- Collection Overview
- Collection Description & Creator Information
- Access & Use
- Collection History
- Find Related Materials
- Beardsley, Aubrey, 1872-1898.
- Princeton University. Library. Special Collections
- Aubrey Beardsley Collection
- Manuscripts Division
- Permanent URL:
- 17 boxes
- Storage Note:
- This is stored in multiple locations. Firestone Library (mss): Boxes 1-7; 15; 5A; 5B Firestone Library (hsvm): Boxes 8-14; 14A
Aubrey Beardsley was an English draughtsman and author. The collection includes some of his Art Nouveau work, book illustrations, borders, chapter headings, title pages, and posters. Also included are various notes for his writing and holograph manuscripts of "Under the Hill" and "The Ivory Piece." Correspondence with friends and colleagues completes the collection.
Collection Description & Creator Information
The Aubrey Beardsley Collection contains drawings from Beardsley's early Art Nouveau work, book illustrations, borders, chapter headings, title pages, and posters. In addition, a signed autograph manuscript of "The Art of Hoarding," notes for a Volpone prospectus, its revision, and introduction are included, as well as notes for a short story, "The Celestial Lover," which Beardsley never developed, and portions of the original holograph manuscripts of "Under the Hill" and "The Ivory Piece."
Among the major correspondents are Edmund Gosse, Robert Underwood Johnson, and Leonard Smithers. Albert Eugene Gallatin, art critic and collector of this material, is also represented in letters from Henry Harland, Philip Hofer, Mitchell Kennerley, Percy Lubbock, A. Hyatt Mayor, Arthur Symons, and others. In addition, there is correspondence from Douglas Ainslie, Joseph M. Dent, John Lane, and Beardsley's mother and sister, as well as photographs of Beardsley and family members.
- Collection Creator Biography:
Aubrey Beardsley, English artist, book illustrator, and writer, was born on August 21, 1872 in Brighton, England. He showed signs of intelligence and talent from a young age, developing writing, musical, and drawing skills. Unfortunately, Beardsley was also afflicted with poor health from a young age, infected with tuberculosis by age seven. He tried to work at an insurance company, but his weak lungs prevented him from working there for long. After briefly focusing on his writing, Beardsley began to work more on his drawing. His health improved, and seriously began his artistic career in the early 1890s. In 1892 he received a commission from J.M. Dent to illustrate Sir Thomas Malory's Le Morte Darthur. This commission allowed him to survive on his drawing alone. In 1894, he created 17 images for Oscar Wilde's Salome, beginning his relationship with the avant-garde. From 1894 to 1895 he worked as art editor for Yellow Book, but fled to France when the Wilde was arrested. Upon his return to London, Beardsley founded a new magazine The Savoy, which included parts of his romantic novel Under the Hill. He illustrated Alexander Pope's The Rape of the Lock and Aristophanes' Lysistrata in 1896. Around the same time, Beardsley's health began deteriorating again and he was unable to work continuously. He passed away on March 16, 1898.
In 1948, Albert Eugene Gallatin gave the University drawings, manuscripts, letters, and related material. Princeton has expanded the collection over the years by additional gifts and purchases. See the Collection File for additional information.
Beardsley's illustrated copy of Stéphane Mallarmé's L'après midi d'un faune (1882) was purchased in 2012 with funds provided by the Richard M. Ludwig Endowment donated by Michael Spence, Class of 1966.
- Custodial History:
The collection was formed as a result of a departmental practice of combining into one collection manuscript material of various accessions relating to a particular author.
- Archival Appraisal Information:
These books have been transferred to the Rare Books Division:
King, A. W. (Arthur William): An Aubrey Beardsley Lecture...., London, R. A. Walker, 1924, #140 of 500, signed by R. A. Walker
Reade, Brian: Aubrey Beardsley, an exhibition at the Victoria and Albert Museum, Her Majesty's Stationery Office, London, 1966.
Reade, Brian, compiler: Aubrey Beardsley: an Exhibition Arranged by Brian Reade for the Gallery of Modern Art, Foundation for Modern Art, New York, 1967
Walker, R. A., editor: Letters from Aubrey Beardsley to Leonard Smithers, The First Edition Club, Chiswick Press, London, 1937.
- Processing Information:
This collection was processed by Barbara Volz in 1996. Finding aid written by Barbara Volz in 1996.
Biography written by Alyxandra Cullen, '09.
Access & Use
- Access Restrictions:
Original Beardsley drawings (contained in Boxes 8-14A) are restricted; permission from the manuscripts staff is required for access.
- Conditions for Reproduction and Use:
Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
- Credit this material:
Aubrey Beardsley Collection; Manuscripts Division, Department of Special Collections, Princeton University Library
- Permanent URL:
- Firestone LibraryOne Washington RoadPrinceton, NJ 08544, USA(609) 258-3184