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Miami Story, dates not examined
Collection Description & Creator Information
The collection consists of papers of Wohlforth. Included in the papers are over 600 letters from friends, family, and literary associates such as Barbara Belford, Silas Bent, Hewood Broun, Robert Benchley, Kyle Crichton, Zona Gale, Julian S. Huxley, Richard and Hildegarde Lockridge, H. L. Mencken, Ezra Pound, and Robert Wohlforth. There are autograph and typed manuscripts for several unpublished novels in various revisions with such titles as Diary of Alice, I Sobbed for Mr. Hearst, and The Woman Angle, as well as the manuscript for The Reminiscences of Mildred Gilman (1973); typescripts for some stories and many articles on a wide range of topics with many relating to issues of marriage and sexuality, such as "Are You Frigid," "Fearless Frances," "I Covered the Crash," "Safe Sex," and "Sob Sister Tells All"; contracts; documents; dreams recorded by Wohlforth; newspaper clippings; and about 120 photographs of the Wohlforth family, Mildred Wohlforth on various reporting assignments, friends, writers, and several movie actors and actresses, including Deanna Durbin, Jane Withers, Tyrone Power, Shirley Temple, Paul Robeson, Hermann Goring, Dorothy Parker, Hewood Broun, and others. There are two videocassettes of an interview with the Wohlforths.
Also present are selected papers of Robert Wohlforth, a journalist, business analyst, secretary-treasurer at Farrar, Straus & Giroux, and author of an exposé novel of West Point entitled Tin Soldiers (1934), articles, and short stories. Included are about 100 letters to him by Harold Bender, Kyle Crichton, Pare Lorentz, Lewis Mumford, James Salter, Louis Untermeyer, and others, 15 typescripts of articles or stories, including "I Married a Sob Sister," and "A Nickelodeon Childhood," reviews of Tin Soldiers, and newspaper clippings.
- Archival Appraisal Information:
No appraisal information is available.
Access & Use
- Access Restrictions:
Collection is open for research use.
- Conditions for Reproduction and Use:
Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
- Credit this material:
Miami Story; Mildred Gilman Wohlforth Papers, C0842, Manuscripts Division, Department of Special Collections, Princeton University Library
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