- Collection Overview
- Collection Description & Creator Information
- Access & Use
- Collection History
- Find Related Materials
Collection Overview
- Creator:
- Ocampo, Silvina (1903-1993)
- Title:
- Archivo de Silvina Ocampo
- Repository:
- Manuscripts Division
- Permanent URL:
- http://arks.princeton.edu/ark:/88435/4t64gn199
- Dates:
- 1949-1986
- Size:
- 1 box and 0.4 linear feet
- Storage Note:
- Firestone Library (scamss): Box 1
- Language:
- Spanish; Castilian English
Abstract
La colección consiste de escritos, correspondencia y dibujos de la novelista, cuentista y poeta argentina Silvina Ocampo.
The collection consists of writings, correspondence and drawings by Argentine novelist, short-story writer and poet Silvina Ocampo.
Collection Description & Creator Information
- Alcance y Contenido
La colección consiste de manuscritos de prosa y poesía, algunos acompañados de transcripciones mecanografiadas y/o dibujos; cartas, escritas por y para Silvina Ocampo; y varios dibujos realizados por Ocampo. También hay alrededor de 25 cartas de Ocampo a Elena Ivulich, la secretaria de Ocampo y Adolfo Bioy Casares (esposo de Ocampo).
- Scope and Contents
The collection consists of manuscripts of prose and poetry, some accompanied by typed transcriptions and/or drawings; letters, written by and to Silvina Ocampo; and several drawings by Ocampo. There are also about 25 letters from Ocampo to Elena Ivulich, Ocampo's secretary, and Adolfo Bioy Casares (Ocampo's husband).
- Collection Creator Biography:
Ocampo
Silvina Ocampo nació en Buenos Aires, Argentina, en 1903. Era la menor de las seis hijas de Manuel Silvino Ocampo y Ramona Aguirre. Una de sus hermanas mayores era Victoria Ocampo, directora de la revista Sur. De joven, Ocampo vivió en París y estudió pintura con Fernand Leger y Giorgio de Chirico. A lo largo de su vida, combinó el arte y la escritura, ilustrando a menudo los versos de otros y los suyos propios.
Ocampo conoció al también escritor argentino Adolfo Bioy Casares en 1933, y siete años después la pareja se casó. Ese mismo año, 1940, Ocampo expuso por primera vez sus cuadros en Buenos Aires.
Ocampo mantuvo una estrecha amistad con Jorge Luis Borges, y tanto Ocampo como Bioy Casares mantuvieron una colaboración creativa con Borges. Antología de la literatura fantástica (Buenos Aires: Sudamericana, 1940) y Antología poética argentina (Buenos Aires: Sudamericana, 1941) fueron coautores del trío. Ocampo produjo una importante obra, tanto en poesía como en prosa, y recibió varios premios por sus escritos:
- segundo premio en el Concurso Nacional de Poesía (Argentina) de 1953 por Los nombres
- primer premio en el Concurso Nacional de Poesía (Argentina) de 1962 por Lo amargo por dulce
- Premio Club de los XIII (Argentina) de 1988 por Cornelia frente al espejo
- Pluma de Oro del PEN Club
Ocampo murió en 1993.
Ocampo
Silvina Ocampo was born in Buenos Aires, Argentina, in 1903. She was the youngest of the six daughters of Manuel Silvino Ocampo and Ramona Aguirre. One of her older sisters was Victoria Ocampo, director of Sur magazine. As a young woman, Ocampo lived in Paris and studied painting with Fernand Leger and Giorgio de Chirico. Throughout her life, she combined art and writing, often illustrating the verses of others and her own.
Ocampo met fellow Argentine writer Adolfo Bioy Casares in 1933, and seven years later the couple married. That same year, 1940, she exhibited her paintings for the first time in Buenos Aires.
Ocampo maintained a close friendship with Jorge Luis Borges, and both, Ocampo and Bioy Casares maintained a creative collaboration with Borges. Antología de la literatura fantástica (Buenos Aires: Sudamericana, 1940) and Antología poética argentina (Buenos Aires: Sudamericana, 1941) were co-authored by the trio. Ocampo produced an important body of work, both in poetry and prose, and received several awards for her writings:
- second prize in the 1953 National Poetry Contest (Argentina) for Los nombres (The Names)
- first prize in the 1962 National Poetry Contest (Argentina) for Lo amargo por dulce (Bitter for sweet)
- Club de los XIII Award (Argentina) in 1988 for Cornelia frente al espejo (Cornelia in front of the mirror).
- Golden Pen of the PEN Club
Ocampo died in 1993.
Collection History
- Acquisition:
Comprada a través de Los Siete Pilares, Buenos Aires, Argentina. Estos materiales fueron recopilados originalmente por Elena Ivulich, la secretaria de Adolfo Bioy Casares (esposo de Ocampo).
Las cartas de Silvina Ocampo a Elena Ivuluch fueron compradas a Libros Latinos en 2018 (AM 2018-92).
Purchased via Los Siete Pilares, Buenos Aires, Argentina. These materials were originally collected by Elena Ivulich, the secretary of Adolfo Bioy Casares (Ocampo's husband).
Silvina Ocampo's letters to Elena Ivuluch were purchased from Libros Latinos in 2018 (AM 2018-92).
- Evaluación
Durante el procesamiento del 2021 no se retiró ningún material de la colección mas allá de las prácticas rutinarias de evaluación.
- Appraisal
No materials were removed from the collection during 2021 processing beyond routine appraisal practices.
- Información del procesado
Esta colección fue procesada por Karla J. Vecchia en 2004. Guía de búsqueda escrita por Karla J. Vecchia en 2004.
Esta colección fue reprocesada por Armando Suárez en 2021. Guía de búsqueda reescrita por Armando Suárez en 2021.
- Processing Information
This collection was processed by Karla J. Vecchia in 2004. Finding aid written by Karla J. Vecchia in 2004.
This collection was reprocessed by Armando Suárez in 2021. Finding aid rewritten by Armando Suárez in 2021.
Access & Use
- Condiciones de Acceso
Investigación de libre acceso.
- Conditions Governing Access
The collection is open for research.
- Condiciones de Uso
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
- Conditions Governing Use
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
- Physical Characteristics and Technical Requirements
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
- Características Físicas y Requisitos Técnicos
Por razones de conservación, los archivos originales analógicos y digitales no pueden leerse ni reproducirse en la sala de lectura. Los usuarios pueden inspeccionar visualmente los medios físicos, pero no pueden sacarlos de su caja. Todo el material audiovisual analógico debe digitalizarse con calidad de conservación antes de su uso. Las solicitudes de digitalización audiovisual son tramitadas por un proveedor externo. Tenga en cuenta que el tiempo necesario para la tramitación puede oscilar entre varias semanas y varios meses, y que el proceso puede acarrear costes financieros. Las solicitudes deben dirigirse a través del formulario ¡Pregúntenos!
- Credit this material:
Archivo de Silvina Ocampo; Manuscripts Division, Department of Special Collections, Princeton University Library
- Permanent URL:
- http://arks.princeton.edu/ark:/88435/4t64gn199
- Location:
-
Firestone LibraryOne Washington RoadPrinceton, NJ 08544, USA
- Storage Note:
- Firestone Library (scamss): Box 1
Find More
- Subject Terms:
- Argentine literature. -- 20th century
Argentine poetry. -- 20th century
Authors, Argentine
Latin American literature. -- 20th century
Poets, Argentine -- 20th century -- Manuscripts.
Poets, Argentine -- 20th century -- Notebooks, sketchbooks, etc.
Poets, Argentine. -- 20th century -- Correspondence - Genre Terms:
- Correspondence
Drawings.
Manuscripts.
Notebooks. - Names:
- Bioy Casares, Adolfo