- Collection Overview
- Collection Description & Creator Information
- Access & Use
- Collection History
- Find Related Materials
- Griffin, Gillett G. (Gillett Good), 1928-2016
- Gillett G. Griffin Papers
- Princeton University Archives
- Permanent URL:
- 36 boxes
- Storage Note:
- ReCAP (scarcpph): Box 1-36
Gillett Good Griffin, a curator of Pre-Columbian collections at the Princeton University Art Museum from 1967 to 2005, spurred dynamic growth in the museum's collections of art of the ancient Americas. The Gillett G. Griffin Papers reflect Griffin's personal life and relationships as well as his professional work and his donation of objects to the Princeton University Art Museum.
Collection Description & Creator Information
- Scope and Contents
The Gillett G. Griffin Papers reflect Griffin's personal life and relationships as well as his professional work and his donation of objects to the Princeton University Art Museum. The papers span Griffin's lifetime, and the bulk is composed of correspondence. The papers document some of Griffin's childhood artwork and schoolwork, early correspondence with family, friends, and mentors, coursework at the Yale School of Fine Arts, and Griffin's mid-century book designs. The collection contains generous material from the period when Griffin was Curator of Graphic Arts in Firestone Library, from 1952 to 1966. The papers also reflect the 38 years Griffin spent as Curator of Pre-Columbian and Primitive Art (so called in 1967) at the Princeton University Art Museum (1967-2005). Further, the papers document his travels--particularly early trips to Mexico and organized tours from the late 1960s through the 1990s--and reflect Griffin's teaching activities at Princeton between the 1970s and 2000s. Artwork represented in the papers is primarily composed of later, small-format sketches (ink on paper), including those Griffin labeled "erotic."
Personal and professional material is commingled in the collection, particularly in the correspondence series.
Further description of each series appears under each series heading.
The papers are organized into five series:
- Collection Creator Biography:
Gillett Good Griffin, a curator of Pre-Columbian collections at the Princeton University Art Museum from 1967 to 2005, spurred dynamic growth in the museum's collections of art of the ancient Americas. Griffin was also Curator of Graphic Arts in Special Collections at the Princeton University Library from 1952 to 1966.
Gillett Griffin was a lifelong collector as well as an artist, book designer, teacher and a presence in the field of Pre-Columbian art. Over the years, he donated much of his own collection of ancient Olmec and Maya art to the Princeton University Art Museum, as well as working with other donors and museum directors to develop the Pre-Columbian collections. Griffin drew attention to the ancient art of the Americas by organizing exhibitions and conferences, teaching undergraduates, and leading archaeological tours.
Gillett Good Griffin was born in Brooklyn in 1928, and moved soon thereafter to Greenwich, Connecticut. Griffin attended Greenwich Country Day School and, from 1942 to 1947, boarded at Deerfield Academy, where he first began collecting early New England children's books. He eventually donated his collection of early American children's books to the Pierpont Morgan Library.
Griffin went from Deerfield to the Yale School of Fine Arts, where he worked under Alvin Eisenman and earned a Bachelor of Fine Arts degree in Graphic Arts, in 1951. That year, Griffin wrote, illustrated and hand-printed 80 copies of a children's book, A Mouse's Tale, recognized as one of the 50 best-designed books of the year by the American Institute of Graphic Arts. An edition from Abelard Press came out the following year.
In 1952, at age 24, Griffin succeeded Elmer Adler as the Curator of Graphic Arts at Princeton University. With a small acquisitions budget, Griffin collected on behalf of the library. During his tenure in Graphic Arts, he also taught noncredit courses on bookmaking, printing and book history, inviting the university community to work with presses and type in the library's basement.
Griffin met Albert Einstein in 1953 through his friend and fellow librarian Johanna Fantova. Griffin was a sometime visitor to Einstein's home between 1953 and 1955.
In 1957, Griffin went on leave to design books for the Princeton University Press. He returned to Graphic Arts at the Library and was Curator until 1966. During the 1960s, Griffin advocated for the establishment of a creative arts program for Princeton undergraduates.
Griffin had begun to collect Pre-Columbian art while studying at Yale, and in the early 1960s he first traveled to Mexico. Griffin spent the year 1966-1967 in Mexico, helping to discover ancient Olmec paintings in a cave in central Guerrero. Griffin returned to Princeton in 1967, assuming the part-time faculty position of Curator of Pre-Columbian and Primitive Art, as the position was initially called, at the Princeton University Art Museum. He held the position for 38 years, retiring in 2005. Griffin worked with museum directors Patrick Joseph Kelleher, Peter Bunnell, Allen Rosenbaum and Susan Taylor.
In subsequent travels to Mexico and Guatemala, Griffin helped to map the Olmec site of Chalcatzingo (1968-1970), and to find the "lost" Temple B at Rio Bec while working on a television documentary in 1973. He also led archaeological tours for the Friends of the Princeton Art Museum and other organizations, and participated in a series of roundtables in Palenque between 1974 and 1980.
During the 1980s, he organized two conferences on Maya art and one on the Olmec. With Elizabeth Benson he published Maya Iconography, containing papers from the two Maya conferences, in 1988. In 1994, an edition of Griffin's illustrated letters to friends, called Drawn from His Letters, was published. In 1995, the Princeton University Art Museum presented the exhibit "The Olmec World: Ritual and Rulership."
Griffin retired from the Princeton University Art Museum in 2005. The Art Museum mounted a tribute exhibit and symposium in 2005, titled "Unexpected Journey: Gillett G. Griffin and the Art of the Ancient Americas at Princeton." The Record of the Art Museum, Princeton University, volume 64 (2005) contains several pieces that further illuminate Griffin's career.
Two late retrospective exhibits of Griffin's own work took place in Princeton. In 2014, the Arts Council of Princeton displayed paintings, drawings and sketches from Griffin's field notes and diaries in "The Eyes Have It," and in 2016, the Arts Council and the Princeton Public Library co-sponsored a show of portraits, "Heads and Tales: Portraits with Legends by Gillett Good Griffin."
During much of his career in Princeton, Griffin lived in a house at 481 Stockton Street, where he stored collections, gave examinations, and hosted parties. He also spent time in an eighteenth-century cabin he co-owned in Colrain, Massachusetts.
Estate of Gillett G. Griffin, 2016 (Attorney Kim Otis, executor). Accession number AR.2017.038.
Griffin's address card file, accession AR.2018.098, was donated by Alfred Bush in December, 2018. Further accruals donated by Alfred Bush arrived in 2019, 2020, and 2021 (AR.2019.030; AR.2020.060; AR.2021.010).
The following material was separated from the papers: two boxes of subject clippings; printed publications and duplicates; student work, grades, recommendation letters and fellowship applications; personal letters not addressed to or written by Gillett Griffin; personal documents of people other than Gillett Griffin.
Leather, plastic and vinyl luggage tags and travel document enclosures have been removed. Some envelopes have been removed.
- Processing Information
This collection was processed by Phoebe Nobles in 2017. Finding aid written by Phoebe Nobles in 2017.
Where possible, Griffin's folder titles were maintained. Papers received loose in boxes were arranged into folders and titles were created for those folders. Additional material added to finding aid in 2022 by Phoebe Nobles.
Access & Use
- Conditions Governing Access
The collection is open for research use with some exceptions. To protect the privacy of living individuals, portions of this collection are restricted for 25-50 years. Relevant restrictions are noted in the folder descriptions.
- Conditions Governing Use
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. The Trustees of Princeton University hold copyright to all materials generated by Princeton University employees in the course of their work. For instances beyond Fair Use, if copyright is held by Princeton University, researchers do not need to obtain permission, complete any forms, or receive a letter to move forward with use of materials from the Princeton University Archives.
For instances beyond Fair Use where the copyright is not held by the University, while permission from the Library is not required, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
- Physical Characteristics and Technical Requirements
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
Materials in the Gillett Good Griffin Papers have been treated for mold; however, materials may still be fragile and exhibit signs of damage. Researchers should exercise caution when handling these materials.
- Credit this material:
Gillett G. Griffin Papers; Princeton University Archives, Department of Special Collections, Princeton University Library
- Permanent URL:
- Seeley G. Mudd Manuscript LibrarySeeley G. Mudd Manuscript Library65 Olden StreetPrinceton, NJ 08540, USA
- Storage Note:
- ReCAP (scarcpph): Box 1-36