- Collection Overview
- Collection Description & Creator Information
- Access & Use
- Collection History
- Find Related Materials
Series 2: Correspondence, 1949-2003
Collection Description & Creator Information
The collection consists of the personal and working papers of Juan García Ponce. It features multiple drafts of his novels, including La casa en la playa, Figura de paja, and El gato; his plays, including Doce y una, trece and a number of unpublished works; screenplays, including Tajimara, plans and outlines for screenplays, and unproduced works; short stories, some previously uncollected; and essay collections, as well as many uncollected essays. Also included are video recordings of movies based on García Ponce's work, conferences pertaining to his work, and presentations of awards to the author. The audio recordings include a number of literary and artistic conferences and a reading of Tajimara by García Ponce himself.
García Ponce's correspondence with literary figures, artists, publishers, and critics, covering the period 1949-2003, includes letters to and by Inés Arredondo, Miguel Cervantes, Manuel Felguerez, Alberto Gironella, Juan José Gurrola, Pierre Klossowski, Denise Levertov, Juan Vicente Melo, Octavio Paz, Vicente Rojo, Juan Soriano, and Mario Vargas Llosa.
Arranged alphabetically by name. Unidentified correspondents appear first in the series. Following the individual correspondents are folders containing letters from family, Mexican universities and government, Yucatán government, publishers, and organizations, as well as congratulatory letters following García Ponce's receipt of the Premio Juan Rulfo in 2001.
- Archival Appraisal Information:
Nothing was removed from the collection.
Access & Use
- Access Restrictions:
The majority of the collection is open for research.
Letters addressed to Mercedes de Oteyza de Felguerez cannot be read during her lifetime. García Ponce's diaries (Box 1, Folder 1-2) were previously restricted until 2014.
- Conditions for Reproduction and Use:
Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
Publication of any words written by Juan García Ponce and his family (Mercedes de Oteyza de Felguerez, Mercedes Beatty, and Juan García de Oteyza) are protected by copyright and cannot be published without the written permission of Mercedes Beatty or Juan García de Oteyza.
- Special Requirements for Access:
Audiovisual Materials (Reading Room Access Only): Digital access copies are accessible on a computer in RBSC's reading room.
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media, but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Patrons may request digital copies of original analog media, but will be responsible for the cost of digital conversion, payable in advance. Turn-around time for such requests will depend on the size and scope of the project. Requests should be directed to Special Collections Public Services staff through the Ask Us! form.
- Credit this material:
Series 2: Correspondence; Juan García Ponce Papers, C0977, Manuscripts Division, Department of Special Collections, Princeton University Library
- Firestone LibraryOne Washington RoadPrinceton, NJ 08544, USA(609) 258-3184
- Storage Note:
- Firestone Library (mss): Box 24-27
- García Ponce, Juan