Contents and Arrangement Collection View
Description:

This series consists of various correspondence of Raymond Mortimer with friends and associates, including many members of the Bloomsbury group.

Arranged alphabetically by correspondent.

Description:

This series includes corrected drafts (primarily typescripts with handwritten corrections) of Mortimer's writings, mostly for his articles and book reviews. Drafts are often accompanied by newspaper clippings of the final published version. There are also general files of corrected proofs and press clippings.

Drafts arranged alphabetically by title, followed by corrected proofs and press clippings.

Description:

This series includes loose manuscript and printed documents and ephemera, including receipts and invoices, a travel permit, transcripts of BBC poetry programs curated by Mortimer, typescripts and galley proofs of writings of others, printed pamphlets Mortimer collected, and clippings about Mortimer.

Roughly grouped by material type.

Description:

This series includes loose black-and-white and color photographs, photograph albums, and some negatives, including photographs of Raymond Mortimer with friends, lovers, and acquaintances, as well as travel photographs from his trips across Asia and Europe. Photograph albums include a 1905 album of family photographs taken in Wimereux and three albums from World War I, including photographs of the hospital in Southern France where Mortimer worked.

Not arranged according to any arrangement scheme.

Description:

This series includes bound manuscript notebooks, diaries, and appointment books. Notebooks contain a range of contents, such as drafts of poems, stories, and essays, including a draft of Mortimer's short story "The Lion's Den"; diary entries; notes and essays on history, literature, art, and religion from Mortimer's studies at Balliol College; research notes and citations on various subjects; and addresses and appointments.

Not arranged according to any arrangement scheme.

Scope and Contents

The collection consists primarily of letters to Raymond Mortimer, but also includes notebooks, drafts of reviews, photographs and albums, and miscellaneous printed ephemera. The Bloomsbury group is well represented with letters by Vanessa and Clive Bell, Virginia and Leonard Woolf, Lytton Strachey, Maynard Keynes, Desmond and Molly MacCarthy, Roger Fry, and Duncan Grant. There are long series of letters from Harold Nicolson, Vincent "Jimmy" Sheean, and Nancy Mitford. The correspondence concerns literary allusions and criticism, but also social commentary and gossip. Many of the letters, such as those from Rebecca West, also contain references to family matters.

Also included in this collection are photographs of Mortimer, from his youth to old age. Several of the photographs are with friends, such as Clive Bell, Harold Nicolson, and Edward Sackville-West. Photograph albums date from 1905-1919; many of the pictures show the French hospital where Mortimer worked during the war. In addition, there are notebooks and diaries containing early verse, Oxford essays, a manuscript fragment of a novel, stories, and an extensive account of a visit to Italy (circa 1920).

The following standard abbreviations, or their variations, are used to identify materials in this collection: ALS = autograph letter signed, TLS = typed letter signed, ACS = autograph card signed, TCS = typed card signed, ANS = autograph note signed, TNS = typed note signed, AMsS = autograph manuscript signed, and TMsS = typed manuscript signed.

Arrangement

Arranged into the following five series:

Collection Creator Biography:

Mortimer

(Charles) Raymond Mortimer (Bell), 1895-1980, writer, literary art critic, and editor, was born at 62 Albert Gate Mansions, Knightsbridge, London on April 25, 1895. His mother dying young, Mortimer was raised by his aunt and uncle in Redhill, Surrey. At age nine he was sent to Eastbourne Preparatory School, but quickly moved on, in 1909, to Malvern College. He studied history at Balliol College at Oxford in 1913. In 1915, medically rejected from active service, he worked at a hospital for French soldiers in the South of France. In 1918, again medically rejected, he returned to England as a cipher clerk in the Foreign Office. After the war, he did not return to his education at Oxford, but rather chose to engage in a brief and fruitless exploration of religion, briefly joining the Catholic Church. Mortimer soon decided the religious life was not for him and became a self-proclaimed hedonist. With the help of a private income, he enjoyed a life of leisure. He indulged in travel, and in Paris he almost established a second home, quickly becoming friendly with such art and literary figures as Jean Cocteau, Tristan Tzara, and Louis Aragon.

In 1922, in collaboration with Hamish Miles (J. E. Miles, a Balliol friend), he published a novel, The Oxford Circus. His short story "The Lion's Den," which was originally published in the London Mercury, was later included in the 1924 edition of The Best British Short Stories. His works were also published in Vogue, the Nation, and New Statesman. However, Mortimer was primarily known for his work as a critic and reviewer of both literature and the visual arts, and for his close association with a circle of artists and literary figures known as the "Bloomsbury Group."

Mortimer became literary editor for the New Statesman in 1935, retaining the post until 1947, with an interlude in 1940-1941, during which period he was at the Ministry of Information, playing a large part in the liaison with the BBC and the establishment of the Free French Service. In 1948 he went to the Sunday Times, and in 1952 obtained the title of Chief Reviewer, a title he would hold until his death. Unmarried, he shared a Bloomsbury flat, and after 1952 a house in Canonbury, Islington, with the architect Geddes Hyslop. In Dorset he shared a country house with his fellow critics Edward Sackville-West and Desmond Shawe-Taylor. Mortimer died at his home in Canonbury, Islington, on January 9, 1980.


Mortimer

(Charles) Raymond Mortimer (Bell), 1895-1980, writer, literary art critic, and editor, was born at 62 Albert Gate Mansions, Knightsbridge, London on April 25, 1895. His mother dying young, Mortimer was raised by his aunt and uncle in Redhill, Surrey. At age nine he was sent to Eastbourne Preparatory School, but quickly moved on, in 1909, to Malvern College. He studied history at Balliol College at Oxford in 1913. In 1915, medically rejected from active service, he worked at a hospital for French soldiers in the South of France. In 1918, again medically rejected, he returned to England as a cipher clerk in the Foreign Office. After the war, he did not return to his education at Oxford, but rather chose to engage in a brief and fruitless exploration of religion, briefly joining the Catholic Church. Mortimer soon decided the religious life was not for him and became a self-proclaimed hedonist. With the help of a private income, he enjoyed a life of leisure. He indulged in travel, and in Paris he almost established a second home, quickly becoming friendly with such art and literary figures as Jean Cocteau, Tristan Tzara, and Louis Aragon.

In 1922, in collaboration with Hamish Miles (J. E. Miles, a Balliol friend), he published a novel, The Oxford Circus. His short story "The Lion's Den," which was originally published in the London Mercury, was later included in the 1924 edition of The Best British Short Stories. His works were also published in Vogue, the Nation, and New Statesman. However, Mortimer was primarily known for his work as a critic and reviewer of both literature and the visual arts, and for his close association with a circle of artists and literary figures known as the "Bloomsbury Group."

Mortimer became literary editor for the New Statesman in 1935, retaining the post until 1947, with an interlude in 1940-1941, during which period he was at the Ministry of Information, playing a large part in the liaison with the BBC and the establishment of the Free French Service. In 1948 he went to the Sunday Times, and in 1952 obtained the title of Chief Reviewer, a title he would hold until his death. Unmarried, he shared a Bloomsbury flat, and after 1952 a house in Canonbury, Islington, with the architect Geddes Hyslop. In Dorset he shared a country house with his fellow critics Edward Sackville-West and Desmond Shawe-Taylor. Mortimer died at his home in Canonbury, Islington, on January 9, 1980.

Acquisition:

The collection consists of papers of Raymond Mortimer reassembled from several sources. An original group of papers was collected by Geddes (Paul) Hyslop, and given to the Library by Lady Eccles in honor of Richard Ludwig in 1985 (AM 1986-88), with additions in 1986 (AM 86-113) and 1991 (AM 1992-64). Supplemental correspondence and other materials were purchased from John Wilson in 2004 (AM 2004-193). Additional correspondence, writings, photographs, and printed materials that came from the Long Crichel House in Dorset, England, were purchased in 2016 (AM 2017-66).

Appraisal

No materials were separated during 2016 processing.

Processing Information

This collection was processed by Teresa T. Basler in 2004. Finding aid written by Teresa T. Basler in 2004. The 2016 addition was processed by Kelly Bolding in December 2016, with assistance from Sophia Alvarez '18 and Fiona Bell '18. Finding aid updated by Kelly Bolding in December 2016.

Conditions Governing Access

Collection is open for research use.

Conditions Governing Use

Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

Credit this material:

Princeton University Library Collection of Raymond Mortimer Materials; Manuscripts Division, Department of Special Collections, Princeton University Library

Permanent URL:
http://arks.princeton.edu/ark:/88435/7p88cg562
Location:
Firestone Library
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Princeton, NJ 08544, USA
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Storage Note:
  • Firestone Library (scamss): Boxes 1-9; B-000826; B-000827; B-000828; B-000829