- Collection Overview
- Collection Description & Creator Information
- Access & Use
- Collection History
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[removed to Box 4, folder 1], dates not examined
Collection Description & Creator Information
Consists of papers of Marsden, including correspondence relating to her books, The Definition of the Godhead, The Mysteries of Christianity, and The Philosophy of the Time, and the three periodicals she edited, The Freewoman, The New Freewoman, and The Egoist. Contained in the collection are manuscripts sent to the periodicals, although the bulk of this material appeared in The Freewoman. There is also correspondence between feminists, such as Harriet Shaw Weaver, Mary Gawthorpe, and Grace Jardine, and an exchange of letters among leading suffragettes, including Emmeline and Cristabel Pankhurst of the Women's Social and Political Union (WSPU).
In January of 1911, Marsden left WSPU and founded The Freewoman to express her more radical feminist views. When the publisher of The Freewoman went bankrupt, the editors reorganized their periodical to form The New Freewoman, continuing their feminist philosophy, but within six months of its publication, encouraged by Ezra Pound, the magazine became The Egoist and reflected a greater interest in literature and literary subjects. Included is a fragment of James Joyce's A Portrait of the Artist as a Young Man, which appeared in serial form in The Egoist.
A special section of the collection groups together correspondence of well-known literary contemporaries of Marsden, such as Rebecca West, H. G. Wells, Ezra Pound, D. H. Lawrence, Storm Jameson, and others. Many of Storm Jameson's letters in the correspondence relate to The Definition of the Godhead.
- Archival Appraisal Information:
No appraisal information is available.
Access & Use
- Access Restrictions:
Collection is open for research use.
- Conditions for Reproduction and Use:
Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
- Credit this material:
[removed to Box 4, folder 1]; Dora Marsden Collection, C0283, Manuscripts Division, Department of Special Collections, Princeton University Library
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