señoritas de Láinez" under Láinez, Ana María ["Anamama," "Viuda"] [aunt].
This sub-series consists of correspondence between Mujica Láinez and various family members. Also included are several original envelopes, 10 clippings about his marriage to Ana de Alvear de Mujica Láinez ["Anita"], two invitations to their wedding, a telegram sent by Mujica Láinez, two manuscripts by Mujica Láinez (one written in Justa's hand), three manuscripts by others, an echocardiogram of Anita, and one miscellaneous letter. This sub-series is arranged alphabetically by correspondent and then chronologically by year. The primary correspondents are his wife Anita, Lucía Láinez de Mujica Farías ["Chía"] [mother], Ana Mujica [daughter], and Justa Varela de Láinez ["Lala"] [grandmother].
This sub-series consists of correspondence between various family members other than Mujica Láinez. There are also several original envelopes, a few assorted clippings, a few letters to family members by non-family members, seven mass cards, two manuscripts, and a chronology of family homes. This sub-series is arranged chronologically by year and then by correspondent. A large portion of this correspondence is between the following individuals: Lucía and Manuel Mujica Farías [father], Lucía, Justa, Ana María Láinez ["Anamama," "Viuda"] [aunt], Josefina Láinez ["Pepa," "Pepita," "Mamachica"] [aunt], Justita Láinez ["Tita," "Tina," "Vinagera"] [aunt], and Martha Láinez ["Nenatony"] [aunt].
Consists of family correspondence, divided into those of general family members and those of Manuel Mujica Láinez.
Subseries 1A: Cowper Poems, 1792 May-1963 1 box 3 Volumes
This sub-series consists of assorted manuscripts and copies by Cowper, of both poetry collections and single poems. This sub-series is organized alphabetically by title.
Series 1: William Cowper Poems, Miscellaneous Documents, and Pictorial Works, 1762 July 13-1963 4 boxes 3 Volumes
Consists of the poems, documents, and pictoral works of William Cowper.
Series 3: Letters and Manuscripts of Cowper Circle, 1694-1992 August 7 boxes 6 items 6 Volumes
This series consists of correspondence amongst Cowper's circle of family, friends, editors, and others, as well as a few assorted manuscripts. While the majority of the letters are original, there are also some copies. The primary correspondents include Sir John Carr, William Hayley, Lady Hesketh, John Johnson, John Newton, and Samuel Teedon. This series is first organized alphabetically by correspondent, then alphabetically by recipient, and finally chronologically by date. Unidentified manuscripts are located at the end of the series.